Journal of the Central Conservatory of Music 2008 Issue 3 The 2008 International Symposium on the Preservation of the Nonmaterial Cultural Heritage of Music: A Summary

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Journal of the Central Conservatory of Music
1001-9871
2008 Issue 3

The 2008 International Symposium on the Preservation of the Nonmaterial Cultural Heritage of Music: A Summary
SONG Jin

..............page:138-144

A Renew of Studies of Domenico Scarlatti's Keyboard Works
DING Xiao-li;LI Chun-guang

..............page:132-137,144

A Quantitative Study of Three Key Periodicals of Music in China
SONG Pei

..............page:125-131

The Perpelexity of Music Theory
YANG Yong

..............page:121-124,131

Le Paratexte Musical: Le Titre
fu lang suo wa zi ai si ka er ; wen yong hong

..............page:112-120

Instructions on How to Learn an Unknown Chant(Ⅲ):An Introduction to the Letter of Guido d'Arezzo to His Confreer Michele with the Chinese Translation
Enrico Rossetto;Enrico Rossetto

..............page:101-111

The Educational Ideas and Practice in Yang Hongnian's Chorus Training
HAN Han

..............page:90-100,120

Recent Trend of Research Methods Used in Psychology of Music and Some Reflections: From Traditional Experiments to EEG,ERP,FMRI
ZHENG Mao-ping

..............page:81-89

Mirror of Desire:An Analysis of the Composing Techniques and Theatrical Thinking in Wen Deqing's Opera Du Ming(A Bet of Life and Death)
YANG He-ping

..............page:70-80

Compositional Idea and Practice Controlled by Three Sorts of Pitch-Thinking: A Fusion of Traditional and Contemporary Composing Techniques
YAO Heng-lu

..............page:57-69,80

The Relationship between the Percussion Ensemble Xiao Dong Gu and the Local Huo Shen Hui(Firegod's Birthday Celebrating Society)of Xinxiang,Henan(Ⅰ)
ZHAO Jun

..............page:47-56

A Case Study of the Folk Session in the Pubs of Sheffield, England
JIANG Shu

..............page:38-46,111

Some Historical Reflections on the Joint Performances of Folk Artists: A Measure to Reserve Folk Music
ZHANG Zhen-tao

..............page:32-37

The Absence of the Shang Note and the Shang Mode in the Chapter Da Si Yue(The Music Minister) of the Book Zhou Li (The Rites of the Zhou Dynasty):A Study
FANG Jian-jun

..............page:28-31

The Titles-Changing of the Zhuyue Repertory in 803 AD:An Analysis of the Historical Data in the Book Tang Hui Yao (Economic and Political Institutions and Regulations of the Tang Dynasty)
ZHENG Zu-xiang

..............page:12-27,37

A Commentary on Yu Runyang's Study of the Modern Western Music Aesthetics
JU Qi-hong

..............page:3-11