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Journal of the Central Conservatory of Music
1001-9871
2002 Issue 2
Yu Runyang, ed. , A Comprehensive History of Western Music
cai liang yu
..............
page:95-96
Reginald Smith Brindle,The New Music-The Avant-Garde since 1945
jia guo ping
..............
page:94-95
Winterthur, Switzerland: New Music and New Direction from China
ding na
..............
page:93-93
Three Suggestions Regarding the Teaching and Leanrning of Musicology
cai liang yu
..............
page:90-92
A Study of the Method of Variation in Yang Guan during the Tang Dynasty
zhao chun zuo
..............
page:83-89
Use of the Piano Middle Pedal
wu tie ying
..............
page:77-82
Albert Roussel's Six Poèmes chinois
tian da cheng
..............
page:68-76
An Examination of the Early Development of Western Electro-Acoustic Music through Comparison of Symphonie pour un homme seul and Kontakte(I)
huang zhen yu
..............
page:58-67
The Analysis of Baroque Opera
yue han w xi er ; yu zhi gang ; zhong mei
..............
page:48-57
The Application of Ritornello in the Brandenburg Concertos (I)
liu xiao long
..............
page:38-47,82
The Basis of Recreating Music in Performance Viewed from the Mode of Existence of Musical Compositions(I)
yang yi he
..............
page:30-37
A Comparative Study of the Vocal Music in the Theravada Buddhist Ceremonies of the Shan-Dai Ethnic Groups in Yunnan and Southeast Asia
yang min kang
..............
page:20-29,89
ma si cong guan yu shan lin zhi ge shuo ming de shou gao
..............
page:19
The Features of Ma Sicong's Violin Teaching - Interviews with Lin Yaoji and Yang Baozhi
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page:17-18,67
From Violin to Composition
ma si cong
..............
page:15-16
Ma Sicong on Art and Professional Musical Activities
su xia
..............
page:9-14
The Violin Teaching of Ma Sicong
xiang ze pei
..............
page:3-8