Chinese Music 2008 Issue 4 An economic platform for cultural performance: A survey of daily-theatre performing at drama-platform of Foreigner's Street in Dali

An economic platform for cultural performance: A survey of daily-theatre performing at drama-platform of Foreigner's Street in Dali
Wu Guo-dong;Jia Yi

..............page:16

A study of vocational-centered value of music: An analysis of values about TV music communication in mainland China
He Xiao-bing

..............page:33

Julia A. Brown and Western Music Theory Enlightenment and Anthem scores
Gong Hong-yu

..............page:89

zhong guo chuan tong yin le de chuan bo mei jie yan jiu
wang ling yu ; zhu qun

..............page:256

Case study and macroscopic thinking of traditional Chinese music: About historical ethnomusicology
Xiang Yang

..............page:1

An integrated study on live-resource of traditional Chinese music
Yang Hong

..............page:8

A necessary way of Han Yue's inheritance and development in Guangdong
Feng Guang-yu

..............page:13

A study of headstream about contemporary Taoisit sutra
Pu Heng-qiang

..............page:28

On Blang's Life Etiquette and the individual music activity processes
Yang Min-kang

..............page:54

A detailed outline about A study of Mongolian Urtin Duu
Mo Er-ji-hu

..............page:60

A phenomenological analysis of interweaving buddhistic and secular features of the contemporary Etiquette music in mainland China
Zhou Yun

..............page:64

Folk song's inheritance and mother tongue environment: Demonstrated by examples of two ethnic minorities in Xin Jiang
Xiao Xue-jun

..............page:72

History of Pre-Rin period performing arts
Wang Sheng-hua

..............page:81

Buddhist scriptures and "Luo li lian" in Chinese traditional music
Sun Xing-qun

..............page:102

"zhong guo chuan tong yin le xue hui di shi wu jie quan guo xue shu yan tao hui " zong shu
yuan huan

..............page:125

zuo yang qiang qu pai yin le tan xi
zhou hong

..............page:129

zuo yang qiang qu pai yin le qian xi
chen hong

..............page:135

xiang bei hua rong xian fan bang gu fen zhi liu pai de ge tou yin le
liu qing

..............page:140

xiang xi yang xi sheng qiang zhong de " er lv yi xiang "
fu wei

..............page:171

jiang nan si zhu zai su zhou nong cun cun zai zhuang kuang diao cha yu yan jiu
liu yan

..............page:216

lun yi yang hua gu xi yin le de yi shu te se
wang yue ming

..............page:219

liao ning ling yuan pi ying diao cha bao gao
yang xue ying

..............page:241

yin le yan jiu zhong yin le min zu zhi de jia zhi
an dong ni xi ge er ; mu qian ; xu tian xiang ; liu yan hua

..............page:252

Liu Bei-mao:The best successor of Liu Tian-hua
Fu Jian-sheng

..............page:114

Preface of Selected Writing by Chen Hong
Guan Jian-hua

..............page:24

Brief comment on Kenneth Robinson's A study of Zhu Zai-yu's contribution to twelve-tone equal temperament theory
Bao Ke-ji;Wang Jun

..............page:98

lun dang dai zhong guo yin le wen xue xian zhuang jian ping zhuang zuo hua yin le wen xue gai lun
wu su ning

..............page:111

tan suo zhong guo ren yin le shen mei xin li de xin cheng guo zhong guo ren yin le shen mei xin li gai lun du hou
jiang hua min

..............page:249

ying shang neng de sheng le jiao xue ji sheng le li lun yan jiu
ren xiu lei

..............page:158

ying shi yin le chuang zuo de jing pin shi wan chun sui xiang qu ( zuo yu le dui ) he sheng fen xi
xu ping li

..............page:163

pin xi gang qin zu qu qing cang gao yuan zhong de " xing "" sheng "" qing "
wu xiao zuo

..............page:179

jiang xin du ju lun zuo xiang yi zuo ting tang pu lin jia zi ji zhong hua yin le hui sui xiang
han xi

..............page:264

A study on patriotism-martial spirit in contemporary China during "New Music Moving"
Yu Feng

..............page:75

li mei wen ti yan jiu
yang he ping

..............page:154

zhong guo min ge xuan lv zhong de he sheng jie gou yan jiu gou xiang
shao xiao yong ; sun pei zuo

..............page:175

ren hua si wei : yin le yi shu si wei de ben zhi zhui wen
zhang shu ping

..............page:229

A study on the issues concerning timbre of singing in theatre arts: Demonstrated by examples of "He Nan Drama"
Guo Ke-jian

..............page:146

er hu jiao xue de shi jian yu tan suo
zhang zun lian

..............page:194

er hu zuo pin de yi zhi fang fa
liang zuo zuo

..............page:199

lun yang qin yan zou zhong de yin le ting jue gan zhi
xiao di

..............page:212

zhong guo er hu yin le chuang zuo yu jiao xue de si kao
shen heng

..............page:233

gun zou , pi pa yan zou zhong de liang dian shi lun pi pa gun zou
shi qi wei

..............page:236

gu zuo he zou ke de jiao xue yu xun lian
yang lin

..............page:239

zhang hui yuan jiao shou er hu shi sheng yin le hui xue shu yan tao hui cheng gong ju xing
wang dan zuo

..............page:266

"shuang zhong le gan " de ren cai pei yang she ji yi xin jiang duo yuan yin le wen hua wei an
zhang huan ; fu xiao dong

..............page:189

guo nei xi fang yin le tong shi jiao xue wen ti tao lun
yin zuo

..............page:202

guan yu " zhong guo yin le chu lu " de dang dai si kao
chen fang

..............page:205

21 shi ji duo yuan wen hua jiao yu jing xia de pu tong gao xiao yin le gong gong jiao yu yi nan hang wei ge an de da xue sheng yin le ji ben su zhi de diao cha yu fen xi
zhang jin

..............page:209

lun sheng le yan chang feng ge de xing cheng
yang yong

..............page:222

ao da li ya xin ren yin le jiao shi xiao ben ru zhi jiao yu yan jiu ji qi shi
wang shu guang

..............page:226

duo yuan wen hua yin ling shi jie yin le jiao yu guo ji yin le jiao yu xue hui di 28 jie shi jie da hui zong shu
li xiao ying

..............page:267

zhong guo yin le zai wen yin wen ji bei yin tong ji fen xi
yang ming hui ; cai ji zhou

..............page:184