Chinese Music 2006 Issue 2 A linear technique for expression: An analysis of an art-song by Luo Zhong-rong

A linear technique for expression: An analysis of an art-song by Luo Zhong-rong
Liu Juan-juan

..............page:201-204

min ge yi shu ge qu min zu xing xi ding shan de gai bian min ge de yi shu cheng jiu
huang chang hong

..............page:143-145

wang jian zhong bai niao chao feng yin le fen xi
zhou qin

..............page:98-99,104

chao yue shi kong de qiang yin xiang dong liu yin le chuang zuo shi jian zuo lun
yin xiao xing

..............page:155-157

ge chang jia yin le jiao yu jia zhong wei
yang shu guang

..............page:55-68

A summary report: The academic programs and seres of Mongolian concerts
Gao Jia-jia;Xu Tian-xiang

..............page:45-54

dui gao shi jian pan pei zou ke cheng jiao xue gai ge de ji dian si kao
sun wei

..............page:194-195

tan yin le jiao yu de qing gan xing
cai yue jian ; zhang rui fang

..............page:180-182

dui gao shi yin le jiao yu ruo gan wen ti de si kao
cui yong ri ; wang li dong

..............page:160-161

tan shi chang de yin zhun yu xun lian
lei guang yao

..............page:146-149

dui dang qian wo guo yi shu yuan xiao yi shu jiao yu de ji dian si kao
ma chun sheng

..............page:158-159,161

lun yin le yi shu yuan xiao zhong yin le jiao yu zhuan ye pei yang mu biao de ding wei
wang qun

..............page:140-142

21 shi ji gao shi yin le jiao gai li lun tan jiu ji qi ce lue
cheng bing ling

..............page:119-123

qian xi lian er jiao xue zhong he xian lian jie de xun lian yu chuan tong he sheng xue de lian xi
liang zuo

..............page:124-127

yong xian dai yin le ti gao da xue sheng de xin li cheng shou li
xu jin sheng

..............page:89-92

Early years of music education at Peking University
Zhou Ying-chen

..............page:32-37

zuo ting yu chuang zao ke cheng she ji yu shi jian
yu lin

..............page:152-154

The melodic features and the cultural connotations of music in the areas of Wu-Yue
Pu Heng-qiang

..............page:12-15

A comparison of the methodologies employed by Zhu Zai-yu and Simon Stevin in accounting for equal temperament
Li Mei

..............page:16-19

The geographical distribution of musical instruments and musical cultures in the dynasties of Shang and Zhou
Fang Jian-jun

..............page:27-31

A developmental description for the drama of Tai Kang Dao Qing and an analysis of modal structure of its music
Guo De-hua

..............page:38-41

A "live resource" into the campus
Zhang Tian-tong;Xu Tian-xiang

..............page:73-78

The arts of drums in western neighbors of China
liu qing ;liu qing

..............page:85-88

A prosperous era of Jiang Nan Si Zhu in Tai Cang during the dynasties of Ming and Qing
Gao Xue-feng

..............page:83-84,88

yi xiang " huo xing zi yuan " jin ru xiao yuan de xi tong gong cheng zhong guo yin le xue yuan " zhong hua chuan tong yin le wen hua zi yuan ku " xiang mu zu cheng li liang zhou nian gong zuo hui gu
zhang tian tong

..............page:105-109

Experience and esthetical viewpoint: As evidenced in Nan Guan music in Taiwan
zhou zuo er ;zhou qian-er

..............page:189-193

shan xi wei feng luo gu ji pu fa zuo shi
dan hong long

..............page:110-111,115

shi lun jiang xi qing yang qiang qu pai yin le te zheng
zhou hong

..............page:128-131,135

ya le han yi ji xian zhou ya le de biao xian xing tai
zhang yao

..............page:162-164

song yang gao qiang chang qiang zhong chen qiang de biao xian xing shi yu yu yin fen xi
wang jian wu

..............page:168-169

xiang zhong min ge yin diao jie gou ji qu shi te zheng
liang jin ping

..............page:183-184,188

A special way to foster a well-formed human: Wang Guo-wei's ideal for music education
Chu Hao

..............page:79-82

xi meng gu zu qing nian zuo qu jia se en ke ba ya er zuo pin de yi shu te zheng
si qin chao ke tu

..............page:93-97

cong huan xiang jiao xiang qu shi " meng yu wu yi shi chuang zuo "
shao gui lan ; zheng bao hua

..............page:177-179

yin le biao yan mei xue de yan jiu yao zhu zhong guang du yu shen du xiang jie he di qi jie quan guo yin le mei xue xue shu yan tao hui sui gan
wang jia

..............page:42-44,68

mei shan de yuan rong zhi jing xu fu guan yin le mei xue de zuo shi
bi xue mei ; liu gui rong

..............page:132-135

lun xin li zhi jue zai yin le shen mei zhong de yi yi
sun jia bin

..............page:185-188

"you li " yu " zha gen " you " xian dai min zu chang fa " yu " yuan sheng tai chang fa " wen ti yin fa de si kao
li su e

..............page:100-104

wo guo gu dai ge chang yi shu guan kui
zhu jie qiong

..............page:69-72,78

shi lun " hua er " de yan chang fang fa
cao zhang qiong

..............page:116-118,123

zhong guo gu dai sheng le li lun zhong de qi xi wen ti chu tan
qiao ai ling

..............page:112-115

"er ren tai " zou xi kou de yi shu te se fen xi
zhang jin li

..............page:173-176,179

zhong guo ge qu yan chang de " yu yin zong he zheng " qian xi
shen hao jie

..............page:136-139,149

dui ru he ti gao zhong qing nian min zu sheng le jiao shi de zhuan ye su zhi de ji dian si kao
xiao hong

..............page:150-151,154

The dualistic structure of music
Xue Yi-bing

..............page:20-26

A nominal study of hexadic temperament
Luo Di

..............page:1-7

The "theory of ethno-music" is not a developmental stage of "ethnomusicology" in China
Du Ya-xiong

..............page:8-11

qian tan guan zi yan zou
yang hui qing

..............page:196-198

qian xi ge chang zhong de qing gan ti yan yu biao da yi sheng le zuo pin cang ling yang de su shuo wei li
zhu xiao juan

..............page:199-200,204

sheng le jiao xue yao zhong shi ge chang xin li yan jiu
wang jin hua

..............page:165-167,172

sheng le jiao xue zhong le gan pei yang tan xi
jin juan fei

..............page:170-172