Chinese Music 2004 Issue 4 An analysis of Liu Dehai's composition for Pipa: "Swan"

An analysis of Liu Dehai's composition for Pipa: "Swan"
zhang wei

..............page:118-120

A tentative approach to Liu Dehai's work: "Qin Terracotta Figures"
zhang wei

..............page:121-123

The arts of plucking by great master of Pipa-Liu Dehai
liu he nan

..............page:186-188

qian lun jin tie lin jiao shou de zhong guo min zu sheng le jiao xue si xiang
sun de jun

..............page:76-78

jin tie lin ji qi min zu sheng le jiao xue yi shu
zhao shi lan

..............page:232-237

Unscrambling the academic ideas of Wang Fandi
chen shuang

..............page:181-185

chao yue shi kong de dui hua -- gao wei jie xian sheng zuo pin yuan meng fen xi
tian gang

..............page:106-109

cao dong fu de yin le mei xue si xiang
feng bin bin

..............page:238-241,246

The explorer on the way of Chinese music
li yue hong

..............page:101-105,161

An introduction to Mr.Luo Zhongrong and his works
wu chun fu

..............page:79-84,180

On Li Yinghai's theory of integrated pentatonic modes
yang shan wu

..............page:24-28,61

ji nian wei ren min er ge de ren -- jiang su sheng xu zhou shi shou jie ma ke yi shu jie zong shu
huang xiao ju

..............page:75-75

shi xi liu xue zuo xian sheng kang zhan ge qu chang cheng yao zhi yin le te se -- jian tan liang duan ti ge qu de yi shu zuo li
xu xiang

..............page:114-117

song yu yin le mei xue si xiang gou chen
shi zuo zuo

..............page:195-197

Findings of new literatures concerning the hepta - equal temperament
luo ke zuo

..............page:189-194

Facts or fallacy:discriminations of Si Dan(四旦) and Si Gong(四宫)
liu yong

..............page:149-153

The historic - bibliographic record of music in the dynasties of Tang and Song and its textual tradition
li fang yuan

..............page:136-148

The origin and flux of ceremonial music used by magic Taoists at Dragon - Tiger Mountain in Jiangxi province
fu li min

..............page:169-177,185

The structure and related acoustic foundations of three- stringed music instruments
xiao jian sheng

..............page:98-99,128

About the concept of "Run Qiang" (润腔)
dong wei song

..............page:62-74

kai she da ji le gong tong ke de jiao xue xin de
wang yi dong

..............page:85-86,97

sheng pu fen xi ji shu -- sheng le jiao xue ke shi hua de gong ju
huang qiang ; huang ping ; wang xin na

..............page:110-113

On the ethno- music education at the higher teacher education institutes and its cultural and educational relevance
zhang tian tong

..............page:162-168

wang zu ji yan shen pan shi ye hui huang -- hui zuo zhong guo yin le xue yuan zuo qu xi
zuo qu xi

..............page:94-97

feng yu zuo zuo zi zi yi qiu -- zai chuan cheng he fa zhan zhong guo min zu yin le wen hua de wei da shi ye zhong chuang zao hui huang

..............page:1-4

The post-modernist anthropology and ethnomusicology
guan jian hua

..............page:6-10,20

On the Chinese school of music in the new century and the China Conservatory
jin xiang

..............page:22-23

The combinatoriality of pitch- class set
gao wei jie

..............page:29-61

yin le de " yu jing "-- yi zhong yin le jie shi xue shi yu
xie jia xing

..............page:198-214,243

Analyzing the music in the teleplay "Qin Yi" (青衣)
he xiao bing

..............page:129-135,168

ping jia fang fa zai yin le zhi liao zhong de ying yong
zhou wei min

..............page:225-228

yi jian yuan chu qi
li ying hai

..............page:5-5

The national minorities' music in China and its function and significance in multi-cultural music education around the world
fan zu yin

..............page:11-14

What the traditions provide us:Reflections on reforming the professional music education in China
qiao jian zhong

..............page:15-20

he yin le xue xi ben ke tong xue tan tan " xie wen zhang "( dai xu )
feng wen ci

..............page:100-100,148

dian ran " mei yu " zhi deng
liu de hai

..............page:21-21,93

Experiencing teaching of "Yao Sheng"(摇声) in the States
du ya xiong

..............page:178-180

A critical review of historic development of philosophical positions in music education and a proposal for a multi - dimensional idea in justifying the values and the logic- starting- point for curricula making
liu pei

..............page:154-161

shi tan dong xi fang wen hua peng zhuang zhong de bei jing pu tong yin le jiao yu
yao yi jun

..............page:124-128

tan liu xue zuo xian sheng de ge qu dai biao zuo -- ji nian liu xue zuo xian sheng dan chen 100 zhou nian
duan wen

..............page:244-246

zhu guang song -- tan zou wen qin lao shi de jiao shu yu ren
sun yan hong

..............page:229-230

Exploring the classification and evolvement of Zheng(筝)
qiu zuo

..............page:215-224,230

"feng ya yun "-- zhong guo gang qin yin le zuo pin jiao xue he yan zou zhong de zhu yao wen ti yan jiu ( zhi yi )
han pei jun

..............page:90-93

yin shi hua de wan mei jie he -- shi lun ge lin ka ji qi lang man qu ( yi shu ge qu ) de chuang zuo
zhao yun hong

..............page:87-89

sheng le jiao xue zhong de er duo hua ti
wang shi kui

..............page:231-231,237

he lan shan xia , bie yang de yao gun feng qing
zuo

..............page:242-243