Chinese Music 2004 Issue 2 yi di yu wen hua wei ji chu gou jian gao shi min zu yin le ke " san fen fa " jie gou

yi di yu wen hua wei ji chu gou jian gao shi min zu yin le ke " san fen fa " jie gou
hu xiao man

..............page:109-111

gao shi zuo qu li lun jiao xue jin xing " shen tou xing zong he gai liang " de si kao
zhang jian guo ; zhang fei long

..............page:122-123

qian tan shi chang de xin li su zhi pei yang
yang guo peng

..............page:87-88

shou feng qin de fa zhan yu jian niu pai lie de yan bian
chen jian yi

..............page:107-108

shou feng qin jiao xue zhong shou wan feng xiang de ji qiao ji xun lian fang fa
wen qing rong

..............page:97-98,101

lun shi chang lian xi
tian guang ming

..............page:124-126

A nuanced sense:Experiencing teaching and performance of Chinese piano music
han pei jun

..............page:112-113,121

shen shi gao shi di er le qi xuan xiu ke de jiao xue
chen zuo

..............page:105-106,111

gao shi jian pan " san duan qi bu " jiao xue mo shi de gou jian yu ying yong
zhou shun ping

..............page:75-77

shi xi yin le chuang zuo yu yin le xin shang zhong de tong gan
shi hong bin

..............page:80-81

wo yu zhong yin chang di xin zuo pan gui
gao qin ping

..............page:54-55,64

A dialogue crossing spatial and temporal spheres:Bai Juyi's poem Pipa Xing(琵琶行) and the composition for Pipa Narrating
zhang yi kun

..............page:65-67,74

A review of Chang Ping's For the San Xian(三弦) and Seven Performers:Analysis and criticism
wu chun fu

..............page:41-43

jing zhi de dian fan -- fo rui san shou ye qu tan wei
zhang shuai

..............page:60-64

mo zha te gang qin yin le de su du jie gou fen xi
shen qiu hong

..............page:56-59

Memorials of Professor Zhang Xiaohu at the 90th anniversary symposium of his birth Compiled by
li yan bin

..............page:11-12,47

Treatises on music and musicians by Li Ling(continued 2nd part)
zhang jing wei

..............page:33-37

zhong guo min zu le qi bao ku li de ming zhu : ba wu yu hu lu si
yang ma zhuan

..............page:114-116

man - tong gu si yu zu zhu min zu chuan tong min ge de xing tai te zheng
fu cui ping

..............page:72-74

The thought- way and aesthetic features of ancient Mongolian music modes
hao bi si

..............page:16-19

The formal feature and nature of mountain folk songs of She(畲) nationality
guo yi jiang

..............page:30-32

A review on the studies of music of Yao(瑶) nationality
wu ning hua

..............page:48-51,59

A "wild rice" of Gu Qu(鼓曲 ):Exploring "Da Gu(大鼓)"with five musical instruments accompaniment in Wu Mu Di(五亩地)village,Beijing
zhang ning ; li zuo ; mu qian ; liu xiao ping

..............page:20-23

The characteristics of multi- voice folk songs of Miao(苗) nationality in Jingzhou,Hunan Province
yuan shi wan

..............page:44-47

Three topics on the Jin Ju(晋剧) theatre
pang wan long

..............page:38-40

zun yi hai long ba zuo yang hao zi diao cha bao gao
wang zeng gang

..............page:68-69,104

"lan zhou xiao qu " zai min jian yin le fen lei zhong de lei shu ji qi shuai bai yuan yin
kang jian min

..............page:70-71,32

"do di petto" de qi shi
ma jin quan

..............page:117-118

ge chang yi shu zhong de ji dian wu qu
di she quan

..............page:119-121

The essentiality of "Qi"(气):A fundamental rationale of vocal music in ancient China
li qiang

..............page:84-86

ru he ti gao ge chang zhe de ge chang ji yi
zhang wan

..............page:78-79

shi zou yu bei zou de xin li huo dong qian xi
bao wei

..............page:82-83,86

Three mistakes found in the parlance of "Four Tones of Gong(宫) in Yanyue(燕乐)
chen ying shi

..............page:1-8

The Year of Nan Yin(南音):Insights to the experience collecting folk songs in the music city of Quanzhou(泉州) 2003
liu de hai

..............page:9-10,40

A study on the music society of wind and percussion instruments in Northeast Jiangxi Province
fu li min

..............page:13-15

zhong guo xi qu chuan cheng shi shang de " qun nei hun pei " xian xiang
yao yi jun

..............page:29-29,116

guan yu xiang xi nong cun yin le xiao ben ke cheng kai fa de yi dian si kao
chen wen jing

..............page:91-92

cong " lu zuo ban " " dong ge ban " kan shao shu min zu yin le de ji cheng yu fa zhan
long xiao yun

..............page:89-90

quan qiu hua yu zhong guo yin le jiao yu
wang shi kui

..............page:102-104

Affect and consciousness:Comments on the vital psychological domains in teaching and learning of music instruments
guan ji wen

..............page:52-53,96

Professional voice teaching viewed from a multidimensional vision
yang shu guang

..............page:93-96

The paradoxes of traditional teaching evaluation and an alternative framework:The portfolio- based assessment for the comprehensive competencies and a dynamic paradigm of learning in music teacher education
liu pei

..............page:24-28

qian lun gang qin du zou qu er quan ying yue de chuang zuo shou fa
yu li gang

..............page:99-101