Chinese Music 2003 Issue 3 lun gang qin yan zou zhong de ji yi

lun gang qin yan zou zhong de ji yi
xin ya fang

..............page:69-70,63

shi lun dai wei he le wei er zai xian dai gang qin qu yan zou feng ge shang de tu po
wang pei

..............page:124-125

tou shi xian dai gang qin yin le
li chen

..............page:97-98

zhong guo de " gang qin re " yu gang qin jiao cai de si kao
zuo zuo

..............page:109-110,118

qian yi ge chang ji qiao xun lian zhong li xing yu gan xing de guan xi
yin zhao xu

..............page:119

dui min zu sheng le fa zhan te zheng de ji dian si kao
yao li li

..............page:121-122

hou qing hua yu zuo ding wang yue
shu peng ; liu ping

..............page:120,122

qian yi zhong guo gu dian wen xue zuo pin zhong de yin le miao shu shou fa
jia man

..............page:75,87

quan guo yin le li lun qi kan " guan yu jia qiang xue shu dao de jian she de lian he sheng ming yu jian yan "

..............page:126

lun le gan
zhou qi xun

..............page:67-68

tan ge qu yi shu zai chuang zao de yuan ze
gong xiao ping

..............page:112-113

"sheng ge you xing " lun yi
liu jian hua

..............page:111,113

chuan cheng zhong de si suo -- fang hu song hua yi shu yan jiu shi
yang shu guang

..............page:95-96

dui yun nan shao shu min zu di qu gao shi yin le jiao yu zhuan ye de jiao xue nei rong ji ke cheng she zhi de si kao
jiang hong

..............page:123,125

dui gao shi yin le jiao yu zhuan ye xin ke cheng fang an de si kao
xu zuo

..............page:116-118

ren ti sheng li jie lv yu yin le jie lv
kang jian min

..............page:104-105,108

dui sheng le jiao xue zhong san ge guan xi de li lun si kao
tian ding

..............page:106-108

The psychological interactive effects in voice teaching
Zhou Xiaoyin

..............page:78-80

The serial techniques presented in Stravinsky's Septet
Gao Jiajia

..............page:71-74

jian she wen hua chan ye bao hu chuan tong yin le he mu yu yin le jiao yu
li yan rong

..............page:76-77

yue ju gai ge zhong chang qiang de yan bian yu fa zhan
yang yong xian

..............page:114-115

lue lun huai he liu yu min ge zhi yin le te zheng
yu li gang

..............page:92-94,103

qian dong tu jia zu " da nao ge " gai shu
wen qing rong

..............page:56-58

cong xin nan qu yong mei de chuang zuo tan " nan yin " de ji cheng fa zhan
wang dan dan

..............page:102-103

shi lun ge ji dui zhong guo min zu sheng le de chuan cheng zuo yong
li wen jun

..............page:99-101

shan dong gu chui le ji qi zai min jian feng su yi shi zhong de zuo yong
niu yu xin

..............page:83-87

song yang gao qiang qu pai de yin le te zheng
zhong xiu qiu ; wang jian wu ; zhang min zuo

..............page:81-82

Writings of western music history
CHEN Mingdao

..............page:1-15

On the mental drills: Postmodernist narratives
Liu Dehai

..............page:29-31

How I entered the gate of music and why I chose the career studying and teaching music history
WANG Yuhe

..............page:40-41,50

Choices and innovations made through the practice: The development and revelation of China's new theory of music
Yang Tongba

..............page:32-35

The mathematical characters, functions and value identities in the study of temperament
Pu Hengjian

..............page:36-39

Li Yinghai's investigations on modality of ethno-music: A study of Modes and Harmony of Han Nationality
YANG Shanwu

..............page:16-22

A syntax analysis for Huai Xi(淮西)mountain folk songs
LI Jingmin

..............page:88-91

Searching for the origin of two different phenomena of musical culture derived from the same nationality
Wang Jun

..............page:59-63

On the principal artistic features of Chinese bamboo flute in its historic courses
GENG Tao

..............page:64-66

On the Buddhist music at Wu Tai Shan(五台山) during Tang Dynasty
An Baohui;Liu Jianchang

..............page:51-55

The language of Wu La Gu(乌拉鼓)
Liu Guiteng

..............page:23-28,35

A re-evaluation of the interactive relations among Sheng Qiang(声腔), melodic structure and speech inflection
shi xiang sheng ; zhou zuo er

..............page:42-47

A morphological study on Qiang Shi(腔式) in Chinese drama music
YAO Yijun

..............page:48-50