Musicology in China 2008 Issue 2 yin le xue jia jie shao

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Musicology in China
1003-0042
2008 Issue 2

yin le xue jia jie shao

..............page:封2,封3

Academic singificance of Traditional Vocality and Successful Experience of Guo Lanying
DU Ben-ling

..............page:37-41

Nanyin Music Ritual Research in Anhai City
CHEN Yan-ting

..............page:29-36,48

Space of Temple Fair and Music Order
ZHANG Zhen-tao

..............page:20-28

Definition of Galao in Dong Minority: Research of Multiple Concept of Big Song
YANG Xiao

..............page:10-19

Idea, Action & Soundscape: A Research Aspect of Chinese Ritual Music Ethnography
LIU Hong

..............page:5-9

Music Compositional Renovation of Johannes Brahms
SU Xiang-li;LI Yuan-yuan

..............page:141-144

Harmonization of Tradition and Modern: Artistic Characteristic of Opera Peter Grimes
AN Ning

..............page:135-140,134

Historical change of Philosophy Ideology of American Music Aesthetic Education
GUO Xiao-li

..............page:130-134

Umgangsmusik und Darbietungsmusik: Music Sociology Concept of Heinrich Besseler
LIU Jing-shu

..............page:124-129

Rethinking of Song's Composition of Zhao Ynanren
WU Yan;DAI Xiong

..............page:121-123,144

Self-figure & Refigure of Female
AN Xiao-mei

..............page:118-120

Analysis of Recomposilion from Folk to Art Song
HUANG Chang-hong

..............page:115-117

Tonal Pervasion
ZHANG Xiao-qing

..............page:112-114

Multiple Factor in the Scale of Piano Works Yangguan Sandie
LUO Shi-yi

..............page:108-111

Retrospect of the developmental Process in Chinese Army Melodrama
YANG Mei

..............page:104-107

Innovation in Instrument and Education: Transformation of Research Production in Qinhu
WANG Ping

..............page:101-103

Poetry Expression in Musicology Dissertation: Thoughts about Comment and Literature Beijing Literature Forum in 2007
JU Qi-hong

..............page:97-100

Coding and Compilatory Method In the Transnotation Jianzipu of Qin Zither
DING Xiao-jun;YE Xing-ting;ZHOU Chang-le

..............page:93-96

The Social Classification of Performancers in Han Danasty
ZHENG Yan-xin

..............page:90-92,100

The Historical Change of Lute Pipa Performance Gesture
LIU Mei-li

..............page:86-89

Interpretation of Percussion and Wind Music Culture In the Scene Angle
SUN Yun;WANG Jiu-shai

..............page:82-85

The Convention of Functioning of Women's Music and Citizen Music Culture
CHENG Hui-hui

..............page:73-81,85

30 Anniversary of Huang Xiangpeng's Contribution: Discovery of Double Tone Technique and Its Application of Chime Bells
FENG Jie-xuan

..............page:68-72

Folk songs and its Custom in the South of Zhejiang Province
ZHANG Wei-dan

..............page:64-67

Protect and Transmission of Art Heritage in Henan Province
NIU Dong-yang

..............page:61-63

Research about its Change and Reason of Narrative-singing Henan Zhuizi in Tinjing City
CAO Hong-kai

..............page:57-60

Interpretation of Beat Transnotation in opera Music
LIU Guang-yi

..............page:54-56,60

The Psychology Function of Chizhou Nuo Drama
WANG Yi-bin

..............page:49-53

An Philosophic Concept of Vocal Rhythm
WEI Xin-min

..............page:45-48

Localization of the Bamboo Hammer in Dulcimer
LI Xia

..............page:42-44