Musicology in China 2006 Issue 2 Book Review of YANG Minkang's A Study of the Music of the Theravada Buddhist Festival Ritual Performance of Dai Ethnic Nationality in Yunnan

Book Review of YANG Minkang's A Study of the Music of the Theravada Buddhist Festival Ritual Performance of Dai Ethnic Nationality in Yunnan
LI Yan-hong

..............page:137-140

About an Endless Argument on the Copyrights of Folksingers
TIAN Lian-tao

..............page:132-136

GAO Weijie's Creative Use of the Tonal System
TIAN Gang

..............page:127-131,111

Aesthetic Paradigm in Music Education
WANG Xiu-ping

..............page:121-126

A Discussion on Musicians' spontaneity
SHAO Gui-lan;JIANG Ping

..............page:117-120

Interpretation and Creativity in Music Performance
LU Xiao-ling

..............page:112-116

The Diffusion and Study of Music Aesthetics in China during the 20th Century
YANG He-ping

..............page:104-111

A Bries Discussion on Historical Record about Confucians Music and Dance
WANG Wei-dong

..............page:101-103

Inspiration in Guqin-Zither Music
YAO Xiao-qin

..............page:99-100,93

The Temperament of Two Sets of Bells Newly Discovered in Xinzheng Town
ZHENG Zu-xiang

..............page:94-98,67

Ancient Diagrams about Chinese and Korean Temperament (Lülü) and Modal System (Gongdiao)
CHEN Ying-shi

..............page:84-93

The Urbanisation of Traditional Music
LI Ming-di

..............page:82-83,72

The Songs of the War of Resistance in the Northeast Folk Songs of China
LIU Xue-ying

..............page:76-81

Concept of Vocal Sound and Singing Performance
SHI Xiao-ling

..............page:73-75

The Preservation of Intangible Cultural Heritage as Seen from the Perspective of an Investigation on the Music of the Hezhe Ethnic-group
ZHANG Yi-fan

..............page:68-72

The Vocality of Dan Female Role in the Kunqu Opera the Peony Pavillon
LIU Hai-yan

..............page:63-67

The Rhythmical Structure of the "Awe-Inspiring Gong and Drum" (Weifeng luogu ) of Shanxi Province
SHAN Hong-long

..............page:60-62

The Yugu Drum in Changde (Hunan Province): A Fieldwork Report
YANG Yang

..............page:53-59

The Inner-Mechanism of a Music Culture: An Analysis about a Century of Transmission and Evolution of Shanghai "Silk and Bamboo Music"
Qi Kun

..............page:43-52

Han Folk Singers in an Evolving Society (1)
ZANG Yi-bing

..............page:37-42,36

The Use of Ethnographic "Insider-Outsider Interpretation" in Ethnomusicological Field Work Report--An Example: Reporting on the Huahui and Baihui Folk Fairs Held in Shenfang(Bazhou Country ,Hebei Province)
LI Xin

..............page:29-36

Personal and Social Cultivation: The Cultural Features of Contemporary Thinking in Music Education
JI Qun

..............page:26-28

Zheng Lücheng's Position among Asian Composers
LIANG Mao-chun

..............page:22-25

The Interpretation of Xiao Youmei's Sense of Patriotism--Disabusing a Historiographic Bias
JU Qi-hong

..............page:15-21,10

Facts Speak Louder
DAI Peng-hai

..............page:11-14

A New Important Discovery for the Study of Chinese Modern Music History--An Unknown Manuscript by Xiao Youmei
HUANG Xu-dong

..............page:8-10

The Rationale and Method Adopted by the National Music Conservatory for the Formation of Choirs and Military Bands' Conductors During the War of Resistance Against Japan
XIAO You-mei

..............page:5-7