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Musicology in China
1003-0042
2005 Issue 3
Pictures of Musicologists
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page:封Ⅱ-封Ⅲ
A Review of Huang Xiangpeng's A Collection of Music Examples on the 180 Modes In Chinese Traditional Music
ZHAO Jin-Hu
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page:139-144,131
Orchestra History in Western Music
JIN Yi-ni
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page:135-138
Birth of Troping and Polyphony
YAO Ya-ping
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page:132-134
Original Form and Variaton:The Essential Principles in Music Composition
LIU Jian-quan
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page:128-131
A Discussion on the Systematization of Musicology
KANG He
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page:124-127
Towards a Meta-theory of Musicology
WANG Shao-ming
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page:121-123,88
The Revival of Revolutionary Music in Contemporary China
PENG Mu-mu
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page:119-120,88
The Influence of the Composer Huang Zi on Twentieth Century Chinese Music
XLANG Yan-sheng
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page:114-118
The Development of Music Criticism in the Past Thirty Years
QIAO Bang-li
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page:103-113
About a Chinese Style in Piano Music:A Sduty From the Perspective of the Chinese Cultural Context
DAI Bai-sheng
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page:97-102
An Analysis on Jiang Kui's "Nine Songs" in Ancient Oriental China( Yue Area )
ZHANG Hong-mei
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page:89-96
The Origin of Gu Music Genre in Han Dynasty
SONG Xing
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page:84-88
Small Tunes( Xiao chang)in Ming Dynasty Story-Telling
LIU Xiao-jing
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page:81-83
Music and Literature: On the Development of Ciqu Music
LU Ying-kun
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page:70-80
The Yong Chimes of Early and Middle Western Zhou Dynasty: Their Tone Series and Characteristics of their Temperament
KONG Yi-long
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page:56-69,55
Do Not Investigate Anything Not Within Your Sphere
Stephen Jones;WU Fan
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page:49-55
About the Determination of Mode(diao)Through the Foruth and Seventh Grades of the Scale (bian yin )
TONG Zhong-liang
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page:39-48
An Investigation on the Theatrical Troupes Acting Within Rural Rituals of Hequ Country-Shanxi Province
YANG Hong
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page:23-38
Vocality and Accompaniment in Hugurci Oral Performance
Boteltu
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page:5-22