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Musicology in China
1003-0042
2003 Issue 2
Picture of Musicologist: XUE Yinbing
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page:封二-封二
Sample of Footnotes & Bibliography of Musicology in China
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page:143-144
The "National Center of Chinese Traditional & Folk Culture Safeguard Project" is Founded at the Chinese Academy of Arts
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page:19-19
The Principle of Basso continuo Polyphonic Variation Employed in Henry Purcell's Dramatic Music
xie ze hui
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page:130-142,81
The Art of Spanish Flamenco
sun chen zuo
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page:115-129
A Humble Comment on the Art of Teaching Design of Music Courses in the Ordinary Schools in our Country
zheng li
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page:107-114
The Transmission of Nan yin and the Local Administrative policy Support
wang shan
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page:102-106
Eight Note Scale --A Mixture of Traditional and non-Traditional Elements
zheng zhong
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page:92-101
The Adoption of Chinese Traditional Scales in Chinese Piano Musics
wang pei
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page:89-91
Relationship between dong ping fu and the Development of Court Music at around the Establishment of the Yuan Dymasty
wang fu li
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page:82-88
Preservation and Development of the "wu ge" Folk Songs in Guangxi Area --A Brief Exploration on the Traces of the wu sheng Songs
chen mu mu
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page:75-81
Brief Introduction to the Musical Style of Monolian Huren uri gur (musical narration)
bu te le tu
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page:67-74
On the Formation and Category of the Art of Tibetan Plucked String Instrument xie
jia yong qun pei
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page:58-66
Mongolian and Korean Musical Cultural Exchange in the Ancient Times
wu lan jie
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page:50-57
JLANG Dingxian and the Storm of Stopping Publication of the Monthly Journal Yue Feng
xiang yan sheng
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page:48-49,81
Few Words on the Phenomenon of the "Same Song"
xiang zuo gang
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page:40-47
Record of the Commemoration Ma Sicong's 90th Birthday and Seminar on Ma Sicong
li yan
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page:20-39
A Distant Source and a Long Stream of French Folk Songs Marlbrouk
qian ren kang
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page:16-19
Symbolic Properties of Ritual Music
xue yi bing
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page:5-15