Musicology in China 2002 Issue 3 Inside Front Cover:DAI Jiafang(photo)

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Musicology in China
1003-0042
2002 Issue 3

Inside Front Cover:DAI Jiafang(photo)

..............page:封二

The Early Customs of Banquet of Mongolian People and the Development Course of Banquet Song
cui ling ling

..............page:134-143

Qing zhu as a critic of Mew Masie
ming yan

..............page:124-133

Bitter Tunes of Northwest China and Cultural Exchange
yang shan wu

..............page:105-123

Studies Made by Korean and Western scholars on Ancient Chinese Music Spread in Korea
gong hong yu

..............page:93-104

Power and Folk Ritual Music
zhang zhen tao

..............page:82-92

Multi - cultural traits of Mongolian Buddhist Music of Surat - chanting
bao da er han

..............page:67-81

"Self Reproduction" is Not Commendable
sun wei

..............page:60-66

Was the Notation of Stopped Notes in the Ming Dynasty Guqin Tablature a Non - exact system?
xie jun ren

..............page:56-59

The Key - modes of Tang Dynasty Popular Music and the use of Them According to the Month
chen ke xiu

..............page:48-55

The Aesthetic Point of View of XU Dachun in His Book Yuefu Chuansheng
yu xiao zuo ; li xin ting

..............page:44-47

The Commonly used titles of traditional Chinese Music and Their Cultueal Implications
liu cheng hua

..............page:37-43

A Discussion on the Property of Tones
han bao qiang

..............page:27-36

Sorrow Songs in a Utopia --A Study of the Songs of the Educated Youth Labouring in the Countryside during the Period of "Cultural Revolution"
dai jia zuo

..............page:5-26