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Art of Music
1000-4270
2015 Issue 3
yin le ju hai shang yin shang hai shou yan
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page:2
Prof. Zhang Qian: Founding Father of China’s Contemporary Music Psychology
LUO Xiaoping;
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page:6-16
Behavior and Pursuit for Self-Perfection Practice-Revelation from Xishan Qin Kuang
SONG Jin;
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page:17-23
Between History and Imagination-Ballad Singing Style of Okinawa People in Argentina
HUANG Wan;
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page:24-37
Reform of European Professional Music Education under the Thrust of Bologna Process
YAN Yue;
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page:38-46
Sonoritics: Its Origin and Concept Reconstructed in Contemporary Music
LU Li;
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page:47-57
Chronicle of China’s Modern History of Music Education: Three Versions Explored-Interview with Sun Jinan
GUO Dengjie;
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page:58-61
Yue-jie and Jie-yue Examined and How Yue in Zhou Dynasty was Socially Regulated and Kept Changing with History
LI Fangyuan;XIE Fang;
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page:62-69
Qin Players and Societies in the New Culture Movement and their Values and Significances in Modern Qin History
DAI Wei;
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page:70-81
Shu Suntong and Music Institutionalization in the Early Han Dynasty
YANG Sai;
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page:82-91
Addendum to Biography of Wang Yuhe: His Early Years in Suzhou
TIAN Fei;
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page:92-102
“One-Character-to-One-Note”: Song Dynasty’Suzi pu Notation Explored
YU Yunfei;
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page:103-109
Focus on Performance-On Chinese Traditional Music Analysis
YANG Minkang;
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page:110-122
Techniques and Means of Orchestration in Spectrum Composition
HU Shuhan;
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page:123-131
Bartok’s Theory of Axis System and Golden Section: How It Functions in the First Movement of his Sonata for Two Pianos and Percussion
ZHU Mei;
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page:132-138
Atonal Technique as Employed in China’s Piano Music in the New Period
SUN Juan;
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page:139-144
Chen Gexin’s Popular Music Composition
JIA Chong;
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page:145-153
Review of Tang Yating’s Variations of Imperial Diaspora-A History of Shanghai Municipal Orchestra
GONG Hongyu;
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page:154-160
guo li yin le yuan guo li yin le zhuan ke xue xiao tu jian (1927-1941) xuan deng ( wu )
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page:161
gao yue
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page:162