Art of Music 2001 Issue 1 Culture, Symbol, Semantics and Reception -Review of Nattiez' s Music and Discourse, Toward a Semiology of Music

Home | Survey | Payment| Talks & Presentations | Job Opportunities

Journals A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Art of Music
1000-4270
2001 Issue 1

Culture, Symbol, Semantics and Reception -Review of Nattiez' s Music and Discourse, Toward a Semiology of Music
tang ya ting

..............page:93-96

Introduction to Music Creativity in Twentieth-Century China -Abing, His Music, and Its Changing Meanings (Ⅰ)
shi xiang sheng ; shen qin ; shen qia

..............page:87-92

Where Will the Study of Chinese Music in the 21st Century Go?
luo qin

..............page:80-86

Future of Chinese Traditional Music: Diachronic and Synchronic Perspectives
liu zai sheng

..............page:71-79,96

Music History Re-written: A Sensitive and Unavoidable Topic -Thoughts from the First Oversea Song Album of Anti-Japanese War and Its Editor
dai peng hai

..............page:61-70

Ding Shande's Piano Works: Studies of his Tonal Thinking
wang wei

..............page:53-60

Expecting Mysterious and Painless Paradise-Analysis of Mahler's Fourth Symphony
chen hong zuo

..............page:47-52

Organization and Structure of Rhythm as Those Reflected in the Exercises of Carter's Wood-wind Quartet
zhang wei

..............page:41-46

Representative Works in the Form of Passacaglia in the Twentieth Century (Ⅱ)
xu meng dong

..............page:32-40,60

On the Study of Ancient Chinese Music Transimitted to Japan--A Case Study of Naikyobo (Nei Jiao Fang)
zhao wei ping

..............page:24-31

Rhythm Patterns in Malay Folk Music and the Deep Structure in Malay Culture (Ⅰ)
luo yi feng

..............page:20-23

In Memory of Wolfgang Fraenkel
qin xi zuo

..............page:18-19

The Formal Mutuality of Western Traditional Music and Chinese Classical Poetry
qian ren kang

..............page:6-17