Explorations in Music 2012 Issue 3 ma si cong he ta de gang qin zou ming qu ji nian ma si cong xian sheng dan chen bai nian

ma si cong he ta de gang qin zou ming qu ji nian ma si cong xian sheng dan chen bai nian
du jia jun

..............page:33-38

zhong guo gang qin yin le de ben tu hua zao qi xing tai tan tao (1934 nian qian )
hua ming ling

..............page:39-41

li si te rui shi you ji xin jie ji yan zou yu jiao xue xi yao
hu su

..............page:69-73

lun wo guo gao deng yi shu jiao yu cun zai de wen ti yu yi shu da xue de jian she
liu li yun

..............page:3-5

xi bu yi shu yuan xiao ru he yi tuo zi shen you shi zhao shou guo ji liu xue sheng
chen zuo

..............page:6-8

Duplex Horizons of Field Work and Intangible Culture Heritage Protection——Field Work and Protection on Xiao'shan Xi Shi Fan
YANG Heping

..............page:42-47

Social Identification and Significance of Nongovernmental Music Activity of Chao'zhou Da Luo Gu
CHEN Yaxian

..............page:48-53

ba shu gu qin si ren tan : zeng cheng wei qin xue fang tan
zeng cheng wei ; yang xiao

..............page:54-59

yin le yi shu yuan xiao chuan tong yin le jiao yu de xian zhuang ji si kao
fan zu yin

..............page:9-12

san xing dui chu tu cheng zu shi zuo de fu yuan diao yin shi yan yan jiu
xing xiao feng ; shen bo ; wang qi shu ; yang yong fu

..............page:13-21

Comparative Studies of Western Opera and Chinese Traditional Opera
Wen Yun-ying

..............page:22-25

20 shi ji chu de wu han di qu xue xiao yin le jiao yu
tian ke wen ; sun sai sai

..............page:26-32

zhu ying yu ping hu pai pi pa
zhu ping sheng

..............page:60-62

lun dan huang guan zai jiao xiang le zhong de yun yong
deng huang he

..............page:79-81

qian tan zi gong yan gong hao zi de chuan cheng yu fa zhan
xiong wei ; wang hong ; wang wei zuo

..............page:63-68

deng yin gai nian zhi xue xi qian yi
tang

..............page:74-78

guan yu zai yin le xue ben ke ke cheng she zhi zhong kai she yin le wen lun xie zuo ke de si kao
gan shao cheng

..............page:127-130

fan si zhi hui fa zai he chang yi shu zhong de zuo yong yu di wei
chen bo

..............page:131-134

qian tan mo zha te ge ju tang zuo zhong ai er wei la yi jiao de yi shu xing xiang
dai ling

..............page:135-137

chang di yan zou zhong de hu xi xun lian
xu jing ping

..............page:82-83

Integration of Historical Aspects and Contemporary Spirit in Piano Performance
MAO Binbin;ZHANG Beibei

..............page:138-140

qian dan gao xiao ru he jin xing yin le xin shang jiao xue yi ba luo ke shi qi de yin le wei li
huang bi sha

..............page:141-144

How to Refinedly and Accurately Describe an Event of Discourse in the Discourse Space Full of Chaos——On Category of Proposition of Music Aesthetic Concepts
HAN Zhong'en

..............page:84-92

chun cui de yin le shi yi zhong you sheng de shu xue zuo da mo er yin le zuo shi si xiang tan jiu
chen xin kun

..............page:93-96

Review: Zofia Lissa's ‘Music Understanding' and My Opinion about ‘Music Understanding'
HE Ying

..............page:97-100

yin le shi shu de yi shu , yin le shi xin de yu yan jian tan dui yin le zi lv xing yu ta lv xing de ji dian ren shi
wei

..............page:101-104

ci yue er zhi feng shi jin er yu yuan qian lun da er hao si yin le shi xue guan
liu

..............page:105-109

Comprehension, an Ideal Music Aesthetic Realm——about Heidegger's "View Corresponding the Area of Luminosity"
HUANG Hai

..............page:110-113

Re-Interpretation of Music Aesthetic Thoughts in Feeling and Form
HAN Xiao

..............page:114-118

Summary of Domestic Studies on Objective Vocal Qualification Based on Artificial Intelligence Technology
MIAO Yu

..............page:119-126