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Explorations in Music
1004-2172
2005 Issue 2
yin le xin xi
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page:8,16,31,39,61,70,77,84,90,96,100,104
Improving Cognition, Renewing Thinking as to Accelerating Teaching Reform
Wei Hongmei
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page:101-104
On Students' Attention Fostering in Piano Teaching
Jin Geping
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page:97-100
On Music Postgraduate's Solfeggio Training
Chen Yaxian
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page:91-96
Briefly on Music Examination
Qian Renping
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page:85-90
Theory Preparation and Rehearsal Requirement for Choral Conducting
Yan Baolin
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page:78-84
On the Emotional Function of tone in Singing
Fu Guoqing
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page:74-77
On the Disadvantage of Pop Music's Composition
Huang Shaoqu
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page:71-73
The Overall Concept of Chinese Voice Music's Development
Jiang Daikang
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page:67-70
Analysis on Shostakovitch's Seven Piano for Children
Huang Yanlin
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page:62-66
The Concept of "Rhythm" in The Pioneering Scholar's Piano Pieces in 20th Century
Luo Wei
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page:50-61
The Employment and the Idea of Polyphony in Ding Shande's Compositions
Wu Runhua
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page:42-49
Upon the Painting of "Composition"
Yao Yirang
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page:40-41
Yimeng Mountain Song--The Crystal of Folk Song's Double Way Spread
Wang Guiqin
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page:35-39
On the Feature of Mongolians' "Chang Diao"
LIU Yongfu
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page:32-34
The Forming of Hu Opera in Huzhou,Zhejiang
Li Hezhou
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page:27-31
Analysis of Ending in other tune through Two Folk Songs in North Shaanxi
Bao Deshu
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page:24-26
Influence of the Deterioration of Ecological Balance on the Existence of Folk Music
Xu Dongna
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page:17-23
The Definition and the Evolution of Drum Wind Music
Sun Yun
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page:9-16
What is "Si Shang"
Zhou Wuyan
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page:6-8
Thoughts after Comrade Li Lanqing's Visit and Discussion in Sichaun conservatory of Music
Hu yangji
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page:4-5,39
Speech Delivered When Comrade Li Lanqing Discussed with Experts Music Circle
Ao Changqun
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page:3-3
bian ji shou zha
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page:2