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Explorations in Music
1004-2172
2004 Issue 2
Reflections on the Choice of "Music Core Publications"
zhang li rong
..............
page:76-79
The Key Point of Solfeggio Course Reform
xiong ye ling
..............
page:101-104
On the Significance of Cultivate the Vocal Aesthetic
fu guo qing
..............
page:97-100
How to Improve the Inner Hearing in Piano Teaching and Studying
shen pei yao
..............
page:94-96
To Cultivate Creative Quality
li zuo
..............
page:90-93
On Current Music Thesis Writing and the Creativity
li zuo
..............
page:87-89
How to Teach Music Anthropology as a Basic Course
guan jian hua
..............
page:80-86
Four Principles in "Traditional Composition Techniques" by Zhao Xiaosheng
mei xue lin
..............
page:71-75
On Pipa Art's Humanism
zhuang yong ping
..............
page:67-70
Is Music to initiate, to enjoy or to feel, to experience?
xu yuan yong
..............
page:63-66
Interweaving of the Mood of Music and that of Poem
zhou xue feng
..............
page:61-62
Basic Techniques of Playing the Flute
zhu zuo
..............
page:58-60
How to Make a Precise Articulation
li qiang
..............
page:55-57
On Acoustic Balance in Chorus
li zhi yao
..............
page:51-54
On Chopin's "c Minor Nocturne op.48.no.1"
li xiao nuo
..............
page:46-50
On Erhu's Position Alternation and the Location in Arm
liang yun jiang
..............
page:39-45
Mussorgsky's Influence on Debussy
xu zuo
..............
page:36-38
The Christian's Affection on the Evolution of Western Music
gan lin
..............
page:29-35
Briefly on "West Capital Song"
liu sha sha
..............
page:25-28
Brief Analysis on "Pronunciation and Toning in Singing "
zhao zuo
..............
page:20-24
On Chinese Pipa Sects
feng shan
..............
page:14-19
The Social Background of Tu People's Folk Music in Qinghai
guo de hui
..............
page:11-13
Lius Brothers and Erhu Factions
feng guang zuo
..............
page:8-10
Interpretation of Guqin Music
wang zhen ya
..............
page:3-7