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Explorations in Music
1004-2172
2004 Issue 1
On Vertical Music in "Cyan"
han zhen zhen
..............
page:102-104
Traditional Operas Expressed in Modern Composition Methods
liu qi zuo
..............
page:99-101
Art,Life,and Art-Tracing Back to the Origin of Post Modern Music
liu chun
..............
page:96-98
The Analysis of String Quartet "Mo Xie"
ao xiang
..............
page:93-95
The Classification of Tempo Accent and Its Application in Chinese Contemporary Music
yan xiu zhu
..............
page:89-92
The Exploitation of Activeness and Passiveness in "Praying"
chen tao
..............
page:84-88
Reflections of "Pioneering Music" and China's Specialized Music Education
yong dun quan
..............
page:80-83
Explorations on the Course Reform of Composition Tech's Theory
chen shi sen
..............
page:74-79
Upon "4'33''"
jiang lei
..............
page:70-73
The Pioneers of 20th Century's Music
niu shao yan ; hong ying
..............
page:66-69
"New Eastern Music" and "Forefront, Currentness and Backwardness"
cao guang ping
..............
page:62-65
The Concept of Contemporary Music
zhang fang
..............
page:57-61
What's the lack of Chinese Contemporary Music
liang mao chun
..............
page:54-56
Bartok's Tonetic Harmony Theory
li zheng
..............
page:48-53
National Alignmentism in "Split Valley Wind"
zuo bin
..............
page:45-47
Farewell to Tunes
liu wen ping
..............
page:42-44
Five Voice Tune in Multi Tune Music
yao yi rang
..............
page:31-41
On Pentatonic Meme
tong zhong liang
..............
page:25-30
Enjoying the Banquet of Contemporary Music
zhao de yi
..............
page:21-24
Interweaving of Eastern and Western Culture Produces the Brilliance of Contemporary Music
li zuo
..............
page:17-20
Remarks on 2003 China Chengdu International Contemporary Music Festival & Newly Composed Music Forum
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page:3-16