1003-6865
2016 Issue 5
Living in an algorithmic world
Cao Dan;
Cao Dan;
..............page:10
INK THE VOID
He Jing;
He Jing;
..............page:12
..............page:14
Lantian Xie The Abandoned
Zian Chen;
Zian Chen;
..............page:29-33
International Hotels,Native Water
Sylvia Wu;
Sylvia Wu;
..............page:34-37
..............page:38-39
Men Behind Camels the Chojamachi Story
Yoshio Shirakawa;,Wu Hao;
Yoshio Shirakawa;,Wu Hao;
..............page:40-43
The Ideal
Yuri Pattison;
Yuri Pattison;
..............page:44-51
Speed Show:Drifting Internet Café
Sun Xiaoxing;
Sun Xiaoxing;
..............page:52-59
Raw Material/Raw Material in the Broad Day Light/Broad Daylight/on Thu Van Tran
deng zu er ;, sheng xia ;
deng zu er ;, sheng xia ;
..............page:60-63
Floating Lives,Eastern Clouds,A Seaweed Archipelago
gu ru lang ;, lin hai hua ;, zhang zhao ;
gu ru lang ;, lin hai hua ;, zhang zhao ;
..............page:64-71
Book Review on Pontus Hultén, Hon & Moderna
chen xiao mai ;, zhang zhao ;
chen xiao mai ;, zhang zhao ;
..............page:72-75
..............page:76-77
READING THE BOOK OF CHANEL IN VENICE
frank qian;
frank qian;
..............page:78-79
..............page:80-82
APOCALYPSE NOW Sophia Al-Maria
bai hui zuo ;, sheng xia ;
bai hui zuo ;, sheng xia ;
..............page:83-94
INK THE VOID
Song Yi;,Wu Yifei;
Song Yi;,Wu Yifei;
..............page:95-97
INDIA INK AND THE NEO-AVANT-GARDE
mei lan ni mei er mo ;, hu zuo ;, sheng xia ;
mei lan ni mei er mo ;, hu zuo ;, sheng xia ;
..............page:98-103
..............page:104-113
NOT REALLY ABSTRACT:The 1940S in the United States
Katy Siegel;
Katy Siegel;
..............page:114-123
C(E)ZANNE AND HUANG BINHONG:A Road to Mastery for Chinese and Western Modernist Painting
Shen Yubing;
Shen Yubing;
..............page:124-131
THE MOVEMENT-IMAGE AND THE ROAMING GAZE-On the spirit of ink painting,and its relevance to film
Jiang Yuhui;
Jiang Yuhui;
..............page:132-139
VOID AIN'T WHAT IT USED TO BE
di an li ke si ;, zhao wen zuo ;
di an li ke si ;, zhao wen zuo ;
..............page:140-145
GUTAI,“WORLD RELEVANCE”,AND INK
meng zuo ;, jing lei ;
meng zuo ;, jing lei ;
..............page:146-155
THE ORIGIN OF WATER WRITING AND CALLIGRAPHY
Chen Tong;
Chen Tong;
..............page:156-161
HONG KONG INK :Exploring a Floating Identity
Pedith Chan;
Pedith Chan;
..............page:162-171
CRISES WITHOUT END
nick stember;
nick stember;
..............page:172-180
..............page:181-185
Capital:Debt-Territory-Utopia
li ai de ;, sheng xia ;
li ai de ;, sheng xia ;
..............page:186-187
Mao Chenyu:Paddyfilm in Beijing
Li Jia;
Li Jia;
..............page:188-189
OVERPOP
Zhang Hanlu;
Zhang Hanlu;
..............page:190-191
..............page:192
Jiang Zhi: Predestiny
Yang Zi;
Yang Zi;
..............page:193
Yang Mushi:Illegitimate Production
Han Xinyi;
Han Xinyi;
..............page:194
Eason Tsang Ka Wai:Powerless
Wu Mo;
Wu Mo;
..............page:195
Wong Wai Yin: Without Trying
Chan Sai-lok;
Chan Sai-lok;
..............page:196
Manit Sriwanichpoom: Fear
guo xiu xian ;, sheng xia ;
guo xiu xian ;, sheng xia ;
..............page:197
Alex Da Corte: A Season in He'll
shang duan ;, sheng xia ;
shang duan ;, sheng xia ;
..............page:198
Nadim Abbas and Tuo Wang: Only the Lonely
hei mu cheng ;, sheng xia ;
hei mu cheng ;, sheng xia ;
..............page:199
Justin Shoulder: A Strange Stranger
Alvin Li;
Alvin Li;
..............page:200