1003-6865
2012 Issue 3
..............page:16-16
OUR INBOX
li ying
li ying
..............page:18-18
..............page:22-23
..............page:24-29
..............page:30-33
..............page:34-37
MOVING UP
zeng zuo rong
zeng zuo rong
..............page:38-42
HILLA BECHER PHOTO ARTIST
lin zuo ; chai li zeng
lin zuo ; chai li zeng
..............page:44-47
THE SEMBLANCE OF CIVILIZATION
zhao meng sha ; li mei she ying
zhao meng sha ; li mei she ying
..............page:48-49
..............page:50-53
..............page:54-57
LIYUAN LIBRARY
li mei
li mei
..............page:58-59
..............page:12-12,14
BOOKSHELF
li mei
li mei
..............page:60-61
..............page:62-65
..............page:66-69
YAU MA TEI:A SMATTERING OF MOBILE ARTWORK
ma rong yuan
ma rong yuan
..............page:70-71
SHARJAH NEWS
lin zuo
lin zuo
..............page:72-75
MOATAZ NASR:THE TUNNEL
pu hong
pu hong
..............page:188-189
GILBERT & GEORGE:LONDON PICTURES
lin zuo
lin zuo
..............page:190-191
DEALING WITH THE DESERT:CONTEMPORARY DUBAI
hong mai ; dai wei ping
hong mai ; dai wei ping
..............page:76-79
..............page:80-85
LI SHURUI:THE SHELTER:ALL FEARS COME FROM THE UNKNOWN SHIMMERING AT THE EDGE OF THE WORLD
chang xu yang
chang xu yang
..............page:198-199
FACE
tang ling jie
tang ling jie
..............page:192-193
LIGHT BENDING ONTO THE RETINA LA CHAMBRE CLAIRE
sun dong dong
sun dong dong
..............page:200-203
ARTISTIC PHARMACOLOGY
hong mai ; dai wei ping fan yi
hong mai ; dai wei ping fan yi
..............page:88-97
CHENG RAN:WHAT WHY HOW
tang ling jie
tang ling jie
..............page:204-205
YUAN GOANG-MING:DISAPPEARING TRACES
bei an ji
bei an ji
..............page:206-207
..............page:208-209
TRADING FUTURES
wang yong lin
wang yong lin
..............page:210-211
..............page:212-213
LIU XIAOHUI'S PAINTINGS
zhao meng sha
zhao meng sha
..............page:194-195
CULTURE SHOCK:AMERICAN PAINTING IN CHINA,1981
mei rui di si pa er mo ; dai wei ping
mei rui di si pa er mo ; dai wei ping
..............page:98-107
THE FOREIGN SALONS OF BEIJING
bai jie ming ; nie ben zhou ; li zuo zuo
bai jie ming ; nie ben zhou ; li zuo zuo
..............page:108-113
SENSORY TRAINING
xi jie
xi jie
..............page:214-215
LAST PAGE
huang ran
huang ran
..............page:216-216
WHEN ART HAPPENED
xing dan wen ; mou kai lian
xing dan wen ; mou kai lian
..............page:114-121
LEE KIT:A SLICE OF LIFE
yao jia shan ; weng zi jian
yao jia shan ; weng zi jian
..............page:122-133
QIN QI:BACK AT ONE
sun dong dong ; mou kai lian
sun dong dong ; mou kai lian
..............page:134-143
HUANG YUXING
liu xi
liu xi
..............page:196-197
RAN HUANG:THE TRANSGRESSIVE POSSIBILITIES OF THE FIGURAL
yang bei chen ; duo duo
yang bei chen ; duo duo
..............page:144-151
EVERYTHING IS CONNECTED:THE"ARMORY TRIL OGY"AND SHEN WEI'S DIVIDED UNDIVIDED
yi peng ; mou kai lian
yi peng ; mou kai lian
..............page:152-163
CHENG RAN:SILENT CONVERSATION
cheng ran
cheng ran
..............page:164-175
ATSUKO TANAKA:THE ART OF CONNECTING
zuo zuo an qi he er ; dai wei ping
zuo zuo an qi he er ; dai wei ping
..............page:180-183
THE 7~(TH) BERLIN BIENNALE:FORGET FEAR
ji tuo nie duo ; liang xing yi
ji tuo nie duo ; liang xing yi
..............page:184-187