Hundred Schools In Arts 2016 Issue 5 Comparative Culture: Tang Xianzu and Shakespeare?

Comparative Culture: Tang Xianzu and Shakespeare?
LIAO Ben;

..............page:1-4

Moving Towards to the Year of Tang Xianzu and Shakespeare
zou yuan jiang ;

..............page:5-10

Highlighting the Differences and Similarities of Two Different Opera Tradition:Understanding 1616: Shakespeare and TangXianzu's China
SUN Mei;

..............page:11-14,74

Where is Our Foothold?: Also on Chinese Problem in Contemporary Aesthetics
YAN Guo-zhong;

..............page:15-18

Background of Japanese Cultural Policy and Project
Watanabe;,WANG Lie-sheng;

..............page:19-37

Conception and Methodology for Protect Intangible Cultural Heritage in Daily Life
LI Rong-qi;

..............page:38-43

Research of Active Inheritance of Chinese Opera Heritage
WANG Chen;

..............page:44-48

Poetical Living: Peculiar Value and Protecting Route of Contemporary Chinese Intangible Cultural Heritage
CHEN Ying;,WU Guo-jiu;

..............page:49-53

Exploration of the Impact of Traditional Zhejiang Music Intangible Cultural Heritage upon the Integration Development Route of Modern Advanced Music Education
GAO Cheng-ming;,CHEN Jia-bin;,QI Lei;

..............page:54-59,93

Experience and Inspiration of Protecting Intangible Cultural Heritage like Traditional Opera in Foreign Countries
GAO Yan;

..............page:60-64

Establishing Cultural Confidence and Cultural Consciousness with a Right Civilization History Opinion: Re-Recognition of the National Art Tradition Problem Caused by the Film "Song of the Phoenix"
LI Chao-de;,LI Yi-fei;

..............page:65-74

Dialectical Thinking over the Relation between Cultural Confidency and Spiritual Civilization Construction
XIA Zheng-yuan;

..............page:75-77,89

The Four-Pronged Comprehensive Strategy Shows the Guiding Function of Advanced Culture and Thought
GUAN Ruo-song;

..............page:78-82

Concept Misunderstanding and Development Channels of Literary Film
LI Zhen-lin;

..............page:83-89

Concept Transformation: Film and Film Education in New Media Era
CHEN Xiao-yun;,YUAN Jia;

..............page:90-93

A Review of 2015 Chinese TV Research Works
HU Zhi-feng;,LIU Jun;,ZHOU Jian-xin;

..............page:94-108,134

Current Situation of Current National Animation
SHI Ke-yang;,PAN Lin;

..............page:109-113,173

Analysis of Missing of Humanistic Spirit in Current Chinese Film and TV Creation
YANG Guang-zu;

..............page:114-117

Plural Speech Politics in Micro-Communication of Spring Festival Gala: Based upon a Cultural Studies Perspective
ZHANG Ai-feng;

..............page:118-123

Internet Marketing and Value Promotion of National Art Film from the Perspective of Information Transformation Chain
JI Yu-qun;,WU Qiu-yi;

..............page:124-128

Analysis of the Co-Movement between Cultural Artwork Market and Stock Market: Based upon the Study of DCC-GRACH Mode
ZHOU Jin;,SHUI Xin-yong;

..............page:129-134

University General Education Art Curriculum Reform During the Visual Culture Turn: An Interview with Professor Zhou Xian
ZHOU Xian;,SUN Yang;

..............page:135-137,142

Several Basic Problems of Aesthetics and Art Science: Comparative Study of Several Aesthetic Papers
LING Ji-yao;

..............page:138-142

The End of Art: From Hegel to Danto: Try Some Critical Understanding
DU Shu-ying;

..............page:143-149,225

Modern Transformation of Traditional Art Discourse Viewed from the Image and the Evolvement of its Artistic Form: Also on a Comparison between Chinese and Western Image Discourse
JIN Dan-yuan;,ZHANG Yong-xu;

..............page:150-155,212

The Origin of the Transformation of Art Themes in Different Periods: Taking the Theme of "Seclusion" as the Example
HE Yun;,LI Bei-lei;

..............page:156-161

Taking a Look Back of the History of Traditional Chinese Opera: Re-Review of the Value and Significance of the Generation of Opera
FENG Jian-min;

..............page:162-167

New Developments in Translating Peking Opera
XIAO Wei-qing;,XIONG Xian-guan;

..............page:168-173

It is a Must to be Sincerely and Respectively in Doing Scholarship:Mr.Zeng Yongyi's Contribution to Drama Research
WANG An-kui;

..............page:174-178

Mr.Zeng Yongyi's Research of Opera History:Taking the Origin and Formation of Opera as the Example
WANG Ting-xin;

..............page:179-182,189

Sacrifice, Pray, Amusement: An Investigation of Shiyou Village Nuo Opera in Nanfeng Town in Jiangxi Province
ZHU Heng-fu;

..............page:183-189

The Development of Traditional Chinese Theatre in the Context of Communication Media Reform: Taking Jin Opera as the Example
QIU Huai-sheng;,LU Liu-yuan;

..............page:190-192,197

Ballet Adaptation of Epic Viewed from Hero o Manas
XU Wei;

..............page:193-197

Reform Route of the Stage of National Intangible Cultural Heritage Shandong Liuzi Opera
SUN Tian;

..............page:198-201

Art Creation in the Visual Threshold of Regional Cultural Soft Power: Taking Men Wenyuan Dance Drama "A Bing" and "Xi Shi" and "The Flowers of War" as the Examples
YE Di;

..............page:202-205

The Aesthetic Style and Singing Features of Classical Chinese Poems and Lyrics: Taking Vocal as "Beauty Yu · Where is the End of Spring Flower and Autumn Moon" the Example
YUE Li;,ZHOU Ting;

..............page:206-208

Cultural Function of Arts and Crafts
CHEN Lu;

..............page:209-212

Inspiration of Traditional Chinese Ethical Thought on Modern Product Design
ZHANG Ming;

..............page:213-216

Cultural Memory of Urban Spatial Production
ZHUANG Li-feng;,YE Hai-tao;

..............page:217-219

Theoretical Origin of Adopting Brush Skill of Calligraphy to Painting Proposed by Zhao Mengfu and the Necessity of the Theory
LIU Ming-bo;

..............page:220-222

An Interpretation of the Features of Modernity of Modern Chinese Art
LIU Kai;

..............page:223-225

Spatiality and Timeliness of the Composition of Huge Cursive Script in Ming and Qing Dynasty
QIAO Yu;

..............page:226-227

Music Features of Lishui Luantan Puppet Opera
ZHOU Yun-jie;

..............page:228-230,233

Form, Mood, and Image of Singing Element in Chinese Film Narration
YE Wen-hui;,ZHOU Hua-sheng;

..............page:231-233

Cultural Interpretation and Historical Enlightenment of Naples Mandolin Development
CHEN Cong;

..............page:234-236

Inheriting and Protection of Jiangdu Wujian Flower-Drum
YUAN Ye;,JIANG Mei;

..............page:237-238

Analysis on Hot Broadcast of Chinese Family Moral Play in the Visual Threshold of Living Aesthetics
QIAN Xiao-tian;

..............page:239-240,263

Game Consciousness and Toy Thinking in Design
TANG Yi;

..............page:241-242

Aesthetic Features of Modern Landscape Design in Technology Condition
HAN Kun;

..............page:243-244

Trans-boundary Design: New Design from the Public to the Avant-gard
ZHOU Ya-ru;

..............page:245-246

Semiotic Significance of Realistic Figure Oil Painting
LIU Wen;

..............page:247-248

Craftsmanship and Artistic Features of Hui School Print
WANG Ying-ying;

..............page:249-250

Impact of Xie He's "Six Technics" upon Modern Oil Painting
DU Bing;

..............page:251-252

Children Furniture's Flattening Design
LIU Zong-ming;,WEI Xue-qi;

..............page:253-254

How do Actors Establish Mental Imagery
WANG Jing-jing;

..............page:255-256

Japanese and Chinese National Culture Viewed from Different Development of Chinese and Japanese Pipa
SUN Ying;

..............page:257-258

To Guide Painting Teaching in Colleges and Universities with Simple Quality Conception
ZHENG Li-qin;

..............page:259-260

Psychological Regulation of Piano Performing
BU Li;

..............page:261-263

New Starting Point of Dance Criticism:Also on the Value of The Discourse of Dance Art Value
JI Ning;

..............page:264-266

zuo pin xuan

..............page:268-338,封3-封4

ren wu jie shao

..............page:342

xin xi dong tai

..............page:350