Hundred Schools In Arts 2016 Issue 4 Don't Forget the Ultimate Concern of Art, and Try Best to Do Well in University and College Innovating and Starting up a Business

Don't Forget the Ultimate Concern of Art, and Try Best to Do Well in University and College Innovating and Starting up a Business
ZHONG Cheng-xiang;

..............page:1-3,55

What does "The Fallen Petal Season" Really Mean: Understanding Chairman Mao Zedong's "Qilv.A Reply of Mr.Liu Yazi's Poem"
LIU Wei-dong;

..............page:4-6

Landscape and Development of Chinese Internet Literature and Art
Beijing Normal University Research Group;

..............page:7-21,71

Development Trend of Chinese Theatre in 2015
Base for Chinese Literary Criticism, Chinese Acade;

..............page:22-39

Constructive Problem of Contemporary Chinese Art Criticism System
JIA Lei-lei;

..............page:40-43,50

Aesthetic Education: Humanistic Ideal and Cultural Governance Practice in Modern Problematic Consciousness
KONG Xin-miao;

..............page:44-50

Chinese Aesthetic Spirit in Contemporary Art
LI Dong-ning;,LI Jian;

..............page:51-55

An Active Theatre of Thinking Crash throughout 60-Year of Chinese Music Circle: Historical Review of the Contend between Lv and He
JU Qi-hong;

..............page:56-64,67

Material, Concept Manifestation, and Problem Demonstration: Comment on Zheng Zuxiang's "Sound Measurement Data of Jia Lake Bone Flute and Discussion of Relevant Problems"
PU Heng-jian;

..............page:65-67

To Change will be New and Active: Thinking upon the Inheriting and Development of Shandong Five-Sound Opera
LIU Xiao-jing;,QI Hui-min;

..............page:68-71

Color of Chinese Folk Music Mode Color
SHI Yong;

..............page:72-75,86

Taoist Ceremony Music in Tang and Five Dynasties
PU Heng-qiang;,CHEN Wen-an;

..............page:76-80

Relationship between Chao Opera and Guangdong Chaoshan Cultural District from the Perspective of Cultural Geography
MA Da;,ZHANG Shan-shan;

..............page:81-86

Music Form of Tongcheng Song
WANG An-chao;

..............page:87-92,104

Music Morphology of Sublime and Elegant Means of Playing of Yudu Suona
WANG Fang;,ZHOU Zheng-yuan;,SONG Yi-qiao;

..............page:93-95,165

Evolvement and Advancement of Gannan Tea-Leaves-Picking Dance Viewed from Chen Binmao's Art Practice
LAI Dan;

..............page:96-100,178

ren wu jie shao

..............page:封2

Morphology Analysis and Cultural Interpretation of Li Shutong's "Collection of Cool Song"
ZHANG Yi;

..............page:101-104

Talking about Aesthetics Heart-to-Heart: Reading Du Shuying's Decameron on Aesthetics
CAI Yong-hai;,ZHANG Yi-fan;

..............page:105-110,183

Disciplinary Construction of Contemporary Chinese Aesthetics in Oral History Threshold: Report of Theme of Contemporary Chinese Aesthetic Oral History and Data Analysis (Ⅱ)
LI Shi-tao;

..............page:111-122,187

To Explore the Development Way of Traditional Chinese Arts and Crafts in Globalization Context: An Interview with Chinese Arts and Crafts Master Gao Yijin
LU Xiao-hui;

..............page:123-125

Wu Daozi Worship in Chinese Fine Arts History
ZHAO Nong;

..............page:126-132

Linearity and Spirit of Mr.Xu Beihong's Art: Early Pattern of Chinese Renaissance Art
DING Fang;,GU Sheng-rong;

..............page:133-139

Cai Yuanpei and Lin Fengmian's Discourse of Reconciling between Chinese and Western Culture and Art and its Historical and Cultural Context
NIE Wei-gu;,CAI Jing-ran;

..............page:140-148

The Artistic Image of Macao in the Intersection of China and Western Countries
SHAO Xiao-feng;

..............page:149-157,171

Feng Zikai's Buddhist-Themed Painting in the Visual Threshold of Traditional Chinese Buddhist Painting
CHEN Xing;

..............page:158-165

The Spirit of Plum Painted in Ink and Brush: Detailed Reading of Zhang Jixin's Plum Painting
ZHU Dong-lin;

..............page:166-171

Atlas Study, Epigraphy, and Iconography: A Perfect Link of Empirical Research System of Chinese Art and Cultural History
LI Rong-you;

..............page:172-178

The Image in the Visual Legend
HAN Cong-yao;

..............page:179-183

Refutation and Discussion on the Iconology and Commemorative Characters of Han Dynasty Stone Portraits
LIU Dao-guang;

..............page:184-187

Buddhist Sculptures' Back Light in Yangtze River Basin in Han and Jin Dynasties
JIN Jian-rong;

..............page:188-196,236

Representation and Exploration of Stage Spatial Conceptions in Visual Arts
ZHAO Bing-xiang;

..............page:197-199

Preliminary Study upon the Creative Motive of Chinese Calligraphy Art
MENG Qing-xing;

..............page:200-203

Transformation and Inheritance from Yu Youren's "Poem Roller to Zhang Jingjiang" to "Qiu Martyr Monument": Also an Analysis of the Creative Cause of Yu Style
WANG Shu-feng;

..............page:204-206

An Analysis of Eagleton's Postmodern Cultural and Religious Thought
WU Zhi-xin;,XU Su-Peng;

..............page:207-210

Pattern, Features of American University Art Education and its Inspiration to Chinese University Art Education
LU Ting;

..............page:211-215

Poetical Writing of American Expressive Painting: Taking the Early Poems Written by New York School Poet Barbara Guest
ZHU Li-tian;,LIU Ju;

..............page:216-218

Modern Aesthetic Experience and Schema of Looking: Wolfflin's and Greenberg's Art Theory
YAO Shao-jiang;

..............page:219-222

Operation of Lingnan Painting School Exhibition and Its International Communication
ZHANG Fan-wen;

..............page:223-225

Application of Folk Art Visual Factors in Northwest Shandong Province in Modern Design: Taking the Area Liaocheng as the Example
SONG Yan-hua;

..............page:226-228

Regional Cultural Features of Urban Nightscape Lighting Design in Yancheng
WANG Li;

..............page:229-231

Transformation from Abstract Spirit to Realistic Spirit: Transformation of Li Yang's Painting Style
LI Rui;

..............page:232-233

Creation and Singing Style of Three Pieces of Yuanqu
HE Jia-pei;

..............page:234-236

Comment of the Creative Strategy of Reality Show "We 15 People": The Development Orientation of Our National TV Reality Show After the "Cutback on TV Reality Show"
ZHAO Yi;,ZHANG Qiang-sheng;

..............page:237-239

Cultural Prosperity and Art Collection in Southern Tang Dynasty
HE Yun-xiao;

..............page:240-241,244

Symbol and Rhetoric: Taking Advertisement Photography as the Example
HU Zhong-jie;

..............page:242-244

Spreading and Regeneration of Traditional Culture in Digital Art
KANG Kang;

..............page:245-246,249

Creation and Advancement of the Aesthetic Features of Contemporary Chinese Animation Film: Taking "Monkey King Hero is Back" as the Example
FENG Rui;,DAI Yuan-yuan;

..............page:247-249

Creative Features of Tchaikovsky's Opera: Taking "Eugene Onegin" and "The Queen of Spades" as Examples
ZHANG Gui;

..............page:250-251,254

Transboundary Dancing Audience Expansion System based upon Field Theory
YU You-you;

..............page:252-254

A Hand with the Flowers Remain Perfumes: Marketing of Zhou Wuzhong's Chinese Flower Cultural History
XU Yan;

..............page:255-256

Clap Passionately for Asian New Film: A Review of Zhou Anhua's Contemporary New Film Power: Study of Asian New Film Masters
XUAN Ning;

..............page:257-258

zuo pin xuan

..............page:260-322,封3-封4