Hundred Schools In Arts 2016 Issue 2 Character of Central Plain Culture and Social Transformation

Character of Central Plain Culture and Social Transformation
LIAO Ben;

..............page:1-7

Chinization and Music Art Objectification of Marxism Literary Theory
JU Qi-hong;

..............page:8-11

Re-study of the Style of Xi Jinping's Discourse System
LING Ji-yao;

..............page:12-16

Construction and Development Way of Chinese Film in Cultural New State: Contemporary Film Cultural Mood Viewed from "Ye Wen Ⅲ"
ZHOU Xing;

..............page:17-23

Modern Significance of Excellent Traditional Chinese Culture
HE Yun-ao;

..............page:24-28

Ancient Life Philosophy and Discourse upon the Life of Art in China
NIE Zhen-bin;

..............page:29-37,68

To Enforce the Profound Integration between Chinese Aesthetic Spirit and Art Practice
JIN Ya;

..............page:38-40,77

Sublime Spirit of Chinese Art and its Contemporary Significance
ZHU Peng-fei;

..............page:41-44,84

Research of the Restoration of Jade-like Glass Stone-Chime Unearthed in Grand Yun Mountain in Xuyi in Jiangsu Province
WANG Zi-chu;

..............page:45-62

Analysis of Liu Fengxue's Tang Dance
JIANG Dong;

..............page:63-68

Extinction of Folk Song and Rising of Village Song
DU Ya-xiong;,CHEN Ye;

..............page:69-72

Cause of the Chaozhou Zither Style in the Visual Threshold of Cultural Geography
MA Da;,ZOU Hong-min;

..............page:73-77

Outer Space Imagery Music Record: A Preliminary Exploration of Musical Images of Tiangong-1 and Shenzhou Ⅸ
ZHENG Jin-yang;

..............page:78-84

Music Production and Consumption in the Period of Two Han Dynasties
HAN Qi-chao;

..............page:85-95,103

Learning from the History: Thinking over the Failures of Music in Model Peking Opera
WANG Xiu-ting;

..............page:96-103

ren wu jie shao

..............page:封2

The Ultimate Beauty Could be Attained Incidentally: Mutuality and Deficiency of Clive Bell's Meaningful Form in Popular Music Study
HUANG Zong-xian;,YE Zi-han;

..............page:104-107,113

Several Theoretical Problems of Jazz Professional Construction in Our National Art Colleges
ZHOU Jian-ming;

..............page:108-113

Summary of Art Principle (Ⅱ)
ZHANG Dao-yi;

..............page:114-120,184

Ontological Comparison between Chinese and Western Art Spirit
ZHANG Wei;

..............page:121-123,134

Reform of Contemporary Art Representstion Discourse: Taking Analysis Aesthetics as the Centre
LIU Yue-di;

..............page:124-131,155

Similarities and Differences between Structuralism and Post-Structuralism
JIN Hui-min;

..............page:132-134

Romantic Form of Poetry and Oriental Divinity: A Preliminary Exploration of Early German Romanticism Art Thoery
HU Ji-hua;

..............page:135-144

Yin and Yang Concept and Form Representation in Chinese Calligraphy
HU Kang-mei;,PENG Zai-sheng;

..............page:145-147

A Liberal Artist Searching for the Tao: Liu Haisu Fore-and-aft May Fourth Period
ZHENG Gong;

..............page:148-155

Association Circle of Eight Eccentric Artists in Yangzhou and Li Fangying' s Being Presented
HE Wan-li;,YIN Xiao-zhen;

..............page:156-164

The Natural Greatness of a Soul Generates from his own Magnificent Mind: Li Fangying's Painting Art
ZHANG Yu-ming;

..............page:165-175,213

Evolvement from Sketching, Fine Brushwork to Freehand Brushwork of Traditional Chinese Flower and Bird Painting
GUO Da-xing;

..............page:176-180

Textual Criticism on the Preface and Postscript and Copied Characters of Privately Printed Record of the Biography of Calligraphers from Antique Times to Yuan Dynasty in 9th Year in the Period of Hongwu
GUO Jian-ping;

..............page:181-184

Conception of "Seeking Pleasures" and Amusement Life in Garden Depicted in Literature
HAN Bo;,ZHANG Yu-zhi;

..............page:185-189,193

Appraisal of Calligraphy and Painting as a Methodology: Also on the Appraisal Problem of Oversea Calligraphy and Painting Study
WANG Han-wei;

..............page:190-193

yi liao zhi zhong de jing xi zuo wei di shi er jie quan guo mei zhan xin tu po de shi yan yi shu zhan
qu bo ;, chen xu ;

..............page:194-196

Creative Evolution Theory of Calligraphy Art
XIA Dong-rong;

..............page:197-206

The Refined and the Vulgar Conception in Gao Ershi's Calligraphy Thought
ZHOU Bin;,CUI Shu-qiang;

..............page:207-213

Wu Daozi's Painting Style and the Portrait of Vimalakirti in the 103rd Cave in Mo Kao Grotto at Dunhuang
WEI Ying-chun;

..............page:214-217,232

Badam Stripe of Folk Decorative Art in Sinkiang Uyghur Nationality
WANG Min;

..............page:218-220

Textual Criticism of Yan Zhenqing's Letter "to Cai Mingyuan"
WANG De-rong;

..............page:221-223

Evolution and Inheriting: Cultural Interpretation of Bai Minority Costume
ZHANG Cheng-yi;,LI Qun-ying;

..............page:224-226,229

Aesthetic Conception Transformation Viewed from Female Costume in Early Republican Period
ZHU Yan;

..............page:227-229

A Preliminary Study of Accompany Form of Vocal Music in Pre-Qin Period
ZHANG Yan;

..............page:230-232

Connotation, Current Situation, Vision, and Urgent Affairs: A Study on Current Calligraphy Education in Elementary and Secondary School
MENG Bao-yue;

..............page:233-234,237

Inheriting and Protection of the Art of Jimo Kezi
ZHANG Jin-li;,SUN Xiao-yong;,CHEN Lin;

..............page:235-237

Music Function Study: From the Perspective of Moral Socialization
ZHOU Tian-tian;

..............page:238-239

Dialectical Aesthetic Overview of "Ignoring the Likeness" in Ni Zan's Painting Discourse
LI Li-hong;

..............page:240-241

Out of the Surface: Transition of Song Dynasty's Landscape Painting
Guan Li-jun;

..............page:242-243

Aesthetic Characteristics of Figures on Han Dynasty Stone Portraits in Xuzhou
SANG Mao-lin;,LIANG Shuang;

..............page:244-245

Artistic Features and its Patriarchy Impression of Chastity Archway in Huizhou
ZHAO Chun;,CHEN Chen;,WANG Ke;

..............page:246-247

The Window Design of Kaiping Watchtower
XUE Xiao-fen;

..............page:248-249

Cultivation and Reconstruction of Teachers Group Aesthetic Education Ability Viewed From Cultural Soft Power
LIU Fei;

..............page:250-251

Interactive Webpage Animation Design Method Based upon Reversed Inversion
WEI Yan-li;,ZHAO Han;,YANG Ya-rong;

..............page:252-253

Comparison Understanding of "Pi Pa Ji" and English-Version "Pi Pa Song"
ZHANG Qiu-lin;

..............page:254-255,258

Review of 2015 International Art Management Forum (Shanghai) and Annual Conference of National Art Science and the 4th Session Annual Conference of Art Management Professional Committee
HUANG Chang-yong;,TIAN Chuan-liu;

..............page:256-258

zuo pin xuan

..............page:259-312,封3-封4