Hundred Schools In Arts 2015 Issue 5 On the Profound Connotation and the Realization Approaches of "Adhering to People-centered Creative Orientation"

On the Profound Connotation and the Realization Approaches of "Adhering to People-centered Creative Orientation"
JING Xiao-yong;

..............page:1-13

Carry on the Research on Modern Chinese Opera, and To Inherit Traditional Chinese Opera Culture
JI Guo-ping;

..............page:14-15,31

Chinese Modern Dance and Modern Chinese Dance: Report after Reading Materials of the Advancement of the New Dance in New Period in China (Ⅲ)
YU Ping;

..............page:16-31

To Create and Protect the Ecological Environment of Theatre Art Development: Understanding the "Several Policies Supporting Theatre Inheriting and Development" Released by the State Council
XIE Bo-liang;

..............page:32-36

Contemporary Significance of "Monster Hunt" from the Perspective of Culture and Art
ZHOU Xing;

..............page:37-42

Establishment of the Economy Support System of Non-profit Performing Troupes: Inspiration of the Western Art Sponsor Form to Contemporary State-Owned Performing Troupes
QIAN Zhi-zhong;

..............page:43-47,143

Public Freedom of Art
WANG Yi-chuan;

..............page:48-69

Function of Art
DING Ning;

..............page:70-77,88

Denomination of the First Grade Discipline "Arts Theory"
LI Rong-you;

..............page:78-82

The Discipline Attribute and Professional Construction of "Art Theory"
LI Pi-yu;

..............page:83-88

Promoting Function of Art's Essential Properties towards Ecological Transformation of Technology
CHU Xiao-qing;

..............page:89-99,172

Original Creativity: Strategic Starting Point of Promoting the Cultural Soft Power of Chinese Film and TV
HU Zhi-feng;

..............page:100-105

Thinking over Countermeasure of the "Three More Three Less" Phenomena for Personnel in Contemporary Creative Cultural Industry
ZHANG Dong-hang;

..............page:106-109

The Creativity of Film
TIAN Chuan-liu;

..............page:110-114,134

Study on Good Film
SHEN Yi-zhen;

..............page:115-119,177

Aesthetic Choice of Legendary Narration of Early Chinese Film: Based upon the Historical Comment of "A String of Pearls"
YU Ji;,MA Li-lin;

..............page:120-124

Examination of the Sexual Concept in Contemporary Chinese Youth Film Creation
YUAN Zhi-zhong;,MA Jian;

..............page:125-129

The Rhyme and Charm of Jiangnan Dance Adequately Reveals the History of China: Analysis of the Characterization of the Dance Dramas "Ganjiang and Moye ", "A Bing" and "Xi Shi"
XU Wei;

..............page:130-134

Hollywood's Copy of China: From "Lady General Hua Mulan" to "Kung Fu Panda"
SU Xing-sha;

..............page:135-138

Expression and Cultural Information of Stylization of Traditional Chinese Opera: Taking Operas Adapted based upon Western Plays as the Examples
FEI Chun-fang;,SUN Hui-zhu;

..............page:139-143

Theatricality Composition of Peking Opera "Si Lang Visits his Mother":Also on Distinction between the Discourse that Toss About again and again is the Opera and the Discourse that Abrupt Transition is the Opera
WANG Yi-feng;

..............page:144-147,166

Textual Criticism and Explanations of Images on Hand-Warmer Made by Fengjiang and Collected by Zhu Weirong
ZHAO Xing-qin;,ZHAO Wei;

..............page:148-155

The Image of Emperor Zhengde in Pihuang Play "Xi Feng" Adapted by the Office Managing Royal Opera Performance in Qing Dynasty
ZHU Heng-fu;

..............page:156-159,186

The Study on Kinship Bonds of Shen Family as Opera Composers at Wujiang
ZHOU Gong-ping;

..............page:160-166

Stage Artist Cao Yu's Plays
ZOU Yuan-jiang;

..............page:167-172

Law Problems and Theme of Guan Hanqing's Butterfly Dream
LIU Li-wen;,LI Xue;

..............page:173-177

Investigation of the Attribution of the Tunes of "Poyao Ji" Commented by Mr.Li in the Period of Wanli
MA Hua-xiang;

..............page:178-186

Features of Selection and Treatment of Historical Sources and Historical Facts of Southern Historical Opera
FU Di-xiu;

..............page:187-191

Study on Transforming into Butterfly
WANG Ning-bang;

..............page:192-196

Textual Research on Zaju in Which Emperor Appears
LV Jing-bo;

..............page:197-201

Worship for Animal Spirit and Identity of Parentage:Animal Factor in Qiang Minority Dance
YE Di;

..............page:202-204

The Reconstruction of the Fourth Landscape: A Comparative study of Garden Image in the Four Famous Novels' Engraving Illustrations
TAI Jie;,LU Wei;

..............page:205-208

Development Course of Spectacle Theory of Chinese Film
TIAN Yi-zhou;

..............page:209-212

Using Social Enterprise Mechanism to Protect the System of Intangible Cultural Heritage: Based upon the Experience and Inspiration of European and American Nations
YE Min;

..............page:213-215

Traditional Western Color Culture and its Impact upon Chinese Painting
LI Xin;,ZHAO Li-ping;

..............page:216-218

Context of Traditional Tujia Ballad Tune and Understanding of its Inheritance and Protection: Taking Western Hubei Intangible Cultural Heritage Changyang Southern Qu as the Example
LI Xiao-yang;

..............page:219-221

An Interpretation of Qingzhi Ge Ciyu
LIU Shu-li;

..............page:222-224

Thinking of the Series of Appraisal Activities of Contemporary Chinese Popular Music
XU Zi-han;

..............page:225-227

Aesthetic Differences between Chinese and Western Art Songs from the Perspective of Music Aesthetics: Taking Huangzi's Three Wishes of Rose and Schubert's Wild Rose for Example
WANG Jian;

..............page:228-229

Fujian Drama Reform and Traditional Play Adaptation after the Founding of PRC: Taking Liyuan Opera "Chen San Wu Niang" as the Example
HUANG Wen-juan;

..............page:230-231

Tune Names "Hui He Yang" Collected in Jiugong Zhengshi
CAI Shan-shan;

..............page:232-233

Normal Form of Composition of Traditional Figure Painting Viewed from Paintings of Making Merry in Late Period in Eastern Han Dynasty
MA Geng;

..............page:234-235

Landscape Garden Art in Nanjing Grand Bao En Temple in Ming and Qing Dynasty
XU Ting-ting;

..............page:236-237

Edges and Corners in Counter Current: A Research of Low Polygon Style in Digital Art
SONG Liu;

..............page:238-239

Ignorance, Devaluation, Missing: Reappraisal of Female Contribution in Interior Design History
YANG Jing-ling;

..............page:240-241

Characteristics of National Chinese Vocal Music Creation: Taking "Autumn Water and the Eternity"
BIAN Kai-ping;,ZHAO Wei-wei;

..............page:242-243

Intergrowth Study of Jiangnan Ballad and Wuxi Opera: Reference and Application of Ballad in Wuxi Opera "Meng Jiangnv"
WANG Fang;

..............page:244-245

Contemporary Chinese Popular Music from the Perspective of Media
ZHANG Li-li;

..............page:246-247

Self-Expression in Abstract Painting
WU Jing-yi;

..............page:248-249

Cultural Thought of Yangzhou Jade Carving
SUN Lu;

..............page:250-251

National Art Education and Thinking of New National Graphic Design
ZHAO Nian-nian;

..............page:252-253

Cultivation of Social Practical Design Personnel in Studio Teaching Mode
DU Jian-wei;

..............page:254-255

Comparison between Chanting and Singing
LIU Fei;

..............page:256-257

New Media and TV and Film Art Development: Summarization of the High-Level Forum of Chinese TV and Film and the 2015 Annual Conference of Film and TV Education Specialized Committee of Chinese Higher Education Society
KONG Zhao-peng;,WANG Liang;

..............page:258-260

zuo pin xuan

..............page:261-338,封3-封4,封2