Hundred Schools In Arts 2012 Issue 2 "Active, Ecological and Dynamic" Protection and Development of Intangible Cultural Heritage in Contemporary China: Taking Guizhou Province as an Example

"Active, Ecological and Dynamic" Protection and Development of Intangible Cultural Heritage in Contemporary China: Taking Guizhou Province as an Example
LUO Xin-min

..............page:29-35

Collection and Appreciation of Painting and Calligraphy in Northern Song Dynasty:Taking "Anecdotes of Painting" and "Painting History" as Examples
ZHAO Juan

..............page:190-192

Female Image in Palace Garden Amusement in Han Dynasty
HAN Bo

..............page:193-197

Auspicious Consciousness: Classical Chinese Art and Cultural Tradition
CHANG Bei

..............page:147-157

To Make a Project into Landscape: Landscape Aesthetical Conception Ascribed to Michel Conan and Bernard Lassus
CHEN Wang-heng

..............page:76-82,28

Unbalance of Folkloric Art Ecology
YANG Yu-jia;WANG Jie

..............page:245-246

Exploration upon the Design Thought of Chinese Guqin:Taking "History of Guqin" as an Example
LI Yi-nan

..............page:186-189

yi shi yi jie cheng ban wei qi ji , ji ji fa hui chuan tong wen hua zi yuan you shi , nu li tui dong shan dong wen hua ke jiao gong zuo zai shang xin tai jie
zhang gang

..............page:252-256

Exploration upon Current Situation and its Generation System of International Animation Education
SU Feng;SU Shao-feng

..............page:65-69

zhua zhu ji yu , cheng shi er shang , jin yi bu ti gao yi shu ke yan shui ping
wen hua ke ji si

..............page:247-249

A Certain Practice and an Uncertain Illustration: An Explanation of "Motion Graphics"
TONG Jiang-tao

..............page:240-241

Oriental Significance of "New Art Movement" in Western Countries
JIANG Jun-chen

..............page:202-204

Ancient Songs in Vocal Music Teaching: Taking "Collection of Songs Ascribed to Bai Shi Monk" as an Example
LI Mei-qun

..............page:230-232

Artistic Features of Chinese Recomposed Piano Music
LIU Yi-xin

..............page:236-237

Realist Oil Painting Taking Contemporary Chinese Peasants as its Theme
ZHU Sha

..............page:182-185

Industry Value Chain of On -line Digital Music
TONG Xue-na

..............page:70-75

hui hua zuo pin

..............page:269-304,封3-封4，封2

"Extent of Vocal Harmony" and "Extent of Color Harmony"in National Instrumental Concert
CAI Jun-chao

..............page:238-239,204

Cultural Significance of "Orientalism" Ascribed to Edward Said
CHEN Lu

..............page:198-201

Three Social Projects in Chinese Xiqu Reform
SUN Mei

..............page:23-28

Body Art of Buddhism Fresco in Guge in Tibet
ZHOU Jing-bao

..............page:163-172

A Preliminary Study upon Studio Teaching of Art Design
CHEN Jiao-bin

..............page:233-235

Cultural Value of Chinese Painting
CHEN Chi-yu

..............page:103-109

The Historical Significance of Composition Art of Han Painting
LIU Dao-guang

..............page:135-143,213

Economics of Music Industry
Ruth Towse

..............page:47-57,122

rong guan li yu fu wu zhi zhong nu li ti sheng he nan yi shu ke yan guan li shui ping
zhang wen ying

..............page:256-257

Artistic Style and Representation of Anselm Kiefer\'s Painting Creation
ZHANG Wen-hao

..............page:222-223

A Study upon Transcultural Drama and Performance: An Interview with Schechner
KAN Jie

..............page:94-97

Van Gogh\'s "A Pair of Shoes": Truth of Artwork
SHI Wei-ping

..............page:224-225

Basic Provisions of Ink Connotation in Chinese Painting and Calligraphy
FAN Bo

..............page:129-134

Save the World with Aesthetics: Function of Dunhuang Art in the Sense of Aesthetics
ZHANG Yuan-yuan

..............page:219-221

"Landscape Spreading in Poetry and Essays"in Culture of Traditional Chinese Landscape Garden
LIU Tao

..............page:211-213

Contemporary Reflection upon Fine Arts Research in Rear Area in War of Resistance against Japan
ZHENG Gong

..............page:11-15

Auspicious Image and Sign Design
LI Xiao-lin

..............page:226-227

"Peer Gynt" and Drama Performed by Contemporary Star Actors
HE Cheng-zhou

..............page:83-86,75

"Western Learning Spreads to the East" and Modern Chinese Painting
XU Zu-liang

..............page:144-146,216

"Four Seasons" in Ancient Chinese Painting Theory
ZHANG Jing

..............page:123-128

In Name of "New China": Generation System of Contemporary Chinese Dance Training
ZHANG Zhao-xia

..............page:58-64,97

The Origin and Theoretical Exploration of Ink - Bamboo Painting
ZHOU Ji-yin

..............page:110-122

National Spirit and National Drama
LIU Jun-hong

..............page:16-22

shen ru xue xi guan che shi qi jie liu zhong quan hui jing shen shen hua gai ge bu duan jin qu
zhang qing shan

..............page:249-252

A Comparison between Chinese Folk Singing and Bel Canto
JI Yu-mei

..............page:205-207

Discourse of "Artistic Conception" and Maturity of Landscape Painting in Five Dynasties
YANG Yu

..............page:242-244

Ecological Features of Chinese Traditional Residence
MA Jia

..............page:217-218

Grand Animation Seeks for a Wider Space
JIN Yuan-pu;ZHUANG Peng-tao

..............page:36-46,15

Significance of "Harmony with Difference" and "No Development without Difference" in Dance Creation
LIU Bin

..............page:208-210

An Exploration upon Crane Sign in Ancient China
HAN Ying-jie

..............page:228-229

Aesthetic Features of Bronze Pattern in Sanxing Relics
QU Mei

..............page:214-216

Folk Force in Promoting the Protection and Innovation of Traditional Opera:Miscellanea of International Conference "Study of Kun Opera and Neng Opera" Held in Hongkong, Nanking, and Tokyo
WANG Ting-xin

..............page:87-93

xin xi dong tai

..............page:后插1-后插2

Pursue an Enlightenment World of Zen and Dance: An Interview with Professor Li Yunzi of Pusan National University
XIE Jian-ping

..............page:98-102,93

Humanistic Significance and Value of Art Science as a Subject of Humanities
CHEN Xu-guang

..............page:5-10,22

Illustration and Transmission of "Outlaws of the Marsh" Printed in Jianyang
QIAO Guang-hui;HU Xiu-juan

..............page:158-162

The Form of Song- Style Character and Traditional Calligraphy
ZHANG Shu

..............page:173-181

"Enrich Culture with Science and Technology" Promotes the Construction of Great Power of Culture
YU Ping

..............page:1-4

ji chu xing yu ying yong xing yan jiu bing zhong tui dong zhong qing yi shu ke yan gong zuo you hao you kuai fa zhan
duan ming

..............page:257-258