Hundred Schools In Arts 2011 Issue 2 Content Disparities of "Art History" and" History of Fine Arts"

Content Disparities of "Art History" and" History of Fine Arts"
LIU Dao-guang

..............page:78-83

Vividness in Spirit and Freehand Brushwork: Classic Chinese Art and Cultural Tradition
CHANG Bei

..............page:84-95

Cultural Dependence and Art Creation: Exploration upon Application of "Xishan Qinkuang" to Dulcimer Performance
QIAO Hong

..............page:236-239

Reinforce Instruction upon Art Creation, Conceive more Masterpieces Living up to the Expectations of People and the Times
CAI Wu

..............page:1-9

Better City, Better Life: A Summarization of the Sixth Symposia for National Art Science
ZHAO Xiao-hong;WANG Bo

..............page:247-249

A Fantastic Image World:On Animation
LAN Fan

..............page:145-160

Practical Significance of Fabric Reengineering Technique upon Costume Designers
ZHU Yan

..............page:232-233

Conspectus of Historical Data upon Bamboo Crafts
WANG Wen-jie

..............page:111-117,166

Five Stages of Evolvement in Classical Chinese Painting
ZHANG Qi-feng

..............page:118-126

Homespun Yarn Weaving in Guanzhong Pucheng:A Fieldwork upon the Product, Development and Protection of Rural Handicraft in Weinan
ZHAO Nong

..............page:21-28,49

Can Intangible Cultural Heritage be Innovated?
HUANG Da-tong

..............page:19-20

Origin and its Artistic Style of Sweden "Chinese Pavilion"
LI Ming

..............page:132-136

Several Different Problems and Trends in Current Development of Chinese Drama
HE Yu-ren

..............page:37-40

Linear Evolvement of Modern Expressive Paintings
SHEN Hong

..............page:206-208

Conception of "Social Harmony" in Traditional Chinese Music Aesthetics
CHU Xiao-dong

..............page:220-221

Art Disciplinary Projects Supported by National Social Sciences Fund
Leading Group Office of National Art Disciplinary

..............page:252-254

Theory, Practice and Teaching upon Cross-cultural Drama:A Summarization of International Conference for Cross-Cultural Drama
KAN Jie

..............page:250-251

yi bei er yuan shen peng shu gu shi shi jiu shou du hou
chang bei

..............page:后插55-后插66,封2,封3,封底

National Innovative System and Art Theory Innovation
ZHANG Wei

..............page:14-18,44

zuo pin zhan shi

..............page:后插1-后插53

Generating, Evolvement, Categorization, and Beautification of Chinese Acrobatics
YU Ping

..............page:10-13,36

A Review of "Research upon Economic Aesthetics"
BAI Yan-xia

..............page:245-246

Experience Design of Costume Product Strategies
ZHAO Ying-zi

..............page:229-231

Experiential Thinking of Intuitive Mind in Art Creation and Appreciation
JIANG Geng-yu

..............page:67-70

The Silk Route and Body Art in Ancient Xinjiang Murals
ZHOU Jing-bao

..............page:96-110,83

Xie Jin\'s Film Viewed from Image Legend Narration
YU Ji

..............page:167-170

Artistic Originality of Teleplay
ZHANG Zhi-hua

..............page:171-174,160

zhang zuo [ shu fa zuo pin ]

..............page:后插54

Traditional Culture and Belief Education in Universities
MA Ling-yan

..............page:201-202,208

Transmutation of Qin Music "Going Back Home"
KE Li;ZHANG Wei

..............page:194-197

Affecting Beauty of Sign Design in the Visual Field of Traditional Art
ZHANG Jun

..............page:203-205

Controlling Function of Inner Hearing to Singing
HUANG Jian-ping

..............page:183-187,251

Development of Huaihai Drama Viewed from Literariness of Play Creation
HUA Jing

..............page:188-190

Ecological Construction of Film and its Audience Acceptance
TIAN Chuan-liu

..............page:161-166

Revelation the Fortune of Celadon Art in Song Dynasty
LI Zheng

..............page:217-219

Cultural Conception of Traditional Chinese Vocal Art
LI Chun

..............page:198-200

Exploration upon Gao Jianfu\'s "Compromise" Thought
ZHANG Fan-wen

..............page:209-216,40

Religious Culture Connotation of "Christmas Cantata"
CHEN Jie

..............page:222-224

Music Education to in the Context of Post-Philosophy Culture
YU Xiao-jing

..............page:225-228,231

Hero·Solemn·Sublime: Aesthetic Dimension of Chinese Teleplay Narration
DU Ying-jie;ZHANG Yi-yang

..............page:175-178

Reflection upon Professionalization Requirements of Art Education
LU Shan

..............page:240-241

Simple Discussion upon Morality of Drama Arial
YU Shu-hua

..............page:191-193

The Two Art Histories: The Museum and the University
cha li si w ha hao sen ; chen hao

..............page:71-77,224

Exploration upon Qin Music Style of Zhe School in Nansong Dynasty
ZHENG Zu-xiang

..............page:179-182

Influence of Contemporary Chinese Musicology upon the study of Chinese Music Theory
WANG An-chao

..............page:242-244

Four Aesthetic Trends of Contemporary Chinese Film
SHI Ke-yang

..............page:57-60,126

Image Noumenon as the Language of Film
NIE Xin-ru

..............page:137-144

Interpretation upon "Shanzhai" Culture in Contemporary China
ZHANG Hong-sheng;ZHANG Wei

..............page:45-49

Can Unscrupulousness be Tamed: Stylized Pen craft of He Shaoji\'s Calligraphy
CAO Jian

..............page:127-131

Reflection upon Several Problems of Current National Dramatic Critique
ZHOU Da-ming

..............page:41-44

Causes of Different Brushwork in China and Western Countries Viewed from Model for Painting
GAO Jian-ping

..............page:61-66

yi shu jiao yu gong jian gong zuo de hui gu yu zhan wang
wen hua ke ji si

..............page:255-258

From Shanghai Exhibition to Shanghai Originality:Transformation and Upgrade of Shanghai Film Industry after the 2010 Expos
NIE Wei

..............page:50-56,66

Reformation of Opera Troupe: A Personal View
JU Qi-hong

..............page:29-36

Curriculum Arrangement of MFA and a Practice of Mini-Theatre Opera
QI Jun

..............page:234-235