Hundred Schools In Arts 2010 Issue 1 In folk stone carving art settles on between the national from Hunan the cultural exalting virtue to set up the virtue implication

In folk stone carving art settles on between the national from Hunan the cultural exalting virtue to set up the virtue implication
he ci xian

..............page:205-207

Achieving National Image through a Magnificent Stage Epic :After Watching Music & Dance Epic The Way to Renaissance
ju qi hong

..............page:45-49

On the Prehistoric Elements of Chinese Xiqu Opera
he yu ren

..............page:97-102,180

Interpreting the Character of "Art"
xu shan

..............page:195-197

The Cultural Circumstance of Wujiang and the Formation of the "Wujiang School"
zhu heng fu

..............page:143-146,142

The Relationship between Vernacular Authorities and Religious Authorites and Its Influence upon Medieval Western Musical Art
yue jun

..............page:223-224,227

Cultural Interpretation and Influence of the Hun Decoration Designing Art
tan

..............page:214-218

On the Government\'s Functional Loss in Supporting the Cultural Industry System
wang lie sheng

..............page:12-17,56

Emotion from Within and Art to Perfection :On the Charm of WANG Fang\'s Performing Art
li qing cheng

..............page:57-59

mei shu zuo pin yi

..............page:243-257

On the Development of Local Xiqu Opera in the Mid-Qing Dynasty from Yangzhou Pleasure-boat Collection
wang wei kang

..............page:133-136

Relevant Problems in the Construction of Cultural Industry Park:Jiangsu as an Example
guo zuo lin

..............page:228-229,213

Wait for Godot :A Parable and Somber song on the spirit predicament of modern people
zhang yan

..............page:175-180

Enacting "Four Functions" to Improve Culture Construction :Annual Review and Prospect of the Work in the Department of Science and Technology for Culture,Ministry of Culture
wen hua ke ji si

..............page:232-236

On the Modelling Language of Chinese Portraits
zuo bin

..............page:219-222

Xiqu Opera\'s Return to the Poetic Tradition in the Ming and Qing Dynasty
wei zhong lin ; hua hong yan

..............page:129-132,123

Bel Canto and Pursuit of Lingering Charm——Experience on the Study of Huang Youkui Vocal Music Theory
li zhong chuan

..............page:225-227

On the Characters in the Dunhuang Version of Hanjiangwanglingbian
gao guo fan

..............page:188-194,187

Research on the Current Situation and Solution of the Creative Industry Development in Shen-zhen
yang zhi ; huang wei

..............page:7-11,174

Disaster Relief Performance of the Xiqu Performers at the end of the Qing Dynasty and at the beginning of the Republic of China
sun mei

..............page:157-160

On the Kunqu Opera Entering Zhejiang
xu hong tu

..............page:150-156,128

Silkworm Month Sacrifice Ritual :Hanshan Silkworm Festival in Huzhou
li li xin

..............page:71-76

Report on the Culture Ministry\'s Survey of Japanese Performing Art Industry
ou yang jian ; yu ping ; lei xi ning

..............page:1-6

mei shu zuo pin er

..............page:258-269

Political and Cultural Metaphor of "Three Drama Systems"
fu jin

..............page:85-90

Combination of Dramatic Art Elements in the Context of Popular Culture
zhou hua bin

..............page:91-96

The Problem of Human Nature and Humanism in Contemporary Chinese Art Theory
li shi tao

..............page:34-44,59

Wall·Memory·"Home" :On YU Ming\'s Paintings on the Daliang Mountain
yu hong

..............page:60-70,6

mei shu zuo pin san

..............page:270-282,封2-封底

On the Color Language and Form Structure of Bonnard\'s Paintings
wang xian pei

..............page:230-231

Chinese Xiqu Opera under the International Context
xie bai liang

..............page:77-84

Democratic Color in the Emperor-Minister-Relationship of Yuan-dynasty Historical Plays
liu li wen

..............page:107-110,96

On the Influence of Rationalism Study upon Xiqu Opera Criticism in the Yuan Dynasty
jiao fu min ; xu zhen gui

..............page:103-106

China\'s Design Industry Needs to Foster Own Top Design Brands
li zuo ; liu guan zhong ; hu hai zhong

..............page:18-22

Script Nature and Historical Significance of Collection of 30 Yuan-dynasty Zaju Opera Plays
du hai jun

..............page:111-115,76

Linear Design in Buryat Mongolian Clothing Art
cao li

..............page:208-210,207

Achievements in Chinese Music Iconology Should be Correctly Assessed
du ya xiong

..............page:50-52,49

Keep up with the Times and Make More Contributions to Open New Ground :Summary of the 2010 National Art Institute Construction Conference
tian jun ting

..............page:237-242

General View on the 21st Century Kunqu Opera Research
liu zuo

..............page:137-142

Huanshaji in Xiqu Opera Collections at the End of the Ming Dynasty
yin li li

..............page:124-128

Correspondence between the Vernacular-Character Studies in Ancient Chinese Books in Japan and in Dunhuang:Japanese National Treasure Maoshizhengjian Remains as Its Center
wang xiao ping

..............page:181-187

National Treasure Changrong
zhong cheng xiang ; zhang jin yao

..............page:53-56

Several Problems in the Ontological Research of Chinese Art in the Recent 20 Years
mao chong jie

..............page:28-33,22

Eight eccentrics of Yangzhouis phenomenon of resident culture in China\'s painting history
chen bing

..............page:202-204

The Inspection and Cmments on the copying of Dunhuang and Kucha murals and its cultural values
xiao jian jun

..............page:198-201,222

On the Early Word Drama from 1911 to 1913:Shanghai as Its Center
wang feng xia

..............page:161-174

Wuzhong Tone-personnel Group in the Jiajing Period
gu zuo sen

..............page:147-149,90

Several Problems on the Current Work of Art Institute Construction
yu ping

..............page:23-27

Difference of Space Representation in Chinese and Western Painting
sun bao lin

..............page:211-213

On the Nature and Achievement of Nanyinsanlai
yu wei min

..............page:116-123