Hundred Schools In Arts 2009 Issue 6 Appreciating Dante Sonata: On the Relationship between the spiritual connotation of Liszt\'s music and Dante\'s Literary Themes

Appreciating Dante Sonata: On the Relationship between the spiritual connotation of Liszt\'s music and Dante\'s Literary Themes
fang

..............page:244-248

Chinese folk inheritance and development
huang zuo zuo

..............page:240-241,261

Oriental Complexof the European Porcelain: A Comparision Between China Porcelain and European Porcelain
lu yu cheng

..............page:278-280

Return and Orientation to the Xiqu Opera: Drama Saloon of "From Shajiabang to The Waving Red Scarf"
gao xiao yun

..............page:287-289

The Summary of Dunhuang Praying Texts\' Emendation
zhao zuo zuo

..............page:217-224

On the Relationship between Product Form Innovation and Model Training Patterns
yin zheng zhou

..............page:257-261

The Development of Contemporary Zheng Music Creation Techniques in the 30-year Opening and Reform
qiao qia

..............page:230-232

Artistic Styles of Color-painting Earthen Figurines Excavated in Turban: With Horse-riding Female Figurines as an Example
wang zhi zuo

..............page:212-216

Cultural View of Music Anthropology
tian zuo

..............page:162-164,191

Art Phenomenological Study on the Three Pairs of Domains in Traditional "Handcraft"
wang wen jie

..............page:146-150

The Accuracy Orientation in the Disciplinary Construction of Chinese Artistics
liang jiu

..............page:127-131

On the Uniqueness and Self-regularity of the Artistic Existence
huang yong jian

..............page:132-136,104

On the Design Culture of Yinan Portrayal Tombs of the Han Dynasty
zhang shi

..............page:177-183,126

Modeling Characteristics and Cultural Connotation of the Color Painting on the Han- Dynasty Portrayal Stone
zheng li jun

..............page:169-176

On the Aesthetic Taste of Inscriptions on Ancient Bronzes and Stone Tablets in Chinese Calligraphy
cui shu qiang

..............page:38-44

Interpreting Vimalakirtti-nirdesa of the Wei and Jin Dynasties
gao jin yu

..............page:208-211,207

Art Production in the View of Power Appeal: Interpreting the Phenomenon of National Art Exhibition Creation from Bourdieu\'s Art Sociology Theory
hou wen hui

..............page:198-201

Artistic Analysis of Chinese Posters in the 1970s and 1980s
qian pin hui

..............page:233-236

"Ideas before the Pen"? "The Pen before Ideas"?
yu you shan

..............page:262-263,284

tu ban 2

..............page:302-311

tu ban 1

..............page:封2,292-301

Urban Sculptures in the Soviet Union under the Influence of "Monument Publicity Act"
dong dou dou

..............page:273-274,224

On the Multiplicity of Artistic Styles and the Artistic Individuality in Oil-painting Creation
huang ping

..............page:267-268

The Influence of CAI Yuan-pei and LIN Feng-mian\'s upon Chinese Fine Art Education
xu yong xia

..............page:254-256

Significance of Dunhuang Elementary Textbook in Contemporary Chinese Education
xiao xiao yan ; wang zong hai

..............page:225-229,253

Notes on the Social and Economical Words in the Literature of Dunhuang
hei wei qiang

..............page:202-207

Reviewing the Relationship between Artistics and Aesthetics: The Embarrassment of Artistics and Its Solution
guo yong jian

..............page:137-145,216

Art Is Not What: Defining Art in Semiotics
lu zheng lan ; zhao yi heng

..............page:97-104

On Traditional Chinese Auspiciousness Culture
shen li hua

..............page:156-161

Aesthetic Experience and Sexual Experience: On Shusterman\'s "Pragmatic Sexual\' Aesthetics"
mao chong jie

..............page:115-120

Re-claiming "Common Artistics"
li xin feng

..............page:86-90

The Generating Effect of Art Language in the Creative Ideas
zhang jing

..............page:91-96

On the "New Stele Study-Wei-dynasty Stele Artistic Movement"
chen zhen zuo

..............page:75-85

On Dong Qichang\'s Force-Oriented Stroke Perspective
li wen ling

..............page:61-64

tu ban 3

..............page:312-322,封3-封4

Historical Clash of Chinese and Western Drama Culture: On the "Three Systems of Dramatic Performance"
zhou hua bin

..............page:189-191

From Semiotic Structure to Form Construction
yin jian jun

..............page:271-272

A Research on the Academic Influence of Hundred Schools in Arts
lu hu

..............page:281-284

From Shuangtuimo to The Peach Blossom Village: Drama Saloon of the Xiju Opera The Peach Blossom Village
chen juan juan

..............page:285-286,289

Dimensional Changes of the 20th Century Artistic Aesthetics——Study Based on Objectivity and Subjectivity
liu cheng hua

..............page:121-126

Chinese calligraphy and modern society
liu shou an

..............page:11-14,56

Relationship between Image Expression and Social Vogue in Renaissance Painting
zheng chun quan

..............page:165-168,90

The Theory of Calligraphys Imager
zhong ming shan

..............page:1-10,52

Comparing the Oracle Calligraphy in China, Japan, Korea and Singapore
chen ai min

..............page:70-74

On 《Paper 30.2》 Excavated in Loulan L. A. Ⅱ. Ii
jin hong da

..............page:65-69,96

The Existence and Expression of Ancient Chinese Calligraphy Writing——On Stylistics
chang chun

..............page:45-52

Uncovering Calligraphy and Painting Forgery——Study on Calligraphy and Painting Forgery in the Song Dynasty(Ⅲ)
li fu shun

..............page:26-37,85

Traditional Existence and Development Methods of Chinese Calligraphy: In the Perspective of Spreading
zhang jian hua

..............page:15-25,44

Painting from the Parts: Interpreting Lucien Freud\'s Oil Painting Techniques
zeng zhao qiang

..............page:264-266

One Way to Explore Chinese Fine Art History: On the Fine Art History Teaching to Graduate Students of Chinese Painting
wang zuo zuo

..............page:251-253

Physical and Psychological Cognition Characteristics of Piano Learning among Normal University Students
wu xu dong

..............page:249-250

The Theory of Bei School and the Origin of Zheng Daozhao\'s fame as a "Saint Calligrapher"
cao jian

..............page:57-60,120

Body, Space and Identification: Revisiting Mei Lanfang\'s Performance in America in 1930
yang zi

..............page:192-197

Construction of Art Sociology
yang dao sheng

..............page:105-109

New Ideas on Dilthey and Gadamer\'s hermeneutics
xu ling

..............page:242-243

Freehand Water Color Expression in Environment Art Design
zhang xia

..............page:269-270,266

Study on the Hongshan Culture\'s Hook-Cloud shaped Sort of Jades
ni yu zhan

..............page:184-188

On the Beauty and Pleasure of Art
tian chuan liu

..............page:110-114,109

On the Left-wing Movie Music Creation of the 1930s
cao zuo

..............page:237-239

Aesthetic Features Of Chirography Of Jin Character in Dongzhou Period
zhu zhi rong ; li san da

..............page:53-56

Primitive Art Resources and the Construction of the "Ecological Tourist Zone in West Hubei": Qingjiang River Basin as an Example
cao yi ; tian chi

..............page:151-155,236

The Narrative Function of the Ming Dynasty Novel and Opera
zhang zuo

..............page:275-277