Hundred Schools In Arts 2009 Issue 5 zhong guo di er dai you hua jia bi yi sheng

zhong guo di er dai you hua jia bi yi sheng
bi ming ren

..............page:269-274

..............page:封2,封3

..............page:268

From "Radical Development" to "Reviving Classics"——Retrospect and Thoughts on Chinese Calligraphy Development over the 30——Years of Reform and Opening
LIU Zong-chao

..............page:22-28

Normal University Singing Education in the Post-modern View
ZHANG Lv

..............page:205-207

Brief History and Situation Analysis of the Piano Education Development in Guangxi Normal Universities
LIN Dong

..............page:202-204

On the Forming Mechanism of Contemporary Chinese University Fine Arts Education System
JIANG Song-hua

..............page:198-201

Witnessing 30 Years: Several Key Words in the History of Fine Arts Narration in Guangdong
LIANG Jiang

..............page:13-21,12

The "Renaissance of Aesthetics" and the New Ways of Doing Aesthetics: Retrospect and Prospect of the 60 year Aesthetics Development in the New China
GAO Jian-ping

..............page:6-12

From Long Live People\'s Victory to The Way to Renaissance:On the 60 Year Development of the Dancing Art in New China
YU Ping

..............page:1-5

Chinese Aesthetic Scope
YE Lang

..............page:37-47,238

Exploring——30 years of China\'s public art
SHAO Xiao-feng

..............page:29-36,28

The Loneliness of Stillness
ZHU Liang-zhi

..............page:52-62

On the Core Characteristics of Chinese Painting
ZHOU Ji-yin

..............page:48-51

Analyzing Early-Qin-Dynasty Art from Structuralism
YU Zhi-hong

..............page:126-132

Yuan-Dynasty Art and Chinese Art
XU Zi-fang

..............page:120-125

The Academy and Contemporary Art——In the Perspective of Chinese and Western Art Development
BAO Lin

..............page:115-119

On the Ontology of Comparative Artistics
LI Bei-lei

..............page:133-138

Construction and Integration of Artistics: Theory and Methodology of Western Artistics and Chinese Art History Study
CHANG Ning-sheng

..............page:147-154

On the Variety of the Art History Narrative Structure
XIA Yan-jing

..............page:139-146,188

The Collation of Dazangjing Should Not Ignore the Dunhuang Buddhist Manuscripts——With Dazhidulun as an Example
LIU Xian;DU Juan

..............page:180-183,154

The Tunnels and Ways of the Vulgar Fu Spreading
MA Li-ya

..............page:175-179

Studies on Four Fragmentary Rhyme-dictionaries Collected in Institute of Oriental Studies Leningard Russian
XU Chao-dong

..............page:171-174

Props and Performing Methods of Dunhuang Bianwen Talking & Singing
YU Xiang-dong

..............page:165-170,174

The Establishment of Basic Academic Standard and Personnel Development in Artistics: Core Definition Terms of Artistics as an Example
XING Li

..............page:155-164

Action Characteristics and Culture Connotation of the Ritual Dancing "Tiaotao" in Maonan Nationality——Survey on the Folk Dancing Situation in Guangdong Huanjiang Maonan Nationality
HUANG Xiao-ming;LAI Cheng-cheng;HU Jing-ying

..............page:184-188

On FENG Zi-kai\'s "People-oriented" Artistic Education Ideas
ZHANG Xin

..............page:195-197

On Wang Yuanqi\'s"seeking novelty in plainness"
JIANG Zhi-qin

..............page:189-194

On YI Yuan-ji\'s Ape Paintings
XU Pei-chen

..............page:214-216,227

Minor Semi-termination Ending Formed by "Picardie Three Tones"——A Special Ending Form Harmony Expression Method
FENG Hua

..............page:208-213

Reading the Method Which to Incorporate Traditional Culture in Modern Interior Design in China
WANG Li

..............page:228-230

Humanizm and Materialism——the Design Ethic of Wei and Jin Dynasties
WANG Zhi-qiang

..............page:225-227

Seeking the Subtel Differences in Reality:On the Themes Of Morandi\'s Still Life Paintings
YU Ling-ling

..............page:221-224

xia yuan sheng " she ji zuo pin "

..............page:263

wang zhan " hui hua zuo pin "

..............page:260

yang xue feng " hui hua zuo pin "

..............page:261

li qing song " she ji zuo pin "

..............page:262

chen yu " hui hua zuo pin "

..............page:264

yang jun " hui hua zuo pin "

..............page:265

ma li " tu hua zuo pin "

..............page:266-267

Artistic Style Development of the Maiden Images in Tang-dynasty Tomb Fresco
ZHANG Jing

..............page:217-220

Whether modern Interior Design could return back its origin
SONG An-su

..............page:235-236

Application of Modern Multi-media Technology in the Development of Chinese Folk Art Culture Heritage
LI Chun-xia

..............page:233-234

Revelation from natural Line and Linearity
WEN Wei-shan

..............page:231-232

Hundres Schools in Arts Paper of the Year Award 2007

..............page:242

"Aestheticism": From the West Via Japan to China
CHEN Wang-heng;ZHOU Mao-feng

..............page:72-76

Ecological Feminism and Ecological Feminist Criticism
ZENG Fan-ren

..............page:67-71,132

Robbery of the National Treasury and Emergence of Seal Cutting——Study on Calligraphy and Painting Forgery in the Song Dynasty (II)
LI Fu-shun

..............page:63-66,138

Art Phenomenological Analysis to XU Jiang\'s Works: Facing Existential Painting and Thinking
GAO Xuan-yang

..............page:83-87

The "Blood Relation" Between Lenin\'s Aestheticism and MAO Ze-dong\'s Aestheticism
DU Shu-ying

..............page:77-82,164

Reinterpreting the Social Dimension of Art——Objects and Characteristics of Jameson\'s Art Interpretation Study
LI Shi-tao

..............page:94-100,125

The Cultural Consciousness of Critics——Two thoughts about Research on Chinese Fine Critics
KONG Xin-miao

..............page:88-93

Reporting to the Motherland and the People with Outstanding Artistic Achievements——Summary of the Opera(Festival) in Jiangsu Province to Greet to the 60th Anniversary of National Day
LIU Jun-hong

..............page:241

Much Thought and Long Journey: Reading Prof——CHANG Bei\'s Chinese Art History
YU Yang

..............page:239-240

Creative Achievement of Aesthetic Culture Study——Introduction and Criticism to Aesthetic Existence
ZHONG Cheng-xiang

..............page:237-238

The Development Course and Basic Characteristics of Chinese Art History Study
CHEN Chi-yu

..............page:101-114

sun can " yi shu zuo pin "

..............page:246

zhang xia " hui hua zuo pin "

..............page:245

li an dong " hui hua zuo pin "

..............page:243-244

song dong hui " she ji zuo pin "

..............page:247

zhou pei " hui hua zuo pin "

..............page:248-249

cao hong xia " hui hua zuo pin "

..............page:254

zhang gao zhi " guo hua zuo pin "

..............page:253

fu qing xi " you hua zuo pin "

..............page:252

shang shou shan " hui hua zuo pin "

..............page:255

song shi cheng " you hua zuo pin "

..............page:259

chi wei yan " you hua zuo pin "

..............page:258

liu jian zheng " hui hua zuo pin "

..............page:257

ma chun xi " she ji zuo pin "

..............page:256

jin he " you hua zuo pin "

..............page:251

zhang rui " you hua zuo pin "

..............page:250