Hundred Schools In Arts 2008 Issue 6 The Craft of the Gold and Jewelry in Ancient Egypt and the Cultural Connotation of the works

The Craft of the Gold and Jewelry in Ancient Egypt and the Cultural Connotation of the works
ZHAO Ke-ren

..............page:121-128

On Hands、Tools and Materials Related to Handicrafts
WANG Wen-jie

..............page:129-135

Challenging the Traditional Concept of Furniture-Handcraft Master Wendell Castle's Creation of Artistic Furniture
ZHANG Cheng-zhi

..............page:136-139,29

Zen Thought and Cultural Connotation in the Chinese Scenery Botanical Garden Landscape
YIN An-shi;U Qian

..............page:117-120

Research on Western Images in Chengshimoyuan
SHI Zheng-hao

..............page:113-116

The relation between variant words and the expression of calligraphy from the inscriptions in the Han Dynasty
TAO Xiao-jun

..............page:110-112

Origin and Development of the Space Theory in Landscape Paintings of the Song Dynasty
CHU Xiao-qing

..............page:106-109

On the Integration of "Poetry,Calligraphy,Painting and Sigillography" in Chinese Painting-Also on Songhuizong's Important Function in this Process (Part I)
ZHANG Qi-feng

..............page:100-105

On ZONG Bai-hua's Ideas on Constructing Artistic Subjects
WANG Lian

..............page:96-99

Artistics'Study Method
WANG Qian

..............page:92-95

Academic Construction of Artistics and Research on Its Future Development-From the Double Perspective of Macro Theoretical Seminar and Micro Concrete Practice
LI Rong-you

..............page:88-91

Form and Music of the Local Mourning Ritual in Quanzhou-With Chongwu Village,Huian County as an Example
BI Wu-sheng

..............page:84-87,63

On the Visual AnthropologyProtection of the Architectural Art in Huangyao Ancient Town
SHI Cheng-bin;HEN Cai-jia

..............page:79-83

Research on the Current Situation of Kejia Nationality Caichaxi in Bobai
CHEN Xiao-yu

..............page:74-78

Origin of the Necklace and Its Aesthetic Function
LI Yuan-yuan

..............page:68-73,105

The "May 4th" New Culture Tradition and Chinese Word Drama as "Modern National Drama"
DONG Jian

..............page:40-42

Development and Innovation of Drama in Globalization-Summary of the International Symposium of the 31st World Drama Festival
WANG Ting-xin;HI Hui-ge

..............page:36-39

Globalization,Historization,Nationalization-Research on Chinese Xiqu Opera in the Context of "Globalization"
TANG Xue-ying

..............page:30-35

Sustaining the Characteristics of National Drama
ZHOU Yu-de

..............page:28-29

Appealing for the Oriental Drama
LIU Hou-sheng

..............page:26-27,44

Globalization and the Future of Drama
WANG Ting-xin

..............page:21-25

Globalization and the Path of National Drama
LI Ji-de

..............page:18-20

Further on the Preservation of the Xiqu Opera Under the Pressure of Globalization
SUN Mei

..............page:14-17

Theatre and Indigenous Culture in the Context Culture of Globalization
DRCHUA SOO PONG

..............page:10-13,42

The Chinese Traditional Opera in Globalization
FU Jin

..............page:6-9

Two Points on the Development of Chinese Xiqu Opera in Globalization
WANG Ren-yuan

..............page:3-5

Development of the Chinese Traditional Opera in Globalization——A Speech at International Academic Seminar Opening Ceremony inDevelopment of the Chinese Traditional Opera in Globalization in 2008
ZHANG Jian-hua

..............page:1-2

Comparative Study on Visual Conveying Design in the Subway of London and Nanjing
XI Xie

..............page:140-150,2

Development and Re-construction of Appreciation Approaches of Singing Works
XU Wei-xin

..............page:245-246,78

Unique·Solid·Innovative-On FAN Li-min's Research on the Xiqu Performance in Beijing in the Qing Dynasty
ZHAO Xiao-hong

..............page:247-248,230

On Professor ZHOU Ji-yan Painting Theories in Various Dynasties of China
ZHAO Jun

..............page:249-250,95

The Position and Dynamics Analysis of Little Finger String-rubbing
YU Han

..............page:251-253

Development of the Dancing Art and Artistic Quality Education in Normal Universities
LIU Li

..............page:254-256

That fishes for the Chinese and Western oil painting "freehand brushwork in traditional Chinese painting" separating
MA Quan-she

..............page:257-258,274

Artistic Characteristics of WEN Zheng-ming's "Competing Rivers"
YOU Jing-lin

..............page:259-260

Te Changes of Chinese ink Figure Painting Frome Tradition to Contemporary
TAN Lei-ming

..............page:261-262

Trend in the Package Design of the Digital Era
CHEN Hui

..............page:263-264,260

Designing Ideas and Innovative Appealing in Youth Clothing
SHEN Lan

..............page:265-266

Influence of Taoist on traditional Chinese interior space and furniture forms
ZHAO Zhong

..............page:267-268

The beautiful of Chu state lacquer furniture decoration
CHENG Yan-Ping

..............page:269-270

Inner Cultural Motive of Porcelain Appearance in the Tang Dynasty
WANG Ying;HEN Ling

..............page:271-272

The Appreciation and the Acception of Contemporary ceramic art
WU De-hui

..............page:273-274

Olympic Spirit and Fine Arts Ideal
SU Jin-cheng

..............page:276-277

Commercial Poster Design in the New Image Era
LI An-dong

..............page:278-279

On the Painters'Ideas From the Connotation Expression in Western Oil-painting
CHEN Qi-lin

..............page:280-281

Edward Hopper,S Scenic Painting
LIU Shao-niu

..............page:282-283

On the Aesthetic Connotation of WEN Bei'S Modern Water-ink Works
LÜ Shao-qing

..............page:284-285

Discussing Package Design Strategies for Local Specialties-using Nanjing Local Specialties for Example
XU Rui-hua

..............page:151-154,158

On the Name of "Kunju"-One of the Three Arguments on "Kunju"
LIU Jun-hong

..............page:155-158

From Legend to Zaju and from Zaju to Kunqu-Again on Kunqu Zaju
XU Zi-fang

..............page:159-161,135

Evolution from "28 Tunes of Yanyue" to "9 Tunes of South and North"-On the Strange Phenomenon in the History of Traditional Chinese Music Development
XIE Jian-ping

..............page:162-169

Development of Kunwu upon the Art of the Kunqu Opera-One of the Serials of Kunqu and Kunwu
MA Jia-qin

..............page:170-171

The Happiness of Listening to the Music and Painting
zhang er bin

..............page:172-173

Survey on the Current Situation and Progress of the Bonsai Art in China During the 30 Years of the Opening and Reform
ZHOU Wu-zhong

..............page:64-67,5

Creative Future of "Poetic and Picturesque" Cities-Also on "Jiangsu Cultural Image" of the New Period
LV Fang

..............page:61-63

The Rise of Culture Studies and the Disappearance of Artistic Boudaries-Introspection on the Aestheticism of Daily Life in Contemporary China
XIAO Jian-hua

..............page:57-60

Further on the Myth-Thought and Revision on the Development of Contemporary Chinese Art Creation During the 30 Years of Reform and Opening
CHEN Shao-li

..............page:53-56,116

Contemporary Chinese Art Criticism with Its Direction Lost-Reviewing the Development of Contemporary Chinese Art Creation During the 30 Years of Reform and Opening
XU Xun-hua

..............page:49-52

Realistic Materials and Creation of Operas and Musicals-Also on the Conflict Between Reform and Value Deviation in Contemporary China
JU Qi-hong

..............page:45-48

On Mr. DONG Jian's Form Discrimination of the Xiqu Opera
GONG He-de

..............page:43-44

Scholar Painting,Ink Bamboo and Buddhist Ideas
DING Hou-xiang

..............page:239-241

Significance First-Research on FU Bao-shi's Portraits
SHU Xin-shui

..............page:242-244

On the Satire Upon All Works of Life in ZHENG Ting-yu's Zaju Opera
MA Xiao-ni

..............page:174-181

The Art Skills and Thoughts of the Current Event Drama Creation during Late Ming to Early Qing Dynasty
LI Jiang-jie

..............page:182-185

Japanese Movies on the Chinese Screen in the 1970s and 1980s and their Influence upon Chinese Movie Ideas
LIU Yong-ning

..............page:186-189,193

National Identity and Sexual Expression-Female Images in the Movies of Minority Groups in the New Period
ZOU Hua-fen

..............page:190-193

On the Sexual Intertextualization in LI An's Movies
ZHANG Qian

..............page:194-198

Research and Thoughts on the Reasons for the Existence and Development of the Silk and Bamboo Music-Survey on the Situation in Taicang as as Example
SU Chun-min

..............page:199-201,198

On the Non-material Cultural Heritage of Baimao Mountain Songs in Changshu
LIU Da-wei

..............page:202-206

On the Musical Ideas of Ji-yun and Sikuguan Officials
OU Lan-xiang

..............page:207-210

On the Origin of XIE Lin's Taiguyiyin
KE Li;HANG Wei;LI Ai-min

..............page:211-214

The Art Characteristics of the Han Dynasty Dancein Yellow River Culture
TAN Jing-bo

..............page:215-220

The Tujia nationality dances the element the artistic spirit to have alimited view of Peng piece
PENG Qu

..............page:221-223,99

The unique character of Taoismdance
CHENG Qun;AN Hong

..............page:224-227

On the Cultural Form of Contemporary "Academic" Folk Dance
LIU Li

..............page:228-230

Analysis on the Semiotic Characteristics of the Furniture Form
YU Ji-hong;LU Zhi-hui

..............page:231-233

Image Expression of Patterns
ZHANG Zhi-xian

..............page:234-235,233

Constructing the Formal Language in Modern Water-ink Portraits
YANG Zhen-ting

..............page:236-238