Hundred Schools In Arts 2008 Issue 5 Image Research Should Be Based on Images-Discussing with Dr.LI Mei

Image Research Should Be Based on Images-Discussing with Dr.LI Mei
DU Ya-xiong

..............page:20-22

Nationality and Modernity of Chinese Drama-Discussing with Mr.DONG Jian
WANG An-kui

..............page:14-19

Da-Siyue and Shi-Bao——One of identifying Yue-Guan cultural sources
ZHANG Guo-an

..............page:185-191,203

The theory and method of utilizingancient musical scores material to study and reconstruct tone
LI Chao

..............page:192-198,63

On the Local Allocation Concerning the Musical Forms of Gansu Folk Songs
LI Jing-yu;WANG Xin-xue

..............page:199-203

Daping Tunes,Bangzi Tunes and Ancient Military Music
YAN Yong-li;CHENG Hui-hui

..............page:204-208

On the "Name","Reality","Origin",and"Evolution"of Shangyue in the Qing Dynasty
CUI Wei

..............page:209-214

On the Woodcut Education in the Rear During the Anti-Japanese War
XIE Chun

..............page:215-218

On the"Integration of Form and Idea"in Traditional Chinese Vocal Music
YIN Ping

..............page:219-222,136

On the Guiding Significance of the Advance Organizer Teaching Principle to Sketch Teaching in Higher Normal Education
JIANG Jian-sheng

..............page:223-225,262

On Music Education Innovational Strategywith the Guide of Constructivism
LV Ting-zhong

..............page:226-228

On the Harmonious Integration of"Style","Skill"and Innovation
FANG Lu-na

..............page:229-231

Creation of Electronic MuSic Works for Violin and Its Interactive Development
TAO Jie

..............page:232-233,164

Zhao Benshan:A Peasanlt in City
ZHANG Yue

..............page:234-237

The Response and Query to 《Questioning the Argument of"Art Discipline Extinction"》-Discussing with Dr.XU Xi-wen
GUO Yong-jian

..............page:23-27

On the Origin of Ancient Chinese Characters
ZHANG Peng-chuan

..............page:28-37

The Elementary Study on the Transmission of Namdo folk songs and Pansori in Yanbian Chaoxian Ethnic
NING Ying

..............page:38-42,37

Survey on the Artistic Characteristics and Existential Situation of Ancient Architecture Heritage and Decoration in Zhenjiang
LIAN Zheng-ping

..............page:43-51

Survey on the Identity Evolution of Modern Fuzhou Lacquerers-Also on the Development and Protection of Modem Fuzhou Lacquerware Art
ZHANG Jian

..............page:52-57,81

My Academic Life in Retrospect-Interviews with XU Zhong-yu
LI Shi-tao

..............page:58-63

QLAN Zhong-shu's Cross-Learning Approach
ZHAO Yi-fan

..............page:64-69

Academic Research is Cultivation -On Writing Graduate Theses of Art Majors
XI Chuan-ji

..............page:70-73

Characteristics of Aestheticism aIId Art
DU Shu-ying

..............page:74-81

Secularized Rise and Aesthetic Existence of the Popular Culture
FU Shou-xiang

..............page:82-85

Nothingness Upon Time-Chronological Research on Buddhist Aesthetic Ideas
FU Song-xue

..............page:86-89

"Harmonic"Aestheticism and the Formation of Chinese and Western Painting Characteristics
LIU Ye

..............page:90-94

A pair of new aesthetic category:Real image is imagined imagining with the virtual image -being the manifestation and aesthetics function imagining in terms of the virtual image
FU Jin-xiang

..............page:95-98

The influence of"The Japanese Pattern"of Chinese fine art history research during the Republic of China
CAO Tie-zheng;CAOTie-wa

..............page:99-103

Elaboration Of XIE Shi-chen Drawing
JIN Jian-rong

..............page:104-110

Landscape in Jiaozuo and Panoramic Landscape Paintings in the Song Dynasty
MA Gang

..............page:111-113,94

Dependence and Estrangement——Relationship Between Traditional Chinese Landscape Painting and Local Natural Landscape in the Post-industrial Period
ZHANG Qing

..............page:114-116

On the Modern Beauty of Calligraphy
ZHANG Jian-hua

..............page:117-121

Culture and the Culture Attribute of Chinese Calligraphy
Qi Rong-jin

..............page:122-124,5

On the Calligraphy Education in Ancient Chinese Royalty
XIANG Bin

..............page:125-136

Thoughts on the Theoretical Study of the Kunqu Opera
WANG Yong-jing

..............page:137-139,143

Turning Historical Traditions and Norms into Classics is the"National Cultural Heritage"
LUO Di

..............page:140-143

On the Author of Mingfengji
LIU Zhi-zhong

..............page:144-152

On the Development of Character-classification,Actor-division and Performing Art -Exploring the Traditional Performing Art of the Kunqu Opera(I)
GU Du-huang

..............page:153-159

On WEI Liang-fu's Vocal Reform
GU Ling-sen

..............page:160-164

The Principal Pattern in the Hall Performance of the Kunqu opera and the Formation of the General Style of Stage Setting
MA Chang-shan

..............page:165-167

Excavating Treasure and Rescuing Heritage——My Work on the Kunqu Opera Materials in Retrospect
SANG Yu-xi

..............page:168-171

Developing Stages and Characteristics of the Kunqu opera in Suzhou and Its Costumes
ZHANG Bei-bei

..............page:172-173,152

Pursuing the Sun or Plunging the Fire?——Also on the Figure of WANG Cai-ling in And the Spring Also Comes
KANG Er

..............page:174-176,208

Realism Image Style:from Absente to Construction and Development——On the Evolution of Image Style of Contemporary Taiwanese Cinema
SUN Wei-chuan

..............page:177-180,159

Constructing Mirrors of Bottom Existence in the Social Transformation -Interpreting Bottom Movies of the"Sixth Generation"Directors in China
LU Lu;LI Xiao-feng

..............page:181-184

On the Emotional Articulation of "Lines"in Traditional Chinese Portraits
CHU Xiao-hong

..............page:238-240

Research on the Coding Method of Image Educational Codes
WAN Jiang

..............page:241-243

Color Ideas in Chinese Folk Fine Arts
CHEN Xiao-min

..............page:244-246

Scholar Painting Elements in XIA Gui's Landscape Paintings
CAO Ai-hua

..............page:247-248

Evolution of the Landscape Painting Style in the Song Dynasty
JIA Hui;LI Jie

..............page:249-250

"Inaction"Ideas and Strategies to Implement Teaching Evaluation in Contemporary Fine Arts Institutes
HOU Wen-hui

..............page:251-252,246

Influencing Factors and Developing Strategy of Artistic Design Education in Colleges of Anhui Province
HAN Yu-ting

..............page:253-254

Approaches to Tenor in Bel Canto and Heitou in Beijing opera: Same Nature,Different Quality
YAN Jun

..............page:255-256

The Effectiveness of University Singing Teachers'Teaching Activities
WANG Chun-yan

..............page:257-258,228

Understanding of Ancient Chinese Traditional Book-bindingand its Aesthetic
WANG Na-na

..............page:259-260

Basis of the Artistic Characteristics of XIE Zhi-liu's Paintings
FAN Yin-chun

..............page:261-262

Culture in Traditional Chinese Packing Design
SUN Ya-yun

..............page:263-264

On the Integration of CalIigraphy Beauty and Fine Art Beauty
WANG Xing-guo

..............page:265-266

On the Integration of Traditional Chinese Patterns and Modern Signal Design
ZHOU Yan-di

..............page:268-269

Lost Pearls-on Fechin's Oil Painting Art
ZHU Ping

..............page:270-271

Born for the Times——International Fashion Designer Alexander Mac Queen
WU Jian

..............page:272-273

On the Nationalization of Oil Painting
HU Yuan-jia

..............page:274-275

Cultural Loss in Chinese Painting Education
ZHAO Shan-jun

..............page:276-277,269

mei shu zuo pin

..............page:封2,267,278-封3

The history image and the image history-On the peasants'image changing in Chinese oil painting creation during the past 30 years of reform and opening
YANG Xiang-min

..............page:6-13

Creative Intention,Public opinion and Fine Arts to"Reform the Society"-XU Bei-hong's Art as an Example
WANG Han-wei

..............page:1-5