Hundred Schools In Arts 2008 Issue 4 Study on furniturein the portraits of Song Dynasty's emperor and empress

Study on furniturein the portraits of Song Dynasty's emperor and empress
SHAO Xiao-feng;TAO Xiao-jun

..............page:9-21

Portraits of Emperors in the Song, Yuan and Ming Dynasties
FANG Wen;GUO Jian-ping

..............page:4-8

On Eunuchs and the Music in the Middle and Late Tang Dynasty
BAI Hong-xiu

..............page:188-192,161

Types of the Quyi Music-Classifying the Quyi Music From Music Itself (With Zhejiang as an Example)
SHI Wang-wei

..............page:193-199

Origin and Artistic Characteristics of "Qin'anxiaoqu"
FANG Hui-qing

..............page:200-201,156

Aesthetic Characteristics and Development of Door-gods in the Tujia Minority Group-Yumu Village of Lichuan as an Example
XIE Ya-ping;DAI Yu-li

..............page:22-27

Folk Ceremony Music in the Background of Urbanization-Case Study of Funeral Music in Jincheng, Shanxi Province
LIANG Wei

..............page:28-32

A Probation into the Different Results of the First and Second National Fine Art Exhibitions during the Republic of China Period
CUI Guang-xiao

..............page:33-37,32

Western Literary Criticism and Laws of Flexibility
ZHAO Yi-fan

..............page:38-42

Creation of Nature and Human-Aesthetic Thinking on the Land Art
CHEN Wang-heng

..............page:43-46

Taste Theory in Kant's Aesthetics Thinking
TIAN Chun

..............page:47-50

On the Internal Contradictions of Hegel's Conclusion of the Death of Art
WANG Ze-qing

..............page:51-54,21

The Conflict between word and image-the controversy of image art in Christianity
YANG Dao-sheng

..............page:55-59

Aesthetic Individuality Of Zhuangzi's Imagery Creation——Studies On Different Conformational Forms Between Zhuangzi,Zhouyi And Shan Hai Jing
ZHENG Li

..............page:60-64

Influence of Taoism upon Chinese Landscape Painting Theory
CHEN Chi-yu

..............page:65-71

Study of Tomb-Art about Feast- Plants in the Han dynasty
WANG Xiao-yang

..............page:72-77,85

Research on SHI Tao's Painting Ideas and His Aesthetic Ideas
YIN Cheng-jun

..............page:78-85

The imagery of timein painting
ZHAN Yue-hai

..............page:86-92

Study on the Italian Painting Tradition and Pattern
ZHENG Chun-quan

..............page:93-96,150

Philosophical Thinking on the Sustainable Development of Calligraphy
ZHANG Jian-hua

..............page:97-101

Jinling Calligraphy Development's Gradual Analysis in Yunglo to Wanli during Ming Dynasty
CAI Qing-de

..............page:102-113

Value Tendency and Theoretical Scope of Chinese Arts and Craft Study-On the Hot Problems in Arts and Craft Study of Recent Years
LI Li-xin

..............page:114-118

Historical Motivations of the rise of Delft, Holland's capital of pottery
LIU Qian-gong

..............page:119-126

A study of the Online User Research
LI De-shun;QI Dong-hui

..............page:127-130,137

Transparency: A Strategy of Product Design
WANG Qin

..............page:131-137

The mentality origin on adorning pattern of traditional movable partition screenand it's realistic meaning
ZHOU Zhu

..............page:138-141

On the Formation of the Character System in the Xiqu Opera with Sheng and Dan as Protagonists
YU Wei-min

..............page:142-147

Performance in the Xiqu Opera is "Expressionist"-Interpreting A Jia's "Judgment" of the "New Era"
WANG Yong-jing

..............page:148-150

New Discussion on JIAO Xun's Dramatic Theory
MING Guang

..............page:151-156

On the Southward Travel of Xiansuo and the Decline of Various Haiyan Tones
HUANG Zhen-lin

..............page:157-161

The Achievements of Kun-Opera produced by the literati in Qian-Jia period in Qing Dynasty
HU Ya-juan

..............page:162-166

On researchofsources of the chinesemodern drama——Additional resource onChinese modern drama nobeginning with Chunliushe
WANG Feng-xia

..............page:167-170

On the binary structure of the stage arts in the Pioneering Dramas of the New Era
CI Xiang

..............page:171-174,147

City Spirit, City Policy and the Soft Power of City Culture
WANG Ting-xin

..............page:1-3

Post-politics, Sadism and Cultural Hybrid in the Scope of Consuming Culture-LI An's Crouching Tiger, Hidden Dragon and Lust·Caution as the Core
CHEN Lin-xia

..............page:175-178,64

Female Images: Silence and Mobility in the Connecting Contexts-Comparison of Female Movies by Guan Jin-peng and Fassbinder
XIE Jian-hua

..............page:179-183

On Producing Serving And Constitution Of The People In Modern Film
ZHANG Yan-mei

..............page:184-187

Comparison of Chinese Folk Microtone Phenomenon and Western Microtone Music
LI He-zhou

..............page:202-204

Exploration of the Curricula Arrangement and Teaching Materialsthroughout Calligraphic Institution
XIANG Bin

..............page:205-211

An Analysis of The StatusQuo About The Qualifications framework and Subject classified for Higher Education of Art in UK
ZHANG Xiao-min

..............page:212-217

Analysis to the Teaching Effects of Pollock's Abstract Color Composition
CHEN Jun

..............page:218-222

On the Reform of Music Appreciation Education in China from the Music Appreciation Education in American, German and Japanese Schools
DING Ai-hua

..............page:223-225,222

On the Audience of Tianjin Quyi Shuochang From the Perspective of Local Culture
CAO Hong-kai

..............page:226-227,118

Survey on the Developing System of Jingjiang Buddhist Sutra
KONG Qing-mao;WU Gen-yuan;YAO Fu-pei

..............page:228-229,59

Interpreting Ancient Underwear Culture From the Characteristics of Ancient Chinese Underwear Patterns
WANG Hui

..............page:230-232

On Reverse Thinkingand Originality Expressionof Graphics Design
TANG Yi-yong

..............page:233-234,240

Seeking the Realistic Direction of Contemporary Culture by Self Practice-JIANG Bo's Experimental Porcelain Art
WANG Jian-wei

..............page:235-236,254

On YANG Yinliu's "the Court Music" Thought
WANG Xia

..............page:237-238

"XIE YI" in Chinese Oil Painting
ZHANG Wen-hao

..............page:239-240

Enlightenment of the Nationalization of Chinese Oil Painting
WANG Ya-ting

..............page:241-242,217

On the Formation and Characteristics of Scholar Freehand Brushwork
WANG Zhuo-wen

..............page:243-244

The Summit of Erhu Performing Art-Spirit Conveyed by Artistic Conception
LIN Dong-po

..............page:245-246

Ceramics Art Layout's Thought Method
ZHANG Zhao-hui

..............page:247-248

On the Mirror Awareness of Fashion Models
GUAN Jie

..............page:249-250,187

Interpreting the Mode of the Hunting God of the Meishan Mountain
ZOU Shao-ling

..............page:251-252

Gold After the Sand Blown Away-Exploring the Painting Art
WEN Shu

..............page:253-254

Readability and Randomness of the Artistic Writing of Chinese Characters
BI Li-shu

..............page:255-256,252

Space Interface AndTheExhibitionDesignExpression
WU Ya-sheng;Xu ning

..............page:257-258

On People-oriented History Aspect of Huang Binhong's Thought on Panintion and Calligraphy
XUE Shuai-jie

..............page:260-261

Feeling creative and graphic language——Approaching the Nanjing Yuhua Ston Museum
Wang Nian

..............page:262-263

Construction Color Management and Urban Image Localization
JIA Zhi-lin;WANG Yi-ping;SUI Jieli

..............page:264-265

"Everything for Me"——Modern Design Essence
DAI Yan-yan

..............page:266-267

Qinghai Hehuang Flower's Music Analysis
ZHANG Xia

..............page:268-269

mei shu zuo pin

..............page:259,270-274

lv shao qing zuo pin

..............page:封2