Hundred Schools In Arts 2007 Issue 6 The Artistic Model of the Nuo Masks along the Yangtze River and the Cultural and Aesthetic Origin

The Artistic Model of the Nuo Masks along the Yangtze River and the Cultural and Aesthetic Origin
WONG Li

..............page:185-187,162

On the Function of Nuoji and Nuoxi in the Perspective of Contemporary Culture
GUO Yan-ling

..............page:182-184,155

Monologue and Challenge: The Development of the French Innovation Industry in the Macro-cultural Background
WANG Mei-yan

..............page:13-17

The Production Mechanism of the Professional Word Play in Shanghai: 1937-1945
LI Tao

..............page:18-23

The Market Environment and Marketing Strategies of the Private Film Industry in the Period of the Republic of China
QIAN Zhi-zhong

..............page:24-26,165

On the Characteristics of the Carving Patterns in Hunan Folk Buildings
CHEN Jie;DENG Li-wen

..............page:188-189,107

WANG Yuan and His Study on Flowers, Birds and Fishes
CHENG Wan-li

..............page:190-191,200

Debate on the Historical Evaluation of the "Eight Eccentrics of Yangzhou"
SHANG Ke

..............page:192-194

Enlightenment of Bahkin's "Dialogue" Theory upon the Multi-development of the Fine Arts
LIU Xiao-mei

..............page:195-197

On the Artistic Style of the Yunnan Bai Minority Furniture
XU Jia;LI Zheng-hong

..............page:198-200

On the Early Development of the Chinese Delcimer
YIN Lei

..............page:201-202,81

The Motivation and Operation of Chinese Oil-painting Market
WEI Lu-an

..............page:209-211

Origin of the Symbolist Movement in France
RAN Li-qiang

..............page:211-213

Artistic Creation and Daily Life
CAI Wei-dong

..............page:213-214

Subject and Review:Enlightenment of the Primitive Art and the Chile Painting
AN Ding-wen

..............page:215-216

Thoughts on the Social Problems Caused by "Enthusiasm of Applying for the Artistic Majors"
LIU Gen-he

..............page:216-218

Tranquility·Eternity-Reading LIU Lin's Fine Brushwork
WANG Jin-hua

..............page:218-219

The Status and Function of the Drum in the Music of the Han Dynasty
YAO Xiao-qin

..............page:219-220

Pursuing the New Existence——the analysis to Arikha's art
Chen Jie

..............page:222-223

Unlimited "Freedom" Conveyed by Limited Space——Interpreting the Aesthetic Images From the Modeling Characteristics in Fine Art Works
Huang Hai-bo

..............page:224-225,231

The Design for Interior Solid Wall and the Art of Constitution
Lan Yu

..............page:226-227

On the Characteristics of the Artistic Patterns of the New Generation Oil-Painters
Liu Shao-niu

..............page:228-229,223

Emotion and Creation——on the Design of Modern Space
Tang Hong-quan

..............page:230-231

wang ke da zuo pin

..............page:232-233

zhao xue zuo pin

..............page:221

li rui feng shu fa zuo pin

..............page:234-235

sun jing song guo hua zuo pin

..............page:236

huang ya qin zha ran she ji zuo pin

..............page:封3-封4

bian ji shou ji
zhu jun

..............page:插1

lai gao xu zhi

..............page:插1

"Evolutionism" and "Absolutism"——On the Case of "Drama Innovation" in No. 4, Vol. 5 of The New Youth
SHAO Jian

..............page:1-5

Debate on Drama in the Age of The New Youth
ZHANG Xing-yan

..............page:6-12

On the Influence of the New Technology of the Digital Age upon the Music Industry
MAO Zhong-fei;ZHUANG Yuan

..............page:27-29

Survey on the Function of Public Guzheng Education in Developing the Traditional Culture
LIU Yan

..............page:178-181

The Influence of Chinese Designing Art and Culture to the Public Education of the Fine Arts
XIE Yi-huai

..............page:175-177

Cause Analysis and Solution of the Singers' Psychological Barrier to the Stage
LI Lian-xiang

..............page:172-174

On the Function of the Practice Songs in the Singing Education
LIN Mei

..............page:170-171,174

The Value Criticism to the Chinese Popular Music in the 1990s: From the Deterioration of the Musical Art to the Deviation of Business Culture and Artistic Value
WU Lei

..............page:30-32

On the Significance of the Innovation of Designing Aestheticism to the Enterprise Development——The Designing Strategy of the Bosideng Company as an Example
GAO Zhi-qiang

..............page:33-35

Contemporary Context of Traditional Cultural Resources
JIN Hui

..............page:36-40

On the Chinese Calligraphy as the Cultural Sign
XIONG Pei-jun

..............page:41-44

The Modern Transformation of Chinese Minority Art
WEI Guo-bin;WAN Xiao-ping

..............page:45-49

On the Application of the Inner Vision in the Dulcimer Performance
WU Yue

..............page:203-205

Tie-and-dye Patterns and the Application in the Modern Closing
ZHANG Qiu-ping

..............page:206-207,49

liu jian zheng you hua zuo pin

..............page:封2

liu xiao yan zuo pin

..............page:221

Powerful Intrusion——On the Subjective Perspective in Michael Moore's Documentary
FANG Meng-yang

..............page:115-117

The Double Impact of the Professionalization of the Schola——painters in the Ming and Qing Dynasties Upon the Painting Value
XU Dong-shu

..............page:118-121

On the Influence of the Natural Environment to the Ancient Chinese Artistic Creation
ZHOU Mei

..............page:122-124,17

The Folk Fine Arts in the Jinji Area under the Influence of the "Yuanti" Style in the Song Dynasty
LI Jian

..............page:125-128

The Visual Text Presented by Inspecting Meaning in the Context——Interpreting the Archetype of Chinese Culture in The Picture of the Guoguo Lady's Spring Outing
LI Min

..............page:129-133

The Relationship Between the Meaning and Modeling Characteristics of Chinese and Foreign Visual Art
LU Jie;JIANG Fan

..............page:134-135,128

University Music Education Should Introduce the "Primitive Music"
YANG Xiao-qing

..............page:168-169,73

"Music Curing Heart"——On the Aesthetic Education Ideas in the Classical Music Record
JIANG Yan;LI Li-ping

..............page:166-167

On Chinese Artistic Songs and the Singing Style
LIU Shan-zhen

..............page:163-165

On the Composing Characteristics and Methods of Wolf's Songs
SUN Hui-ling

..............page:160-162

On the Tune Style of Yangge in Jinhu and Baoying
DING Yan

..............page:156-159

Logic Strategy of the Modern Music Aesthetic Redemption
XU Xiang-yang

..............page:152-155

On "Space" and its Influence upon Japanese Aestheticism and Design
Zulixiangli

..............page:136-140

The World Significance of Folk Music Study
CHANG Ning

..............page:150-151,159

Kangxi Music Pieces and Beiye's Zhongyuan and Nanzun's Hongwu
LIU Hong-hua

..............page:93-95,92

The "Epic" Tendency in Wu Wei-ye's Dramatic Creation
ZHANG Jin-huan

..............page:89-92

The Folk Flavor of the Nanxi Opera in the Ming Dynasty
WU Chun-yan

..............page:86-88

On the Germanization of the Functional Designing Ideas and the Bauhaus Style
LIU Lin

..............page:141-145,44

Emotion Designing Products——On the Emotional Methodology in the R & D of Products
TANG Ling-jie

..............page:146-149

The Cultural and Social Transformation of Contemporary Chinese Urban Construction
YUAN Zhi-huai

..............page:50-53

Cultural Interpretation of Nanjing's Image as an "Humanitarian Green City"
JI Yu-qun

..............page:54-56

On the Opportunity Connotation of the Taoist Aestheticism
FU Song-xue

..............page:57-61

Masters and Tonality——Tracing the Origin of the Music Officialand the Music Culture (Ⅱ)
ZHANG Guo-an

..............page:62-69,5

Alternative Belief in Singing and Dancing——On the Local Difference of Religious Culture from the Origin and Development of Eastern and Western Drama
ZHANG Tian-yu

..............page:70-73

On the Narration in the Traditional Chinese Opera
WANG Ya-fei;ZHU Li-ming

..............page:74-81

Rationalism and DU Li-liang's Dreams-Re-understanding TANG Xian-zu's "Ration Through Passion"
LIU Xiao-mei

..............page:82-85

On Zaishengyuan and Its Adaptation to the Xiqu Opera
CHEN Juan-juan

..............page:96-98

Tragedy of the False Love——On the Yuanqu Opera Tichaqi and Racine's Phèdre
YU Zhuo-ya

..............page:99-101,88

The Growth of the Yueju Opera in the Cultural Transformation
wang zuo ; zhang yan mei

..............page:102-103

The Gilded "Golden Armour"——Comparison between The Thunderstorm and Curse of the Golden Flower
CHEN Xing-li

..............page:104-107

A Study on Eugene O'Neill's Tragic Vision
XU Shi-yan

..............page:108-111

The Continual Existence: The Multi——representation of Root-seeking in Old and New Movies
JIN Chang-qin

..............page:112-114,194

ZHENG Man-tuo and the Development of the Chinese Calendar Painting
CUI Hao

..............page:208-209