Hundred Schools In Arts 2006 Issue 7 On the Influence of "Midian Scenic Painting" Upon the Later Scholar Painting

On the Influence of "Midian Scenic Painting" Upon the Later Scholar Painting
HUA Yao-ru

..............page:54-55

On the Mimetic Ideas of the Traditional Chinese Painting From the Flower and Bird Painting in the Song Dynasty
LI Qin

..............page:50-53

The Feasibility of Social Forces Participating in the Running of Museums
LIU Hong-chun

..............page:156-157,79

On the Word- music Style and Educational Significance of the Yangge Songs in Jinhu
ZHENG Huai-zuo

..............page:158-160

New Tendencies in the Reform of the Music Education Major in Normal Universities
ZHANG Hong-xia

..............page:161-162

The Pitch- precision Problem in Instrument Teaching
CHI Zheng

..............page:163-164

On the Teaching Ability of University Singing Teachers
LIN Mei

..............page:165-167

On the Direction in the Basic Education of the Fine Arts
XUE Yi-ping

..............page:168-169,171

On the Fine Art Education for Children
ZHANG Yi;XIONG Shi-xia

..............page:170-171

On the Style of the Scenic Painting in the Tang Dynasty
LV Shao-qing

..............page:56-58

The Artistic Characteristics of HUANG Gong- wang's Scenic Painting
CHEN Wen-li

..............page:59-60

On the Bionic Designing in the Dress Style
WANG Lei

..............page:61-64

The "Human- centered" Color Exploration in the Display Design
REN Xiao-fei

..............page:65-66,69

On the Development of Signal Design and Its Emphasis on the Moldering Form
WANG Zhi-xiang

..............page:67-69

Image Construction of the Visual Signals
XU Li

..............page:70-72,104

The Win- win Strategy of the Cultural Heritage Protection and Tourism Development——After the International Symposium of the Cultural Heritage Protection and Tourism Development
ZHOU Zhong-wu

..............page:73-79

The Designing Idea in the Training of the Construction Art
WANG Yong-guo;WANG Yi-ping

..............page:80-82

The Characteristics of the Construction and Gardening in the Yongle Palace
CHEN En-hui

..............page:83-85,88

On the Color Sketch of the Buildings
PAN Shao-yuan

..............page:86-88

The Artistic Characteristics of the Gardening Scene Design in Thailand
TONG Xin

..............page:89-93

On the Palace and Folk Dancing Forms in the Song Dynasty——Research on the "Dance Team" and "Team Dance"
LIU Jin-xiang

..............page:94-96,99

On the Formal Characteristics of the Folk and Palace Performing Arts in the Song Dynasty From the Historical Perspective
JING Xin-li

..............page:97-99

Local Culture Characteristics of the Folk Dance in Jiangsu Province
HUANGPU Ju-han

..............page:100-101,93

The Formation and Circulation of the Folk Song The Jasmine
WANG Hong-xia

..............page:102-104

Application of the Individual Performing Method in the Folk Music Orchestra
SU Qin

..............page:105-107

Integration of Emotions——On the Interpretation and Performing Psychology of the Piano Music From Chopin's Noctunes
FAN Ying-jing

..............page:108-110

Artistic Plotting in the Piano Performance
LI Feng;ZUO Jian-xin

..............page:111-112

On the Nationalization of the Piano Art
WANG Pei-ji

..............page:113-115,150

On the Pedal Strategy of the Piano
LIU Xiao-liang

..............page:116-117,110

The "Inspiration State" in the Primitive Creation——From the Coordination of Witchcraft Upon the Physical and Psychological Mechanism
DAI Fei

..............page:118-120,129

Citizen Culture Rights and Public Culture Service Analysis and Reflection on Constructing the Public Culture Service System in Jiangsu Province
JI Ya-lin;LI Juan-li

..............page:121-125

The Theoretical Evolution of Integrating Traditional Chinese Poetry and Painting
LIU Ye

..............page:126-129

On the Subject of the Chinese Painting Creation
DING Hou-xiang

..............page:130-133,141

On Schulman's Aesthetic Ideas
PAN Jie

..............page:134-136

On the Symbolism of Traditional Chinese Patterns
ZHANG Lei

..............page:137-141

On the Imaginary Realist Art Form Under the Influence of the Digital Technology
CHEN Feng

..............page:142-144

On the Development of the Cultural Creation Industry in Jiangsu Province
XU Dun-hua;ZANG Zheng-mei

..............page:145-146

On the Development of the Contemporary Chinese Gallery Industry
ZHU Yan

..............page:147-150

The Value Problem in Julius Caesar
ZHENG Xin

..............page:151-153

Popular Art: A Post- modernist Depthless Popular Myth in the Consuming Context
ZHANG Zong;CHEN Zhi-chao

..............page:154-155

The Rhythm Noting Training in Normal Universities
LI De-jing

..............page:172-173

The definition of opera actor's role and the cultivation of opora actor's quality
TANG Peng

..............page:174-176

On the Nature of the Digital Art From the Dialogue Approach
CAO Tian-quan

..............page:177-179,184

On the Origin of the Mountain -song Style and the Banqiang of the Traditional Chinese Opera GAO Xiang
GAO Xiang

..............page:180-181

Emotion: Aesthetic Core of the Painting Art
DU Guo-hao

..............page:182-184

With or Without Me in the Freehand Painting
LIU Shou-xin

..............page:185-186

The Image Meaning Classified Purely by Shape From the Concrete Image Cave Painting
KONG Wei-qiang

..............page:187-188,167

The Painting in the Pilu Temple of Shijiazhuang and Its Artistic Characteristics
SU Jin-Cheng

..............page:189-190

Interpreting the Post- modernist Text Strategies in Shakespeare in Love
YUAN Qi

..............page:191-193

Application of the Manner Art in the Classroom Teaching
MEI You-liang

..............page:194-195,193

Essence Coming From Simplicity
YAN Gong-da

..............page:196

The Beauty of Simplicity in Photography
CHEN Jiang-guo

..............page:197-198

The Taste of the Tea and the Beauty of the Painting
JI Xin

..............page:198-199

On the Painting Creation
LI Hong-wei

..............page:199-201

The Interaction Between the Ancient Version of the Traditional Chinese Opera and the Traditional Chinese Opera Research
WANG Yan-ping

..............page:201-202

The Differentiated Service in Public Libraries
WANG Li

..............page:203-204

The Information Resource Exploration of the Artistic Files and the Cultural Service
SUN Ling-yun

..............page:205-206

On the Piano Study of Primary School and the High School Students
PU li

..............page:206-208

On the Feminist Tendency in Manet's Painting of the Naked
ZHOU Yu

..............page:210-211

The Construction Form of the Ancient Southern Houses and the Planning of Modern City Public Space
ZHAN Bi-chuan

..............page:213-214

The Macro-organic Balance in the Ecological Designing
XUE Sheng-hui

..............page:216-217

Game Analysis and Application in Chinese Art Auction
huo shu bin ; wang zuo

..............page:220-221

The Influence of the Modern Clay-ware Upon Modern Life and Its Existential Significance
GONG Bao-jia

..............page:222-223

mei shu zuo pin

..............page:封2,209,212,214-215,217-219,221,224-封底

Three Questions to the Traditional Chinese Opera
LI Ming-hua

..............page:22-25

On the Difference in the Characterization of Pipa Story and Xixiang Story
LIU Hai

..............page:20-21

On the Cultural Characteristics of the Plot of the Four Love Plays in the Yuan Dynasty
LI Ling-long

..............page:16-19,8

On the Research on ZHU You -dun's Life and Works in the 20th Century
WANG Xue-feng

..............page:11-15

New Characteristics of the New Historical Plays in the New Era——After Watching Dreams Ended in the Wujiang River
LI Qing-cheng

..............page:9-10

On the Political Aestheticism of the late Jamsonian Marxism
YUAN Jiu-hong;CHEN Pei-yong

..............page:4-8

On the Protection and Utilization of Chinese Culture Heritage
ZHANG Jian-hua

..............page:1-3

The Invisible Barrier——On the Difference of YU Hua's and ZHANG Yi -mou's Living
XU ZHENG-long

..............page:47-49

The Theatricality of the Music in the Opera Tosca
QIAN Qin-li

..............page:45-46,64

"Pinterian Characteristics" in Homecoming
SUN Chang

..............page:42-44,112

LIANG Shi- qiu and The National Drama Movement
WANG Qing

..............page:38-41

Reflection on the Protection and Development of the Traditional Chinese Opera
GAO Qing

..............page:36-37,41

On the Relationship between the Parable and Drama
LIU Han-guang

..............page:32-35

Revision and Reflection of the Research on the "Guliang Tone" of Shandong Province
KONG Pei-pei

..............page:29-31,3

Internal Reasons for the Flourishing of the Yuanqu Opera
REN Hui-ping

..............page:26-28,25