Hundred Schools In Arts 2005 Issue 4 Re- identification of the Nanxi Opera

Re- identification of the Nanxi Opera
SUN Mei

..............page:10-12

Heyang Leaping Drama--The Influence of the Zaju Opera in the Song and Jin Dynasties
LIU Wen-feng

..............page:6-9

The Same Character and Different Connotations--The Emotion in The Story of the West Room, The Peony Pavilion and The Changsheng Palace
YE Shu-fa

..............page:13-15

The Evolution of the Dream Stories
LI Xi-Xia

..............page:16-19

On the Discourse Mode of the Traditional Chinese Opera
HE Hui-bin

..............page:20-24

ZHANG Zhi- dong and the Traditional Chinese Opera
ZENG Fan-an

..............page:25-28

The Commercial Tendency in LI Yu's Dramatic Creation
LIU Qing

..............page:29-31,19

The Comic Effect in the Actions of the Yuanqu Opera
BIAN Liang-jun

..............page:32-33

On the Dramatic Form of the "Hand -Shadow Drama"
LI Yue-zhong

..............page:34-36,24

The Tragedy of the Chunliu School and the Japanese New School Drama
SUN Yi-xue

..............page:37-41

The Social Education Awareness in the Nankai New Drama Movement
XU Da-jun

..............page:42-45

On the Image of Earl in Rigoletto
SHEN Heng

..............page:46-48,117

On the Performing Art of the Traditional Chinese Opera and Opera from the Perspective of Chinese and Western Thinking Approach
WANG Qun-Ying

..............page:49-51

Embody" Form" into" Non - Form"--On the Product Designing Concept in Chinese Enterprises
JIANG Hong-bin

..............page:52-57

The Scientific Composition of the Designing System
DONG Liang

..............page:58-61,41

Setting and Image-- "Modernization" of the Chinese Society and the "Calenda" in the 1920s and 1930s
ZHENG Li-jun

..............page:62-67

Water -Ink Painting and the Philosophical Spirit of Taoism
ZHANG Bai-lu

..............page:68-70,76

Re -evaluation of the Colors in the Traditional Chinese Color- Painting from the Perspective of Material Science
LI Jian

..............page:71-73

On the Creation of the Modern Color -Painting
HAO Da-xin

..............page:74-76

The Modern Art and the Modern Advertisement
XU Hao;YU Xue;Li Mo

..............page:77-79

Sculptures of Rodin, Brancusi and Moore
CHEN Jin-wen;TIAN Xiaodong

..............page:194-195,193

On the Modernization of the Chinese Painting
ZHANG Kai

..............page:196-197

The Beauty of Depth in the Landscape Painting
Hua Qiang

..............page:198-198,197

Accelerating the Pace to Protect the Orally-Teaching Music Heritage in Jiangsu Province
PU Heng-qiang

..............page:80-83

The Modern Re- creation of the Chinese Music Aestheticism Tradition-- The Modern Interpretation of "Harmony"
ZHANG Bei

..............page:84-86,90

Theoretical Criticism on the Chang'an Classic Music
CHENG Tian-jian

..............page:87-90

Emotional Analysis of Music
ZHOU Xin-ye

..............page:91-94

Philosophical Thoughts of the Traditional Chinese Singing
ZHAI She-quan

..............page:95-97

On the German and Austrian Artistic Songs in the 19th Century
DING Yue-jian

..............page:98-100

On Diversity Music of Liuqin Opera
LI Ai-zhen;LIU Zhen

..............page:101-103,83

On the Origin of Flamenco
ZHOU Jie

..............page:104-105,100

On the "Institution School" Folk Dance in Modern China
LIU Li

..............page:106-108

The Definition and Function of "Change" in the Buddhist Art
Yu Xiang-dong

..............page:111-117

The Historical Development of the Western Art Concept
WANG Yong-jun

..............page:118-122

On the "Lii School" Art of the Pots
WANG Xing-qi;CHEN Ming-ming

..............page:123-128

The Concept and Expressive Approach of the Chinese Pop Art
LI Mu-zi

..............page:129-131

The Psychological Phenomena of the Folk Art Appreciation
WU HE

..............page:132-134

From "Center" to "Middle": The Development of the Contemporary Designing Aestheticism
LI Ping

..............page:135-138

Analytical Research of the Numerical Form
YU Xiao-bao

..............page:139-140,171

On the Comprehensiveness of Dance
LIU Tong-chun

..............page:109-110

The Religious Culture in CAO Yu's Plays
ZHANG Yao-jie;XIAO Xi

..............page:1-5

On the "All -Round Liberation" in the Teaching of Performance
QIAN Tai

..............page:141-144

The Function of Art Education in the Aesthetic Education
CHEN Yao

..............page:145-146

The Function and Significance of "Model" in the Singing Education
ZHU Wei-hong

..............page:147-149

On the "Closing" of the "Closing Singing Approach"
LI Zong-tang;ZHANG Xiao-zhong

..............page:150-151

On the Curriculum Reform of the Music Education in Normal Universities from the Perspective of Integration
SHI Shan

..............page:152-154

On the Evolution of the New Concept in Music Teaching
ZHAO Feng

..............page:155-156

New Concept of the Music Education in the Institutes of Higher Learning
ZOU Li-xia

..............page:157-159

The Innovative Ability and Qualitative Training of the Artistic Designing Personnel
SHI Xiang-qiang

..............page:160-161

The Digital Photography in the Time of Internet
CHEN Ming

..............page:184-185

On the Art of Film and Television in the Digital Time
WU Pei-xiu;TANG Zhong-hui

..............page:186-187

On the art of music and pictures in the movies about World War Ⅱ
Gao Cai-lin

..............page:190-191

On the Designing of Cartoon
YIN Jun

..............page:192-193

Re-construction of the Relation Between the Land and the Human: GAO Ming's Art of the Oil Painting
SHA0 Wen-hong

..............page:204-204

kao lun liang tu xue wen quan bu -- ping zhao xing qin xin zuo zhong guo gu dian xi qu xiao shuo kao lun
yan ying

..............page:188-188,180

mei shu zuo pin

..............page:189,199-203,封面,封二,封三,封底

The Birth of Artistic Masterpieces and the Courage of Artists--On Modern Drama Common People
XU Xun-hua

..............page:162-164

On the Aesthetic Connotation of the Package Art and the Land Art
LAI Shou-liang

..............page:165-167

On the Representative Films of ZHOU Run -fa, ZHOU Xing- chi and CHENG Long in Hong Kong
SUN Jian

..............page:168-171

On the Singing Aestheticism in the Music Aestheticism
LI Qi

..............page:172-173

The "Egoless Level" in the Flower and Bird Painting of the Song Dynasty
WANG Dan

..............page:174-175

CHEN Zhi- fo's Contribution to the Fine Arts Education in China
ZHAO Si-you

..............page:176-178,164

The Relationship of Poetry and Painting in the Chinese Painting
SHAO Lian

..............page:179-180

On the Creative Composition of the Chinese Painting
BI Bao-xiang

..............page:181-182

On the Fiber Art
WU Xu-guang

..............page:183-183,185