Hundred Schools In Arts 2004 Issue 5 The Glamour of the Zheng Music-On the Teaching of Zheng

The Glamour of the Zheng Music-On the Teaching of Zheng
hua zuo

..............page:179-182

Performance Sketch--The Enlightenment of YAO Style to me
yuan ju fen

..............page:183-185

ze si zhu zhi chen qu du xian guan zhi xin sheng -- jiang nan si zhu yin le da cheng jian ping
xie jian ping

..............page:186-187

The Develpment of the Body Beauty in the Xian Qin Period
shu you chun

..............page:91-97

Miyingsheng of Chongyang and Beijing Opera
dan chang jiang

..............page:89-90

On the Influence of Traditional Chinese Opera upon ZHANG Dai's Prose
zhang ze tong

..............page:86-88,178

Textual Research ON Kong Shang-ren's
liu shi jie

..............page:83-85

On the Versions of Xiu Ru Ji
zhou ling yun

..............page:74-82

The Artistic Achievement and Documental Value of Xi Xiang Ding Ben--Reply to Mr.CHEN Xu-yao
jiang xing zuo

..............page:70-73

The Loyalty Story by JIANG Shi-quan
si tu xiu ying

..............page:63-69

A Study on the Original Relation Between The HeFanJi in The GuiChi NuoXi Operas and The Liu WenLong in The NanXi Operas
wang ping

..............page:58-62

On the Relationship between LIU Bei and Dongwu in Literary Works
shi zuo

..............page:55-57

Learning to Play Instruments Improves the Children's Quality
sun hai dong

..............page:177-178

Analysis on the Present Situation of Art Education in Suzhou
shen pei yao

..............page:174-176

On the Level Education in Singing Education
shi min

..............page:172-173

On Developing the Textbooks for Erhu Performance
qi mian le

..............page:168-171

On Improving the Creativity in Painting through Teaching
yu yan

..............page:165-167

Break away from the single stereotype in the Education of Arts.Cultivate creative artists.
luo wei

..............page:163-164

On the Psychology of Learning Water Colour Painting
gu sen yi

..............page:160-162,28

On the Function and Renovation of the Campus Culture
ni ya jing

..............page:157-159

The Anthropological Value of Portrayal in the Han Dynasty
li bei lei

..............page:122-124,90

On the Research Approach of Ancient Chinese Genre Painting
hu zuo xun

..............page:117-121

Audience in the Darkness--On the Application of "Reader Criticism" in Drama Criticism
xu shi zuo

..............page:114-116

On the Artistic Conception of Traditional Chinese Opera
liu han guang

..............page:108-113

Traditonal Aestheticism and Aesthetic Practice of Music in the High-tech Time
luo jin yan

..............page:98-100,135

"Publicity" of Art and Public Art
zhang su hui

..............page:101-103

Color and Face--An Attractive Topic
hua yao ru

..............page:104-107

On the Rebellious Awareness of XU Wei's Plays
chen qing ji

..............page:50-54

On the Characteristics of Xi Xiang Ji's Comic Plot
li feng

..............page:45-49

Interpreting the Presentation of the "Wife" Image
sun mei ; xiong xian guan

..............page:40-44,69

Tradition and Alternative--Comparison of the "Matchmaker" Image
huang yan

..............page:35-39,138

On the Origin of the Thematic Development of the Yuanqu Opera
yuan shu hui

..............page:32-34,182

On the Cultural Mentality of Intellectuals in the Yuan Dynasty
dang yue yi

..............page:29-31

Tendency and Characteristics of GUAN Han-qin's Yuanqu Opera
dong lian xiang

..............page:25-28

Yuanqu Opera:Treasure of the Integration of the Refined and Popular Cultures
zhang da xin

..............page:20-24,31

A Comparison the Culture Content Between the Ancient Fiction And the Traditional Opera
shen xin lin

..............page:14-19,9

The Beginning of Chinese Symphony and Its Early Creation
yan ru

..............page:155-156,185

The Rhythm Signs of Conduction Must be Standardized
zhu ming guan

..............page:153-154

Value Form of Music
liu yi li

..............page:150-152

Analyzing the Singing Psychology
jiang jun hui

..............page:146-149,188

On the Artistic Characteristics of the Traditional Music in the Southern Part of Jiangnan
zhan wan

..............page:143-145

On the Creation of "Self Artistic Discourse"
chen en hui

..............page:203-204

"Style Designing Model" and Designing Thought
deng yi rong ; lin wei qin

..............page:201-202

Analysis of the Developmental History of Western Fine Arts from the Angle of Trueness and its Realistic Significance
zhang shao ming

..............page:199-200

On the "Light" and "Dynamic Colour" in Chinese Painting
huang pei jie

..............page:197-198

zhi gen bei tie cheng da feng , han yong gu jin chang xin qu -- wen bei han zi shu fa shu ping
hong zuo

..............page:141-142,140

On the Moving Animals and Fishes in LI Fang-ying's Paintings
cui li ping

..............page:139-140

The Artistic Value and Transformation of Ancient Inscriptions
chen ai min

..............page:136-138

Color and Splendor--On the Characteristics of Colors in Chinese Painting
xiong zuo

..............page:134-135

On the Artistic Conception of Traditional Chinese Painting--The Integration of Heaven and Human
gu ping

..............page:132-133

On the Scenery Incorporation of Li Yu's Garden Aesthetics
shao xiao zhou

..............page:128-131

The Inevitable Belonging of Modern Chinese Painting
wu yao hua

..............page:125-127

On the Technical Factors in the Writing of Traditional Chinese Opera
hu zhi feng

..............page:10-13

"Inhamonious" Beauty--On the Use of Paradox in HONG Shen's Emperor Zhao
yu na

..............page:7-9

A Revolutionary Realistic Dramatist-CHEN Bai-chen
zhou te sheng

..............page:5-6

Reading CHEN Bai-chen :Optimism towards His Rough Path of Life
dong jian

..............page:3-4

Cherishing the Memory of Professor CHEN Bai-chen--On the 10th Anniversary of Death of CHEN Bai-chen
liu hou sheng

..............page:1-2