Hundred Schools In Arts 2004 Issue 3 The Splendid Flower of Chinese Folk Art--Reading Paper-carving in Jintan

The Splendid Flower of Chinese Folk Art--Reading Paper-carving in Jintan
xu zu liang

..............page:112-113

On the Carving Art of Jixiao Mountain Villa in Yangzhou
kong jin

..............page:114-115,75

Designing:Between Science and Humanity
chu xiao qing

..............page:116-119,111

On the Development of Visual Art Designers from Scientific Personality
wu wei

..............page:120-124

On the Reform of the Teaching Approach in the Fine Arts
lin rong hui

..............page:125-126,79

Fibre Art Education and Handicraft Construction in China--on the Development of Fibre Art Education from Porcelain Art Education
liu zuo yan

..............page:141-143

Falsehood in the Modern Pottery
lv jin quan

..............page:109-111

Rational Meditation and Passionate Expression--On the Still Life Water Painting
chen zi ang

..............page:107-108

Transformation of the Traditional Chinese Opera and the May 4th New Culture Movement
an kui

..............page:1-6,68

On the Innovation of Quyi from the Aestheticism of the Contemporary Audience
wu zhi zhong

..............page:7-8,30

Traditional Chinese Painting in Jiangsu:Continous Innovation
hua wei lie ; huang ya ling

..............page:9-10

Thoughts after the Popularity of the Avant-garde Drama
chen shu hua

..............page:11-12,10

Comments on traditionail opera and the trend of thought in literature and art during Ming-Qing dynasties
tian gen sheng

..............page:13-16

Re-assessment of the Value of the Text in the Traditional Chinese Opera
su han

..............page:17-20,42

On the Deconstruction and Innovation of the Movie Aestheticism by the Internet
peng jiao xue

..............page:127-131

HuangBao Yuan's Painting Works

..............page:154-154

niu han ding you hua zuo pin

..............page:155

Psycho-analysis and control of the Interviewee
wang xiao yan ; li guang yue

..............page:132-134,83

Discussing the influence that Chinese Opera on Zhao Shu-li'novel Style
wang li

..............page:135-139

Stylized Movement in the Traditional Chinese Opera and the Personality of the Character--On the Performing Art of the Traditional Chinese Opera
dong yuan

..............page:140-140,108

wei zhe mei shu zuo pin

..............page:144-146

yu ge you hua zuo pin

..............page:147-147

zhou ji yin zuo pin

..............page:148-149

jin tan ke zhi zuo pin

..............page:150-151

he wei zuo pin

..............page:152-153

Interpretation of "Bao Lao" and "Bei Lao"
zhang ying

..............page:47-49

On the Relationship between Music and Tone in the Kunqu Opera
wang zheng lai

..............page:50-63

On the Artistic Characteristics of the Chen School in the Huaiju Opera
zhang zuo

..............page:64-68

Thoughts on the Refined and Popular Standard of Music
yan shu fen

..............page:69-71

On the Unique Percussion Instrument of the Ethnic Groups in China-Drum
xu kai

..............page:72-75

Ensemble of wind and Percussion Instruments and Its Origin
li guo zuo

..............page:76-79

The Origin of the Chinese String Instruments-Bangca
ma yun zuo

..............page:80-83

On the Influence and Effect of Musical Education upon Quality Education
li ling

..............page:84-84,95

Discuss the Thought of Literature and Art" Hehe" in" Yue Ji"
li cheng

..............page:85-89,63

mou ke min shan shui hua

..............page:156

guo hua chun feng duo qing
chen pei guang

..............page:封面

zuo yi shui cai hua

..............page:封2

zhuang xi zu shu fa zuo pin

..............page:封3

guo hua qing xiang man ren jian
chen pei guang

..............page:封底

Paintings of Italian Renaissance and Humanism
yu ge

..............page:104-106

Reflection on the Avante- garde Artists During the Period of the Republic of China
zhang shou wu

..............page:101-103

From" the Painting of the Image" to" the Image of the Painting"--On the Creation of the "Instrument Serial"
he wei

..............page:99-100

The Integration of Calligraphy and Painting--On the WEI Zhe｀s Art of Calligraphy and Painting
ge hong zuo

..............page:144-146

Painting the Soul,Forgetting the Images
cheng wan li

..............page:96-98

On the Spirit of Revolt in LIU Hai-su＇s Artistic Creation
zhu ge li na

..............page:94-95

On the Musical Aestheticism of XUN Zi
wang zhi cheng

..............page:90-93

Symphony and Integrity of Filial Piety--On the Reception and Understanding of Filial Piety in the West
cheng juan

..............page:21-23

The Increased Importance of Binbai--On LI Yu＇s Idle Thoughts :Binbai NO.4
chen zuo zuo

..............page:24-25,103

On the Owner＇s contribution to the Development of the Kunqu Opera
yang hui ling

..............page:26-30

On the Traditional Custom of the Funeral from the Yuanqu Opera
zhou ling

..............page:31-34

A Dream of Chei Xian and Persuading Liu Chei to Resease Soul from Purqatory--A Discussion on Xu Wei＇s Theme Change and Recreation of Chei Xian Dream
zuo zhen

..............page:35-39

The Philological Value of ZHU You-dun＇s Za ju Opera
zhao xiao hong

..............page:40-42

On "Six Schools" and "Thirteen Excellences" of Bei Jing Opera
fan li min

..............page:43-46