Hundred Schools In Arts 2003 Issue 3 Comment on the Unique Comedic Manner of LiYu' s Drama

Comment on the Unique Comedic Manner of LiYu' s Drama
fu di xiu

..............page:28-32

Try to Concludes That Yuanzaju Criticize Buddhisn and Taoise
luo yong zhong

..............page:25-27,77

Development and Innovation of the Oil-Painting Tradition
liu bao hua

..............page:146-147

Comparing the General Development of Chinese and Western Clothing Cultures
wu guo zhi

..............page:148-149

On the Image Expression Forms of the Freehand Landscape Painting
kang kai

..............page:150-151

On the Spiritual Quality of the Art Designing in the Digital Time
liu chao hui ; li li

..............page:152-153

The Eight Gods in the Poetic Drama of the Yuan Dynasty
yin rong

..............page:33-37

A Research Analysis on the "Canjun" Drama in the Song Dynasty
zeng fan an

..............page:38-42

A Famous scholar of the early 20th Century on the Poetic Drama LU Qian
cai yong ming ; jie yu feng

..............page:43-46

Several Problems in the Training of the Vocal Music
deng xiao ying

..............page:80-82

On the Importance of Innovation in Singing
cai lan qiu

..............page:83-84

The Cultural basis of the Integration of Chinese Poetry and Painting
liu zuo

..............page:85-87

Analyzing the idea of "Calligraphy and Painting Developing from the Same Origin"
gong wen

..............page:88-89

Multiplication and Individualism in the Design of Visual communication
wu wei

..............page:90-92,73

On the Modern Awareness of the Chinese Portrayal Painting
xu zuo

..............page:93-94

The Gradual Change from Specifie Imagery to the ldeological one--Cultural source of an abstract pattern on the painting sculptural stone fuom Han Dynasty found in the northern part of Shaanxi Province and other places
zhang zhi chun

..............page:95-99

Intelligence in the Light and Shadow--Research on ZHOU Ning's Scenic Photography
sun wei xin

..............page:100-101

On Ladder- Shaped Squares and Calligraphy Teaching
lin rong hui

..............page:102-104

Adopting the Imagery Observation Approach in the Teaching of Chinese Painting
xu wei

..............page:105-107,66

On the Development of the Chinese Architectural Art
zhang zuo ; ding jing

..............page:108-109,71

On the Inspiration into China Landscape Architecture from Occident Modern Landscape Art
zhang zong ; li zhi zuo

..............page:110-111

On the Basic Theory of Molding
lei wei shun

..............page:112-113

Orbit of Ink and Colour
li ming wei

..............page:114-118

WEN Bei's Art in the Post- Modernist Context
gu shen

..............page:119-120

Poetic Content and Profound Philosophy
fu jing sheng

..............page:121-122

Catcher in the Purple Clay Tradition
ji wei ming

..............page:139-139

Lines in the Traditional Chinese Painting
yu de sheng

..............page:142-143

Cultural Characteristics of the Package-Designing Art
xu chuan hong

..............page:144-145

Research of "the Peddlers"
yang hui ling

..............page:47-50

The Fight Between Kunqu and Local Opera Reflected in the Lamp on the Forked Road
zhao zhi

..............page:51-55,113

On the Similar theme of Hangongqiu and Changshengdian
shi yan mei

..............page:56-58,99

On WANG Zeng-qi's Adaptation of "FAN Jin Passing the Examination"
ke ling

..............page:59-62

Arthur Miller:His Reception and Influence in China
wu wen quan

..............page:63-66

On The Theatrical's arising Notion Of Theatrical Selected Works In Ming And Qing Dynasty
zhu chong zhi ; du lei

..............page:21-24,32

Interpretation of DU Li- Liang's Emotional World
zheng shang xian ; gao yan ping

..............page:17-20

Discussing the YuHe Ji isn't in order to write for YiHuang Tune- pattern
zhang wen de

..............page:12-16

Revising "The Heart Lamp" for the performance in Taiwan--The Practice and Thought
lu bing

..............page:9-11

Rational Thoughts on the Constraction and Development of Longjiang Opera
li ming ming

..............page:5-8,20

The Future Direction of the Traditional Chinese Opera
zhou da gong

..............page:1-4

The Meaning of Gongs And Drums In Films On Film Comments By Zhong Dian- Fei
peng yao chun

..............page:67-71

On the Performing Skill of the Military Music of Pipa
liu shi

..............page:72-73

On the Traditon and Reformation of Ballet
shen yang

..............page:74-77

The Mistakes and Correction in singing
wang bing

..............page:78-79

Nature·Architecture and Design
li li ; liu chao hui

..............page:154-155

The Philosophical Basis and Aesthetic Distillation of ZHENG Ban- qiao's Democratic Ideas
yao wen fang

..............page:123-126

Changing The Pupa To Butterfly--On The Rejuvenate Of Chinese magic
lu hu ; zhang li

..............page:127-129

On the Educational Function of Chorus on the Campus Cultural Activity
huang shao qu

..............page:130-131

xian dai shu fa xu ri dong sheng
zhan wen

..............page:封面

20 shi ji zhong guo xian dai shu fa jing pin hui fang

..............page:封2

ling dong de feng -- zhou ning she ying zuo pin

..............page:封3

xian dai shu fa yi qin bu zhuo
zhan wen

..............page:封底

From Guqing to Qin song
zuo yun xia

..............page:132-132,134

Analysis of the Bilateral Relation Between the Artistic Information and the Artistic Research
wang yan ping

..............page:133-134

gu dai xi qu li lun yan jiu de xin cheng jiu -- ping zhu wan shu ming dai xi qu ping dian yan jiu
yu wei min

..............page:135-136

rang gu lao de yi shu huan fa qing chun -- du zhong guo xi qu de shen mei jian shang yu li shi zhan wang
huai zuo

..............page:137-138

zhuan ke zuo pin
liu yi yun

..............page:138

zi sha yi shu zuo pin
ge

..............page:139

shu hua zuo pin
wang yue ming

..............page:140

guo hua zuo pin liang jian
yu de sheng

..............page:141

guo hua zuo pin yi jian
yu de sheng

..............page:142

guo hua zuo pin liang jian
yu de sheng

..............page:143

you hua zuo pin yi jian
liu bao hua

..............page:146

you hua zuo pin yi jian
liu bao hua

..............page:147

guo hua zuo pin yi jian
kang kai

..............page:150

guo hua zuo pin liang jian
kang kai

..............page:151

she ji zuo pin yi jian
li li ; liu chao hui

..............page:152

she ji zuo pin yi jian
li li

..............page:153

she ji zuo pin yi jian
liu chao hui

..............page:154

she ji zuo pin yi jian
li li

..............page:155

liu chao hui li li she ji zuo pin xuan

..............page:156