Hundred Schools In Arts 2003 Issue 2 On the Audience Advantage and Creating direction of the funning Drama

On the Audience Advantage and Creating direction of the funning Drama
gu zuo sen

..............page:1-4,76

On the History and Characteristics of the Blue-Printing Cloth in Nantong
chen xian jin

..............page:123-124

Research on the Educational Effect of Designing
wang fang liang

..............page:125-126

Designing the Feeing of Security
yu xiao bao

..............page:127-128,114

ON WANG HUAN'S PAINTING
wang jun

..............page:141-142

Architecture--An Eternal Art
wang zhen de

..............page:146-147

The Instantaneous Touch and the Color Powder Painting
han xue

..............page:150-151

On the Contributing Factors to Artistic Style of SU Tian-ci's Oil Painting
zhao si you

..............page:152-153

Examining Yueju Opera --Its Existence and Development in the Modern Economic Society
luo jia hui

..............page:5-8,70

On the Artistic Form and Reformation of the Caicha Drama in the southern Jiangxi Province
su zi yu

..............page:9-12

On the Unique characteristics and Developmental Tendencies of the Local Dramas--Taking the Luantan Beilu Drama in Fujian Province as an Example
ye ming sheng ; ye shu liang

..............page:13-17

On some Problems of Traditional Opera
shen xin lin

..............page:18-23

Hard to But Out Explore the Purport--Explore and explanation the reason which caused the complex appearance of pipa Ji
bo ya li

..............page:24-30

The Duality in the Art of Music
fang li zuo

..............page:77-79,100

On the Expressive Characteristies of Music
chen ming li

..............page:80-83

Understanding the Essence of the Bel Canto
cai wei

..............page:84-86

Emotion and Sound in the Performing Art of Erhu
lin dong po

..............page:87-88,103

An Analysis of Haydns piano sonata
xu dong ni

..............page:89-91

The Musical Components and Formal Classification of "the sowing songs"in the Northem Jiangsu Province
qian jian ming

..............page:92-96

Materialization of the Consciousness--on Painting the Lotus
xu hao

..............page:97-97,96

Thinking on the Academic Development of Calligraphy and Painting Appraisal
yin xiao lei

..............page:121-122

On MIN Xiang-de's Calligraphy Style
li ping

..............page:154-155

tan xiang shan hei tao
liu bao hua

..............page:148

you hua zhu mu lang ma you gu tou de jing wu
liu bao hua

..............page:149

se fen hua er zi san lian hua zhi yi se fen hua nv hai
han xue

..............page:151

shu fa zuo pin
zuo xiang de

..............page:154

shu fa zuo pin
zuo xiang de

..............page:155

she ji zuo pin
lin wei qin

..............page:156

lu xiang chen ge ( ju bu )
huang pei jie

..............page:封面

hua niao hua zuo pin liang jian
xu hao

..............page:封二

she ji zuo pin
lin wei qin

..............page:封三

xian dai shui mo shan wu yin she yuan chi la xiang
wen bei

..............page:封底

Design:The Humanization in the Technological Effects
lin wei qin

..............page:156-156

On the Effect of Artistic Quality Development in Education
li yan ming

..............page:129-130

Thinking on the International Standard Dance Being Enlisted in the Optional Courses of the Higher Education
zhu peng ping

..............page:131-132,49

Research on the Market Operation of the Drama
hu xue chun

..............page:133-134

Exploring the Inheritance and Innovation of Jiangsu Folk Dances in the New Period--Analysis on the success of the Square Dance" Hai'an Huagu"
chen mi ; wang ai guo

..............page:135-136

Approaching the World of Child Calligraphy and Painting
gao de xing

..............page:137-137

fan kang ? tao bi ?-- ping wang cheng gang ju zuo xuan yu ce ling hun
wang zuo

..............page:138-139,107

qu e luo si xue yi shu

..............page:140

shan shui hua
wang huan

..............page:141

shan shui hua
wang huan

..............page:142

you hua huai shu zhuang / you hua da feng jing
wang zhen de ; qi jun qing

..............page:143

diao su feng / you hua he tao / shui cai hua gao cheng shan de nong jia / you hua fu chen
liu zuo ; li hui jie ; qiu pei sheng ; ma ye

..............page:144

Blanks Should Be Left in Tranditional Chinese Painting
wang shu xia

..............page:98-100

The Painting Art of Li Fang-ying
cui li ping

..............page:101-103

Splash-ink Scenery Paiting:Its History Present Situation and Contemporary Existence
zhang bo

..............page:104-105

The Spiritual Representation of Scenery Paiting with Pragmatic Rationalism as Its Origin
yuan jun hua

..............page:106-107

Interpreting Van Gogh
zhang yu chun

..............page:108-109

The Dynamic Expression of the Sculpture Work
guo yong jian

..............page:110-114

The Artistic Characteristics of the Thousand-handed and Thousand-eged Guanyin
zuo yan long

..............page:115-116

On the Artistic Characteristics in Designing the Sheli Tower of the Qixia Temple, Nanjing
zheng li jun

..............page:117-118

The Stone Carving of Tang and Song Dynasties in the Yunlong Mountain, Xuzhou
zuo xiu lin

..............page:119-120

chuang tai shang de jing wu / shi zhuang hua jin fen shi jia / shi zhuang hua jin se sui yue / jing wu
xie tian ; sun ru jie ; ju de hui ; wu guo zhi

..............page:145

On Its Origin And Performance Of The Canghu Role In The Canjunxi Drama Of Tang Dynasty
zhu dong gen

..............page:31-35,116

Discussion on "ZHANG Xie, the Number one Scholar Was Written after the Middle Yun dynasty"
hu xue gang

..............page:36-39,45

Theatres in the Early Ming Dynasty and Its Development
xu zi fang

..............page:40-45

Brief Introduction to the Family Background of LIN Meng-chu
feng bao shan

..............page:46-49

On "Longing for the Secular World" and "The Story of the Wicked Sea"
liao ben

..............page:50-51

Innovation and Inheritance:Qi Rushan and the Modernization of Traditional Chinese Opera
su yong li

..............page:52-58

The Imang World in the Stage Arrangement of the Traditional Chinese Drama
hu zhi feng

..............page:59-63

The Playwright's Sex and His Dramatic Creation
li xiang lin

..............page:64-70

On the Principle of Free Representation in the Stage Performance of Kunqu
zhou qin

..............page:71-76