Hundred Schools In Arts 2002 Issue 1 hai xia liang an de yi chang bie kai sheng mian de kun qu hui xu -- nan jing qu she ju ban tong qi zhu he tai wan shui mo qu ji liang an xun yan cheng gong

hai xia liang an de yi chang bie kai sheng mian de kun qu hui xu -- nan jing qu she ju ban tong qi zhu he tai wan shui mo qu ji liang an xun yan cheng gong
shen dao chu ; yuan yu ling

..............page:128-128

A Discussion Outline of Jianghu's Culture
cao lin

..............page:125-127

An Informal Discussion about the Dance in Traditional Chinese Opera
qin you

..............page:121-122

How to Keep the State of Singing
li ying xue

..............page:120-120,112

On Clown--My Realization about force
liu lin

..............page:117-119

To be Alike in Appearance and in Spirit in Performance
hu ai hua

..............page:115-116

On the Common Pursuit of Art and Science in Photography
zhang xiao yang

..............page:123-124

My Opinion about the Huain Accompaniment in Cheng School of Beijing Opera
chen yi qiang

..............page:113-114,122

On the Dancing Course in Art Polytechnic School
tan li li

..............page:111-112

Some Thinking about Musical Education in Native Language
yang yi he

..............page:109-110

On the Characteristic Style of Rakhmaninov, Sergey Vassilievich Piano Concerto
liu yi xin

..............page:106-108,105

The Scientific Sound Production and Moisten Tune Art
hu zhi feng

..............page:98-105

Researches on Musical Aesthetics Essence
wang zhi cheng

..............page:92-97

On the Teaching of Design Art
zhu jin zuo

..............page:89-91

One of the Reading Notes about Artistic Dialectics
jiang geng yu

..............page:86-88

cheng ru rong yi que jian xin -- cao cheng long qi ren qi hua
jiang zhou

..............page:85-85,78

A Different View on 《Fei Zhi Lun》
cao cheng long

..............page:83-84

A Textual Research of Ma Zhi Yuan's Life
li shu ning

..............page:79-82

《Si Fan》 and 《Nie Hai Ji》
cai dun yong

..............page:76-78

The Prostitutes in the Late Ming Dynasty's Drama--On 《Xi Lou Ji》《Hong Li Ji》 and 《San Sheng Zhuan Yu Zan Ji》
sun mei ; xiong xian guan

..............page:70-75,91

Comment on the QU ZHAO
zuo bo

..............page:66-69

On Li Yu's Ten Categories of Theatrical Performence and the Unanimity of His Theory about Theatrical Perfomance
yao an

..............page:59-65

A Comparison between the Chinese classical fiction and One of the traditional Opera
shen xin lin

..............page:54-58

The Textual Research of The Development of Nan Xi--Also On The Boundary Between Nan Xi and Chuan Qi
yu wei min

..............page:44-53,43

A Probe into Brecht Dramatic Artistry
liu jia

..............page:38-43

A Probe into the New Type Overall Drama
cheng hong yu

..............page:33-37

On the Plasticitv of Beijing Opera's Stvlized Movements
liu zuo

..............page:29-32

Beijing Opera's Spirit Passed
zhao jing rong

..............page:25-28

On the Modernizing Process of the Traditional Chinese Opera
xu yan wen

..............page:20-24

The Policy "Let a Hundred Flowers Blossom. Weed through the Old to Bring Forth the New' Prospering Henan Opera
tan jing bo

..............page:17-19

A Successful Practice to Transforming Old Culture--The Whole Story and Historical Experience about the Repertoire Appraisal of Sichuan Opera in 1950's
du jian hua

..............page:11-16

A New Era of the History of Traditional Chinese Opera--The Transforming of Traditional Chinese Opera in Shanghai under the Policy "Let a Hundred Flowers Blossom.Weed through the Old to Bring Forth the New"
gao yi long

..............page:1-7

A Review of the Transforming and Developing Theatrical Art--The 50th Anniversary of the Chairman Mao's Inscription "Let a Hundred Flowers Blossom. Weed through the Old to Bring Forth the New"
fan zheng ming

..............page:8-10