Hundred Schools In Arts 2001 Issue 3 nu yi yu kang zheng -- ke xue yu yi shu de dui hua ping jie

nu yi yu kang zheng -- ke xue yu yi shu de dui hua ping jie
han zuo

..............page:126,43

shen du li xue wen hua de " ling yi zhi yan "-- jian ping li xue wen yi shi gang
you cun

..............page:127

xin shi ji gao deng xue xiao yi shu jiao yu xue shu yan tao hui zai dong nan da xue long zhong zhao kai
liang jiu

..............page:128

guo hua mei hua xiang zi ku han lai
lu yue zi

..............page:封面

zhong guo xi qu fa zhan shi ping xi
me shu yi

..............page:124-125

zou jin li yu -- ping shen xin lin de li yu ping chuan
gao chao jun

..............page:122-123,5

On the Performance of the Traditional Opera Music
yin ji ming

..............page:121-121

On the Computer Music System's Effect in the Music Education
yang de hua

..............page:117-120

Art EducatiOn andHuman'S Knowledge,Thinking, Morality, Conduct and Using
wang yong jie

..............page:114-116

The Artistic Handling and Conducting for the Mass Singing Activties
yang hong xin

..............page:111-113

Inquiries About Palace in the Pre-Qin Days
xue lei

..............page:106-110

On the Focal Point of "Sound" in Ji Kang's 《Sheng Wu Ai Le Lun》
wang zhi cheng

..............page:104-105,94

The Fine Arts Education and Native Country Culture
song jian

..............page:99-103

On the Developmental Posture of the Modern Traditional Chinese Painting
xu wei

..............page:95-98

On the Artistry of Zhang Wenjun's Mountains-and-waters Painting
hai xiao

..............page:91-94

On Lu Yuezi's Painting
cai ning

..............page:88-90

Intention ,before or after the Technique of Writing
lu yue zi

..............page:86-87

The Association between Zhou Xinfang and Tian Han
gong yi jiang

..............page:79-85

Cherishing the Memory of the Great Master Hong Shen
wang pei

..............page:76-78

On Dramatic Aesthetic Perception
ou jing xing

..............page:74-75

On the Tragic Theme of Eugene O' Neill's Drama
sun yi xue

..............page:68-73,78

The Factor Comparison of Both Li Yu And Mo Li-ai Engaged in Comedy Creation
fu shao wu

..............page:63-67,103

The Addendem and Redress of 《Gu Dian Xi Qu Cun Mu Hui Kao》(1)
zhao xing qin

..............page:57-62

A Cultural Expalnation to 《Tian Guan Ci Fu(The Angel Blessing)》
liu zuo

..............page:51-56

A Textual Research on Jiang Shiquan's Life
lin ye qing

..............page:48-50,23

The Felling Connotation and the epochal Feature of Wu Bing's Drama
sun xia

..............page:44-47

A Psychological Explanation to the Zaju in the Late-ming Dynasty
lv jing bo

..............page:40-43

Expalnation and Dispersal to the Religion Spirit in the Yuan Zaju
liu shu li

..............page:35-39

A Special Trip to Call on Mr. Xu Shuofang for the Study of 《The Romance of the Western Chamber》
sun qiu ke

..............page:33-34,110

On the tint of idealism in the drama during the early period of Yuan Dynasty
yuan chun rong

..............page:28-32

Tang Xianzu's Performance Theory - An Analysis of 《Yi Huang Xian Xi Shen Qing Yuan Shi Miao Ji》
cai shou min

..............page:24-27,120

Kong Shangren and his work of the peach Blossom Fan--Prelude with proof and annotation to the peach blossom fan
chen mei lin

..............page:1-5

One-act play in Taoshu in the Yuan Dynasty
wang xing zuo

..............page:6-12

The rethink on The Research in China Classical Tragedies
zhang ping ren

..............page:13-17

Comment on the Positive Significance of Liyu's Commercial Pursuit in the Theatrical Creation of What I would worry unless Every One Smiles
fu di xiu

..............page:18-23