Hundred Schools In Arts 2001 Issue 2 A Traditional Opera Actor's Realization about Drama Essay

A Traditional Opera Actor's Realization about Drama Essay
yang xiao wei

..............page:122-123

On the Application of Leg's Acrobatics in Beijing Opera
guo hai ting

..............page:124-124

The Application of Light Technology on Modern Stage
wang mei yu

..............page:125-125

Three Issues about Stage Photo
chen jian guo

..............page:126-128

guo hua xi shan suo wu
mou ke min

..............page:封面

Prof. Zhou Benyi's Artistic Pursuit Embodied in the Stage Design of the Dance Drama
zhang zhi er

..............page:120-121,35

From Solemn to Wateriness--On the theme of Death in Zhang Yimou's Films
chen ji de

..............page:116-119,128

A Reflection on the Dance Education in Higher Institutions
wang yi ping

..............page:114-115

On the Basic Training of Violin's Bowstring
gan ben

..............page:111-113

Some Thoughts about the Design of Gong and Drum's Percussion in the Modern Beijing Opera
wang jian wei

..............page:109-110

On the Accompanying Skill of Bamboo Flute in Yangju Opera
mao an hua

..............page:107-108

On the Character of Erhu Strings in Performing the Jiangsu's Local Music
zhao huan

..............page:105-106,108

The Comparison between JiKang and Hanslick's Exposition about the Relation of Music and Emotion
chen xin kun

..............page:101-104

On Bringing Forth New Ideas to Training Artists in Universities and Colleges
yang zhong hua

..............page:98-100,69

Color Expression and Teaching
zhou chen yang

..............page:94-97,30

Overseas Traditional Chinese Painting
tang yong yan

..............page:92-93

On Mr. Lu Fengzi's Colligraphy--Feng's Style
mao feng yi

..............page:90-91

A Humble Opinion about Dong Qichang's Art Thought in
zhang sheng chun

..............page:86-89

On the Application of Color in the Traditional Chinese Painting
yang zheng wei

..............page:84-85

Mou Kemin and his Mountains-and-waters Painting
li qin

..............page:82-83

Excavating Traditional Chinese Painting's Color Latent Energy
mou ke min

..............page:80-81

The Research of Minority Nationality Aesthetics under the Modern Language Environment
li xiang lin

..............page:76-79

A Narrative of
wu gan

..............page:70-75

A Textual Research of the Dramatist Dai Quande
zhao xing qin

..............page:67-69

Military Officer and the Traditional Opera in the Ming and Qing Dynasties
liu shui yun

..............page:61-66

On the impairment of MingQingChuanQi's tragedy consciousness
luo jing zhi

..............page:56-60

The Evolution of Yuan Zaju's Spoken parts from the Yuan's Publication to the Ming's Publications
wu qing zuo

..............page:46-55

Research of the Scholar Authors' Psychology in Writing Historical Dramas in Yuan Dynasty
sun shu lei

..............page:41-45

A Humble View on the Conversion of Modern Traditional (Chinese) Opera
li ming hua

..............page:39-40

A Trial Analysis on the Position and Function of Acoustic in Modern Drama
dai jin wen

..............page:36-38

On the Origins of The Farce in Jiangsu
gu zuo sen

..............page:31-35

Theatre of Cruelty and Antonin Artaud
feng jian min

..............page:1-5

The Interaction and Combination of Original Chinese Opera and Western Drama :The Special Artistic Character of Ouyang Yuqian's
su yong li

..............page:6-11

Traditional Opera's influence on the Wu Zuguang's Modern Drama
jin du juan ; zhao jun wei

..............page:12-16

A Comparison between the Creative Skill of Chinese Classical Fiction and One of the Traditional Opera
shen xin lin

..............page:17-25

Alike in spirit and Fairyland--Two Issues of Aesthetics of The Traditional Opera
han bin sheng

..............page:26-30