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Tibetan Studies
1000-0003
2013 Issue 4
On the Origin and Charateristics of "Chinese Dream" and Its Practice in Tibet
DING Yong
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page:1-6
Treasure of National Art:Folk Songs and Dances of Tibetan Nationality
ZHAO Dan-ning
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page:107-110
Suggestions on Launching Development and Opening up in the South-central Region in Tibet and Bringing into the National Key Development Strategy
YANG Ming-hong;LI Guo-zheng;YANG Feng
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page:28-33
An Exploration of Transfer of Rural Surplus Work Force for Realizing the Increase of Income of Farmers and Herdsmen:The case of Zhaxizong Township,Dingri County,Shigatse Prefecture
Sonam Ngodrub
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page:102-106
Establishing Chinese Discussion in the Topics of Tibet
GUO Ke-fan
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page:14-17
Regional World Heritage Strategy Formulation from the Perspective of "Beautiful China" :Case of Tibet Autonomous Region
LIU Xiao-fang
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page:57-64
From "Small Culture" to "Great Culture" : Development of Shoton Festival under the Background of Cultural Prosperity
LIU Yi
..............
page:111-115
Goal and Path of Tibetan Modest New Pattern Industrialization
MAO Yang-hai;CHEN Pu
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page:94-101
The Essence of the Strategic Thinking: "The Governance of China Shah Emphasize the Administration of Its Frontier;the Administration of Chinese Frontier Must First Stabilize Tibet"
WAN Jin-peng
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page:7-13
The Tertiary Education of Tibet on the Way of Development
Jampa Yangdron
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page:116-122
Chinese Dream and South Asia Opportunities
LAN Guo-hua
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page:52-56
Protection of Tibetan Traditional Culture
BAO Luo
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page:18-27
Inheritance and Promotion of Tibetan Traditional Culture in Tibetan Schools
HE Qin-yong;WANG Chun-huan
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page:80-86
On the Unification of Qinghai-Tibet High Plateau Nature and Ecology Protection
NAN Wen-yuan
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page:44-51
Analysis on the Current Situation of Social Status of the Lhoba Nationality Women:Taking Nanyi Lhoba Nationality Township in Milin County as Example
Tsering Yangzom
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page:65-71
Tibetan Industrial upgrade and the role of government:Analysis Based on Neostructuralism
LI Xin
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page:72-79
On Current Employment Status and Training Mode of Artists in Tibet
XIONG Yong-song
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page:87-93