Art of Chinese Traditional Opera 2005 Issue 3 zhong guo xi qu xue yuan zhao kai da xue sheng si xiang zheng zhi gong zuo hui yi

zhong guo xi qu xue yuan zhao kai da xue sheng si xiang zheng zhi gong zuo hui yi
yang bing

..............page:130

qing dai jing ju wen xue shi chu ban

..............page:5

yin le xi ju ban min zu qi le zhuan ye xue sheng yin le hui
feng zuo

..............page:54

The Contribution of Publications of Yue Ju to the Development of Yue Ju
Sha Wenting;Dong Jihong

..............page:128-129,124

Cherishing the Memory of My Teacher, Wang Chuansong
Niu Biao;Shen Shihua

..............page:125-127

The "Quality Education" in the Talent Training in Universities of the United States
He Yan

..............page:122-124

On the Curriculum of Traditional Chinese Opera Posture Training of the Major of Movie Performance
Sheng Yuanyuan

..............page:118-121

Some Outstanding Works of Lights on Traditional Chinese Opera Stage in the New Period of Time
Zhou Deshou

..............page:112-117

Study on the Treatment of Nodes on Vocal Cords
Jiang Yongmei

..............page:110-111

The Quality of "Musical Instrument" and the Quality of "Language" of Vocal Art
Yao Hong

..............page:107-109

The Vocal Teaching of the Students Undergoing Adolescent Change of Voice
WANG Jianrong

..............page:105-106

On the Teaching of Drawing in Classroom and the Teaching of Drawing Outside in Traditional Chinese Opera Schools
Zhao Fengqin

..............page:101-104

Appreciation and Analysis of Wu Bingzhang's Teaching Art of Jinghu
Jiang Xin

..............page:95-100

Making Full Use of the Resource Advantage to Build the Burgeoning Discipline--Some Ideas about the Major of New Media Art
Cao Lin;Yang Fengyu

..............page:93-94

From Lian Dezhi's Acting of Female Characters
JING Hua

..............page:90-92

Some Relationships of the Prosperity of Today's Drama
U Jianhua

..............page:82-89

The Performance of Jin Zi
Sheng Tiemei

..............page:79-81

The Significance of Shen Tiemei in the Contemporary Development of Chuan Ju
Chen Peizhong

..............page:74-78

Some Speeches at the Symposium on the Art Creation of the Grand Mythological Beijing Opera "Ne Zha"
yao zhi qiang

..............page:24-27

"Beijing Opera of the School of Shanghai" and the Development of Culture and Entertainment of Chinese Cities in Modern Times
Zhng Lianhong

..............page:14-23

On Tang Yunsheng
Ma Mingjie

..............page:11-13

"Study of Beijing Opera"--A New Discipline
Fu Jin

..............page:3-5

The Original Meaning of "Erhuang" and the Analysis of the Formation of "Erhuang" Tunes
Hai Zhen

..............page:6-10

zhong guo yi shu yan jiu yuan ju ban guo han cheng wen ji chu ban zhuan jia zuo tan hui
li feng

..............page:131

Brand Name Plays
Zhou Chuanjia

..............page:72-73

Finding the Way of Living Out of the Birthplace: Helplessness and Choice
Zhu Jikang;Yang Xiaojun

..............page:65-71

Waves Are Still Rising Re-criticism of Model Beijing Opera
Zhang Lei

..............page:60-64

The Art Formatio and the Cultural Implications of Female Characters Acted by Male Performers in Drama
Xu Wei

..............page:55-59

Study on Some Issues in Guan Hangqing's "Mrs. Chen Saving Her Son at Zhuang Yuan Hall"
She Zhengsong

..............page:49-54

Theory of "the Standard of Traditional Chinese Opera Writing Is the Main Requirement of the Talent Selection in Yuan Dynasty"
Hu Shufang

..............page:45-48

The Structure of the Genre of Character Representation in the Period of Pre-Traditional Chinese Opera
Cao Shenggao

..............page:41-44

On Male Scholars' Private Female Traditional Opera Troupes
Li Zhenlin

..............page:35-40

Director's Notes of Beijing Opera "Ne Zha"
ZHOU Long

..............page:28-34