Art of Chinese Traditional Opera 2004 Issue 4 wang jiu cheng huo shou jie zhong guo ji you wen yi jie " te yao jiang "

wang jiu cheng huo shou jie zhong guo ji you wen yi jie " te yao jiang "
li feng

..............page:46

cheng jiao bu jiao xue hui bao nian nian chu cheng guo
qu fu ning

..............page:61

guo ying li zhu yan da xing xian dai yu ju rong guan xiu
li feng

..............page:103

geng zheng

..............page:109

2004 nian 1-4 qi zong mu lu

..............page:126-127

xiao ju chang jing ju zhu fu huo duo zhong jiang xiang
geng guang yin

..............page:29

meng zuo rong huo di shi jie guo ji shou feng qin shi nei le bi sai di yi ming
li feng

..............page:20

jiao yu xi zai wo yuan zhao kai shou jie yin xiang yi shu she ji zhuan ye shi sheng jian mian hui
li feng

..............page:10

The Indelibe Contribution of the Modern "Chuan Guan"(Rules of Costumes for Different Roles)--Notes on Xu Yanping's "Costumes of Beijing Opera" and Its Sequel
tan yuan jie

..............page:124-125

Sharing the Common Understanding on the Profundity of Traditional Chinese Opera--After Reading "Admiring Beautiful Flowers at Ju Bu"
wang shi xun

..............page:122-123

Prized Historical Materials and Remarkable Comtributions--Notes on the "Chronicle of Beijing Opera"
liu dong sheng

..............page:120-122

On the Characteristics of Stage Design in Different Types of Traditional Chinese Opera
huang qing ming

..............page:118-119

An Investigation Report on the Heritage of the Craftsmanship of the Costume of Traditional Chinese Opera
zhang yi fan ; zhang zuo ; xu ning

..............page:113-117

Establishing A New Stage of Art Design of Acoustics--Report of the First Meeting between the teachers and the 2004's Students Majored in Art Design of Acoustics of the Academy of Traditional Chinese Opera

..............page:110-113

Mixed but Different--On the Connection between Traditional Chinese Opera and TV Plays
liu zheng hong

..............page:107-109

On the Characteristics of Narration of Traditional Chinese Opera and Its Influence on the Aesthetic Features of Traditional Chinese Opera
chen you feng

..............page:62-70

Behind Love--Reading "West Chamber" for A Second Time
cai mei yun

..............page:57-61

The Admiration and the Aesthetic Characteristics of Traditional Chinese Opera Art
gu zhao gui

..............page:53-56

The Effect of Prefaces and Postscripts in the Spreading of the Culture of Traditional Chinese Opera
xie bai liang

..............page:47-53

Infiltration of Spirit and Mixture of Founction--On the Deep Structure of Religion and Traditional Chinese Opera
zheng chuan yin

..............page:33-46

Discussion with Some Writers of the Part of Musical Tunes of the "Dictionary of Beijing Opera"
cao bao rong

..............page:30-32

The Official Tune of Xiansuo and the New Tune of Xiansuo in Yuan and Ming Dynasties--On Two Temporary Features of the Development of "Temperament of Qu"
xie jian ping

..............page:21-29

On the Advantages and Disadvantages of the Criticism of Qu Studies with A Division of Nan Qu and Bei Qu
zhao yi shan

..............page:17-20

Study and Argument on Three Issues of Ancient Traditional Chinese Opera
wang wei min

..............page:13-16

Thoughts on "A Rented Wife"
shi xiao hua

..............page:3-5

Another Gratifying Achievement in Carrying on the Tradition of the New Culture Movement
an kui

..............page:5-6

The Achievement of the Second Creation of "A Rented Wife",A Play of Yongju
xu xiao zhong

..............page:7-8

The Adaptation and the Performance of "A Rented Wife",A Play of Yongju
shen da ren

..............page:8-10

Random Comments on "A Rented Wife"
dai yun

..............page:11-13

Another Light to Morality and Reason--On the Radiance of Human Nature in "Love of Dai kingdom" and "The Famous Performer of Dadu" by Wang Zhongde,A Playwright of Hebei
liu zhong cheng

..............page:104-106

The Comparative Advantages and the Development Strategies of the Higher Education of Traditional Chinese Opera Art
yu shao fei

..............page:100-103

On the Training of Traditional Chinese Opera Performers in College Edcation on A New Historical Stage
zheng zhong hua

..............page:95-99

The Evolution of the Social Concept of Love and Marriage Shown in the Drama of Late Ming Dynasty
wang yong en

..............page:86-94

Study on the Costume of Zaju in Song and Jin Dynasties
song jun hua

..............page:82-85

Accentuating Perceptual Individual Life and Questioning about the Extant System of Value--New Thoughts on the Tragic Implication of "The Story of A Pipa"
cui cai hong

..............page:76-81

lun zuo zuo pai chuan qi zai wo guo xi qu shi shang de jia zhi he gong xian
zhu dong gen

..............page:71-76