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Art of Chinese Traditional Opera
1002-8927
2004 Issue 3
xiao ju chang zou xiang " min le zhi sheng "
zhao zuo xuan
..............
page:127
yi shu jiao yu xi yin le zhuan ye jiao shi yin le hui tu pian xuan
..............
page:封二
yin le xi min zu qi le xue sheng yin le hui tu pian xuan
..............
page:封三
yi shu jiao yu xi yin le zhuan ye jiao shi yin le hui tu pian xuan
..............
page:插一
yi shu jiao yu yin le wu dao biao yan tu pian xuan
..............
page:插二
yi shu jiao yu xi 2003 ji ying shi xiao shuo pian duan hui bao
..............
page:插三
"chun hua qiu shi "-- biao yan xi yin le xi 2000 ji bi ye hui bao yan chu
..............
page:插四
"xiang yue bei jing " zou jin guo xi xiao yuan
zhu ge lan yu
..............
page:126
"you yi zhi chun " xi qu yin le hui shou dao hao ping
wang huan
..............
page:85
Observing Wang Yqoqing's Teaching from the Perspective of Modern Teaching
bai guang yao
..............
page:79-81
The Aesthetic Tendency of the Stage Form of Traditional Chinese Opera
xu hong
..............
page:86-91
New Examination of the Teaching Pattern of Play Learning Courses
yu ping
..............
page:82-85
On the Creation of Gao Chong of "Crushing Armoured Chariots"
zhou long
..............
page:76-79
Thoughts about the Creation of Bai Suzhen of "A Tale of Whie Snake"
bai yan
..............
page:73-75
"Storm of August 1st" The Pioneer of Modern Beijing Opera
bai ke hua ; bai shao hua
..............
page:66-72
The Difference of Conception between the Drama of Ancient Greece,the Drama of Ancient India and the Drama of Traditional Chinese Opera
liu yan jun
..............
page:62-65
"Praying to the Moon" and Its Historical Influence
liu xiao mei
..............
page:56-61
The Difference between Li Yu and Li Yu the Difference between Professional Playwrights of Traditional Chinese Opera and Specialized Playwrights of Traditional Chinese Opera
fu di xiu
..............
page:50-55
On the Cognition of Beijing Opera Literature of Qing Dynasty
yan quan yi
..............
page:44-49
Wei Liangfu and the Innovation of the Art of Kunqu
liu zuo
..............
page:41-44
The Aesthetic Evaluation of Drama in Small Theatre
zhou chuan jia
..............
page:33-40
Watching Local Opera on the Stage of Beijing
liao ben
..............
page:26-32
In memory of Zhang Geng,Striving for the Development of National Drama
dai xia
..............
page:3-6
Zhang Geng's Comprehensive Study of Traditional Chinese Opera
an kui
..............
page:7-11
The Leader of the Academic Research of Traditional Chinese Opera
yan chang zuo
..............
page:12-13
The Academic Instruction of Zhang Geng
wang ren yuan
..............
page:14-15
Summing up the Rehearsal of "Du Shiniang" and Thinking Deeply about the Art Creation of the Academy
zhao jing bo
..............
page:16-18
The Random Thoughts of the Music Creation of "Du Shiniang"
guan ya nong
..............
page:19-21
The Teaching and the use of the Tune Types of "Du Shiniang"
cai ying lian
..............
page:21-23
Several Topics about the Rehearsal of "Du Shiniang"
dong de guang
..............
page:24-25
cheng jiao jiao xue zheng gui hua , zhen da zhen bian yu xin ren
cheng
..............
page:75
yin le xi 2004 jie jing ju qi le zhuan ye ben ke sheng bi ye
wang huan
..............
page:55
Random Notes of Wu Zuguang's Instruction
chen guo qing
..............
page:121-126
Traditional Chinese Opera needs Agents
ma zuo
..............
page:118-120
Survey of Baiju in 2004
chen zuo ; chen hong guang
..............
page:110-118
The Regular Patterns of the Formation of the Traditional Opera Types of the National Minority of China
li yue
..............
page:105-109
The Use of the Structural Elements of Ancient Chinese Buildings in the Stage Design of Traditional Chinese Opera
zhang yang
..............
page:102-104
The Social and Cultural Factors in the Promotion of the Changes of Stage Design of Traditional Chinese Opera at the End of Qing Dynasty
wang xin zuo
..............
page:97-101
The Conception of Stage Cjolour of Traditional Chinese Opera
wang yun liang
..............
page:91-96