Art of Chinese Traditional Opera 2004 Issue 2 zhong guo xi qu xue yuan wei si wei lao xiao chang su xiang

zhong guo xi qu xue yuan wei si wei lao xiao chang su xiang
li feng

..............page:126

yi ci jiao xue xiang chang de you yi chang shi
li chun rong

..............page:126

xue sheng hui hui kan guo xi ren wen shi
fu qi

..............page:122

shao xing dian tai xi qu tai kai bo cheng gong
li feng

..............page:118

li yuan shu dian wang zhan kai tong
wang xin guang

..............page:114

zhong guo jing ju bian nian shi ju bu shang hua ji chu ban fa xing
liu dong sheng

..............page:124

jing ju xuan bian di er juan chu ban
chen guo qing

..............page:127

Eliminating Gratitude and Enmity with A Smite the Embarrassment of Reason and Helplessness--Thoughts of "The Orphan of Family Zhao" Performed by the People's Drama Theatre of Beijing
han li ping

..............page:41-44

dui bei fang kun qu ju yuan xian zhuang de diao cha -- kun qu bei lian he guo jiao ke wen zu zhi lie wei " ren lei kou tou yi chan he fei wu zhi yi chan dai biao zuo " zhi hou
liu zuo

..............page:45-47

The Beijing Opera Play "A Dream of Red Mansions" of Ouyang Yuqian and Its Reform in Traditional Chinese Opera
wang lin

..............page:48-52

Reports on Teaching and Practice
cao lin

..............page:53-56

An Analysis of "Play Analyzing Course"
zuo jun

..............page:57-60

Characters' Emotional Thread in Creating of Traditional Chinese Opera
zhao xi huai

..............page:61-63

The Teaching Plan for "The Little Sisters of Grasslands", A Instrumental Solo of Pipa
wang cheng zhi

..............page:64-68

Correct Pitch in Teaching of Banhu
niu chang hong

..............page:68-69

On "Painted-face Role of Jiazi Singing in the Way of Painted-face Role of Tongchui"
xu chao

..............page:70-71

On Jinghu Accompaniment
you hai qiu

..............page:72-74

Reminiscing about Qiu Shengrong--At the 90th Anniversary of Qiu Shengrong
wang ruo zuo ; fei yu ping

..............page:75-76

The Image Creating and the Facial Make-up of Guan Yu
zhou hua bin

..............page:77-80

Random Research on Acient Traditional Chinese Opera
wang ning

..............page:81-83

Plays with Themes on Song Dynasty in Zaju of Yuan Dynasty
li zhi liang

..............page:84-88

New Findings of Historical Data of Tang Xianzu
lian zuo ming

..............page:89-90

A Study on Training Schools of Jin
zhang ying

..............page:91-94

The Origins of the Relationship between Dwarf and Puppet
wang xiao yun

..............page:95-99

Thoughts on "Making Traditional Chinese Opera More Attractive"
zhang qiao ying

..............page:39-41

The Female Playwrights' Complex about "Mulan" in Ming and Qing Dynasties
tang zuo

..............page:16-21

Humor and Visualization--On the Aesthetic Meaning of the Performing of Humor in Nanxi of Song and Yuan Dynasties
li shuang qin

..............page:11-15

A Folklore Analysis of the Reunion Endings in Acient Traditional Chinese Opera
zheng chuan yin

..............page:3-11

The Ecological Form of Traditional Chinese Opera in 21st Century
xie yan chun

..............page:34-38

The Latter Humanitarianism of the New Ideological Trend of Realism and Its Dispelling the Effect of the Enlightenment Discourese in May 4th Movement
zhang wen zhen

..............page:29-33

Telling Stories through Singing and Dancing and Adding Song and Dance in Traditional Chinese Opera--A Theoretical and Practical Question for Traditional Chinese Opera in 21st Century
jin zhi

..............page:24-28

On Acient Chinese Theatres and the Culture of Traditional Chinese Opera
shi chen zuo

..............page:21-24

Uniqueness and Emotion:The Tradition of Fabricating Strangeness in Ghost Plays and Its Developing Process
hu zuo zuo

..............page:100-103

Two kinds of Qinqiang in shaanxi--Additional Proofs to "An Interesting Discovery" of Cheng Yanqiu
wen shou

..............page:104-107

Two Kinds of Yuediao with Different "Clans"
wei tian zuo

..............page:108-109

The Folk and Cultural Attributes of Some Types of Traditional Chinese Opera on the Verge of Extinction in Henan Province
feng jian zhi

..............page:110-114

On the Elements of Traditional Chinese Opera in the Singing of Manhandiao
ma tie ying

..............page:115-118

ning bo zuo ju dian qi rong huo " zhong guo xi qu xue hui jiang "
li feng

..............page:119

"yi li shen bei " xi qu xi ju bi sai jue sai zai bei jing yuan man jie shu
li feng

..............page:120-122

xie rui qing xi shou li ai xian yu ping wei tu bai shi yi shi zai bei jing ju xing
li feng

..............page:123-124

wo yuan chuang zuo de du shi niang rong huo " shou jie guo jia wu tai yi shu jing pin gong cheng ti ming jiang " bing shou dao bei jing shi zheng fu biao zhang
dong de guang

..............page:125

fu zhong yin le ke cheng gong ju ban 2004 jie bi ye sheng hui bao yin le hui
zhao lei

..............page:125