Art of Chinese Traditional Opera 2004 Issue 1 shan dong han zi rong huo xi qu jin jiang

shan dong han zi rong huo xi qu jin jiang
li feng

..............page:126

sun zuo min xi shou xin tu liu xiao yan
li feng

..............page:127

cheng jiao bu di er jie wu mei zhan yuan man cheng gong
zhu jun ling

..............page:116

jiao yu xi can sai xiao pin hui bao yan chu huo ying ping jiang
ji hong

..............page:10

jing hu zai shi zou xuan lv gao zhong di yin dian zhong de yun yong
jiang zuo

..............page:31

Simply Talking about He Yufeng's Figure Portrary in Thirteenth sister
dong xiao jia

..............page:123-126

Odyssey Rehearse and Sidelight--Talking about Odyssey's Scenarist and Art Inspector General Sao Hongchao
ren jing jing

..............page:119-122

Taling about the Beijing Opera Gong and Drum's Show Ability
pei yong li

..............page:117-118

Talking about the Flute Playing and Teaching
jiang jing hong

..............page:112-116

Psychology Question Within Instrumental Music Playing
wu ben qi

..............page:109-111

Ordinary Contain Miraculous--Talking about New Compile Ancient Costume Comedy Wu Sa Ji's Costume Design
fan xiao zuo

..............page:107-108

Enlarge Tradition Culture Propagate Facial Makeup Art--Holding Individual Xiqu Facial Makeup Painting Art Exhibition's Thought
wu wen xue

..............page:106-107

Asia Stage Artistic Design Works Exhibition Caprice
dang ning

..............page:104-105

Discuss Xiqu TV Drama's Art Morphology Feature--With Stage Xiqu's Comparison
yang zuo

..............page:97-104

Create Code,Interpret Code:Xiqu TV Drama's Betwilder and Outlet
chen guo qin

..............page:91-96

Field Investigate:‘Jing Hua Kunqu Melodie' the Lastest Professor Quan Kun Team
shi wei

..............page:87-90

lun dao yan dui zuo pin xing xiang li yi de ke yi zhui qiu
qiu ya zhou ; wang shi qing

..............page:84-86

A Little Grandma can Sing Big Drama--Know from the Experience of Child Xiqu Mixture with TV Culture
chen xiao jian

..............page:82-83

The Theory of Lao Zi & Native Drama
li xiang lin

..............page:76-81

From the Use of Song Form,can See Ming and Qing Dynasty Xiqu Ceation's Stretching Rules
sun shu lei

..............page:70-75

Textual Research the Tune of Cheng Ying Drama in Nan Fu and Jing San Area
fan li min

..............page:66-69

Yang Zhangsheng With His Jing Chen Za LU-A Great Upsurge of‘Flower Staff Recod' In Jia and Dao Ages
zuo shu yi

..............page:60-65

Wei Changsheng & the Contend between the Popular and the Classic
lin xiang e

..............page:52-59

Qing Dynasty Composer‘s Textual Research
lu yong qiang

..............page:49-51

Simply Analyze Chief Constitution of the Folk Drama Audience in Song and Yuan Dynasty
wu zuo

..............page:45-48

Probe Tentative into the Man and Wife Relationship Drama of Yuan Zaju
cao ying

..............page:38-44

Discuss and Analyse the Phenomenon of Buddhist Monks and Nums Secularise
ke fan

..............page:32-37

Theatre Song's Pursue--Aesthetic Discuss of Shen Jing's Scenario
xie yong jun

..............page:26-31

The Initial Mature Xiqu Form in China--Simply Discuss Song Xiwen
jiang zhong qi

..............page:18-25

Discover and Sort Out the 20th Century Thirty Types of Zaju Published in Yuan Dynasty
miao huai ming

..............page:15-17

Hong Deng Ji Revise amd Rehearse--Commemorate My Old Friend A Ja Passed Away for ten years
zhang dong chuan

..............page:11-14

Xiqu Art's Industrial Attribute
jiao liu

..............page:3-5

Cheng Yanqiu & the 21 th Century Beijing Opera's Development
chen pei zhong

..............page:6-10