Art of Chinese Traditional Opera 2003 Issue 4 yi shu jiao yu xi 2004 nian yin xiang zhuan ye zhao sheng

yi shu jiao yu xi 2004 nian yin xiang zhuan ye zhao sheng
cao lin

..............page:105

zhong guo xi qu jing dian zhong guo xi qu jing pin chu ban
er dong

..............page:124

wu wen xue ju ban ge ren xi qu lian pu hui hua yi shu zhan
li feng

..............page:61

quan guo shou jie jing hu yi shu yan zou hui zai bei jing ju xing
li feng

..............page:119

geng zheng

..............page:124

2003 nian 1-4 qi zong mu lu

..............page:125-127

xi ju xiao pin chuang zuo tan
zhang zuo

..............page:123

tan yu ju xing ti ke jiao xue gai ge
zhu li xin

..............page:103-105

In Memory of My Father on the 20th Anniversary of His Death
shi jian min

..............page:122-122

Recalling
yu cong

..............page:120-122

Publishment of Zhang Linyu's "History and Pictures of Drama of Shanxi"
zhou yu de

..............page:118-119

Traditional Chinese Opera Plays Performed on Stage and on TV
jiang ze li

..............page:115-117

The Performing Way of "Speaking Instead of Singing" of Dan School of Wang of Beijing Opera
li ai xian

..............page:113-114

Rules of Dressing Methods of Traditional Chinese Opera
jiang si meng

..............page:110-112

An Urgent Task--Salvaging and Recording the Valuable Teaching Materials of Senior Artists of Beijing Opera
zhang guan zheng

..............page:106-110

Thoughts on the Rehearsal and Performance of "Du Shiniang"
dong de guang

..............page:99-102

Folk Carnival--the Comparative Original Form of Huangmeixi
wang xiao yun

..............page:49-54

The Allegorical Spirit in Tang Xianzu's Creation of Traditional Chinese Opera
tan kun

..............page:44-48

On the Aesthetic Connotation of Li Yu's "Form" in Traditional chinese Opera
zuo xue wei

..............page:40-43

Traditional Chinese Opera about the Eight Immortals and Its Cultural Implication
wang han min

..............page:34-39

View of "the Supreme Decisiveness of Emotion" and Confucian, Taoism and Dhyana
zou yuan jiang

..............page:28-33

Refutation to the View of "Facial Makeup in Traditional Chinese Opera Started from the king of Lanling"
zhou hua bin

..............page:17-19

On classification of Themes of kunqu Plays in Ming Dynasty
bi yu ling

..............page:20-23

The Historical Standing of Confucian Culture and Its Influence in Traditional Chinese Opera of Acient Times
zheng chuan yin

..............page:24-28

Director's Words of "Man of Shandong", A Play of Shandong Bangzi
zhao wei ming

..............page:97-99

Beauty in Thinness
han feng

..............page:94-96

Illustration and Use of Skills and Symbols of Jinghu
jiang zuo

..............page:92-93

Some Thoughts on the Teaching of Accompaniment of Beijing Opera
gu yu jie

..............page:90-91

Meng Chengshun's View on Language and Styles of Music
wang yong en

..............page:81-89

Study on the Origin of "Nanbangzi", A kind of Tunes of Beijing Opera
zhang zheng zhi

..............page:75-80

On the Plays Adapted from Famous Works of Traditional Chinese Opera in the 1990's
yan quan yi

..............page:66-74

A Soul-stirring Report on the Findings of An Investigation of Traditional Chinese Opera
liang hai

..............page:62-66

Thoughts after Reading Li Yu's "Jottings of My Leisure Mood"
zhao xi huai

..............page:59-61

Self-understanding and the Conscioushess of Roles in Traditional Chinese Opera Creation of Acient Times
wang hai yang

..............page:55-58

The General Preference for the words Used in Zaju of Yuan Dynasty
li zhi liang

..............page:3-6

A Comparison of the Plays Based on Divorce Stories in Zaju of Yuan Dynasty and Nanxi of Song and Yuan Dynasties
peng yin

..............page:7-13

Gu,the Wandering Poet in Acient Times
zuo wen rui

..............page:13-16