0257-0254
2013 Issue 1
Introduction to the Special Topic
Wu Chengxue
Wu Chengxue
..............page:4
The Primitive State of Antique Chinese Elenchus in Spoken and Written Style
Hu Dalei;School of Chinese Literature;Guangxi Normal University
Hu Dalei;School of Chinese Literature;Guangxi Normal University
..............page:4-11
Classic Literary Genres and the Canonization of Literary Genres
Jia Fenran;College of the Chinese Language and Literature;Capital Normal University
Jia Fenran;College of the Chinese Language and Literature;Capital Normal University
..............page:12-18,38
Genre Criticism in Ming Dynasty and Zhu Yao’s Genre of Ancient Rhapsody
He Shihai;Department of Chinese;Sun Yat-sen University
He Shihai;Department of Chinese;Sun Yat-sen University
..............page:19-26
Introduction to the Special Topic
Li FengLiang
Li FengLiang
..............page:27
Literary Debates and Paradigm Shifts in Overseas Studies of Modern Chinese Literature
Yingjin Zhang Literature at University of California
Yingjin Zhang Literature at University of California
..............page:28-38
Dialectics between Politics and Literature:On Overseas Studies in Chinese Literature
Ji Jin;Soochow University
Ji Jin;Soochow University
..............page:39-45
A Positioning of China in the Global Space:Reflecting the Overseas Debate on Chineseness and Sinophone
Yu Xiayun Department of Chinese Language and Literature;Fudan University
Yu Xiayun Department of Chinese Language and Literature;Fudan University
..............page:46-52
Sinophone Literature and World Literature in Chinese
Li Fengliang Shenzhen University.Hu Ping College of Liberal Arts at Jinan University.
Li Fengliang Shenzhen University.Hu Ping College of Liberal Arts at Jinan University.
..............page:53-61
A Critical Reflection on and Construction of Modern Chinese Literary Theory
Wang Yichuan School of Arts;Peking University;Centre for Literary Theory;Beijing Normal University.
Wang Yichuan School of Arts;Peking University;Centre for Literary Theory;Beijing Normal University.
..............page:62-67,75
On Liu Gangji’s Practical Ontological Aesthetics as an Advance of Practical Aesthetics
Zhu Liyuan Zhang Wenying Department of Chinese Language and Literature;Fudan University.
Zhu Liyuan Zhang Wenying Department of Chinese Language and Literature;Fudan University.
..............page:68-75
Mo Yan’s Polarizations:An Interpretation of His Big Breasts and Wide Hips
Zhao Yong;School of Language and Literature;Beijing Normal University;Center for Literary Theory and Criticism;Beijing Normal University
Zhao Yong;School of Language and Literature;Beijing Normal University;Center for Literary Theory and Criticism;Beijing Normal University
..............page:76-85,151
The Rhetoric of “New Manchu”:With a Focus on New Manchu Magazine in Puppet Manchurian State
Liu Xiaoli;Department of Chinese Language and Literature;East China Normal University
Liu Xiaoli;Department of Chinese Language and Literature;East China Normal University
..............page:86-92
The Return of Beauty?
Wolfgang Welsch Stanford University and Emory University
Wolfgang Welsch Stanford University and Emory University
..............page:93-100
Postmodernity,Hegemony,Sexuality
David Alderson Modern Literature at the University of Manchester;Centre for the Study of Sexuality and Culture at Manchester
David Alderson Modern Literature at the University of Manchester;Centre for the Study of Sexuality and Culture at Manchester
..............page:101-120
Critique of Foucault’s Theory of Discourse
Zhou Xian;the Higher Research Institute of Liberal Arts and Social Sciences and the School of Liberal Arts;Nanjing University
Zhou Xian;the Higher Research Institute of Liberal Arts and Social Sciences and the School of Liberal Arts;Nanjing University
..............page:121-129
The Meta-Ethical Traits:Nothingness,Différance and Spectrology
Wang Hongsheng School of Liberal Arts;Tongji University
Wang Hongsheng School of Liberal Arts;Tongji University
..............page:130-137
On Plato’s Religious Justice and Artistic Justice
Wang Yun;Shanghai Theatre Academy
Wang Yun;Shanghai Theatre Academy
..............page:138-151
Theoretical Traces of Raymond Williams’ “Structures of Feeling” and “Cultural Materialism”
Duan Jifang;School of Chinese Language and Literature;South China Normal University
Duan Jifang;School of Chinese Language and Literature;South China Normal University
..............page:152-158
..............page:159-166
The Concept of “Tianji” in Ancient Chinese Literary Criticism under the Perspective of Phenomenology
Zhang Jing Institute of Art Research;Communication University of China
Zhang Jing Institute of Art Research;Communication University of China
..............page:167-174,201
The Narrative Function and Stylistic Significance of the Official Papers in the Tang-Dynasty Fictions
Cheng Guofu;He Liang Chinese Department;Ji’nan University
Cheng Guofu;He Liang Chinese Department;Ji’nan University
..............page:175-182
On Liu Xizai’s Paradox about the Exhaustibility of Meaning
Tao Xingchuan Department of Chinese;East China Normal University.
Tao Xingchuan Department of Chinese;East China Normal University.
..............page:183-191
The Fragmented Ancient Chinese God System
Zhu Dake Department of Chinese;Tongji University
Zhu Dake Department of Chinese;Tongji University
..............page:192-201
The Mythistorical Pattern in the Studies on Origins of Civilization
Wang Qian;College of Literature;Huaibei Normal University
Wang Qian;College of Literature;Huaibei Normal University
..............page:202-208
Technology,Apparatus and Meaning:Two Approaches to Myth Interpretation
Rao Jing School of Liberal Arts;Renmin University
Rao Jing School of Liberal Arts;Renmin University
..............page:209-216
..............page:217
..............page:218